Cory Arcangel

Cory Arcangel

Cory Arcangel was born in 1978 in Buffalo (NY); he lives and works in Brooklyn. The impartiality with which Arcangel perceives software, hardware and Internet resources as raw art materials, placing them in new contexts, reveals a completely novel style. In the mid-2000s, he became well-known particularly through his method of applying archaeology in historical computer technology of the 1980s, while in recent years he has expanded his repertoire of art material and digital sources. The ageing process of technologies is a central theme in Arcangel's work. In 2011, the Whitney Museum of American Art in New York held a solo exhibition of his work.



Award for the Filmic Œuvre, Kino der Kunst



Kunststiftung NRW, Nam June Paik Award (shortlist)



Creative Capital, Emerging Fields Grant



New York Underground Film Festival, Jury Prize Award



New Radio and Performing Arts, Commission

Whitney Museum of American Art, Artport Commission



NYSCA, New Media Grant



New Radio and Performing Arts, Commission

Solo exhibitions


Currentmood, Lisson Gallery, London, UK

MCS, Team Gallery, New York, NY, USA



Hors les murs, FIAC, Paris, France

The Source,The New York Art Book Fair, MoMA PS1, New York, NY, USA

AUDMCRS - PSK - SUBG, Galerie Thaddaeus Ropac, Pantin, France

Hot Topics, Lisson Gallery, Milan, Italy

All The Small Things, Reykjavik Art Museum, Reykjavik, Iceland

This Is All So CrazyEverybody Seems So Famous, GAMeC, Bergamo, Italy

Cory Arcangel : Be the first of your friends, L’Espace Louis Vuitton, Munich, Germany


tl;dr, Team Gallery, Venice Beach, California, USA; Team Gallery, New York, NY, USA

You Only Live Once, Holiday Inn, New York, NY, USA

All the Small Things, HEART Herning Museum of Contemporary Art, Herning, Denmark

Acknowledgement, Circulation, Obscurity, System Ambience, New York, NY, USA



The AUDMCRS Underground Dance Music Collection of Recorded Sound, New Museum of Contemporary Art, New York, NY, USA

Power Points, DHC/ART Foundation, Montreal, Canada

Masters, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA



Speakers going Hammer, Lisson Gallery, London, UK

Pro Tools, The Whitney Museum of American Art, New York, NY, USA

Beat the Champ, Barbican Centre, London, UK



Here Comes Everybody, National Galerie Berlin, Hamburger Bahnhof-Museum für Gegenwart, Berlin, Germany

Image is Everything, Galerie Thaddaeus Ropac, Paris, France

Cory Arcangel: The Sharper Image, Museum of Contemporary Art, Miami, Florida, USA

Creative Pursuit, University of Michigan, Museum of Art, Ann Arbor, Michigan, USA

Cory Arcangel for New Jersey, Basel, Switzerland; London, UK


Depreciated, Montevideo: The Netherlands Institute for Media Art, Amsterdam, Netherlands

Three Piano Pieces, Op.11, Galerie Thaddaeus Ropac, Salzburg, Austria


Variations on a Theme, Galerie Thaddaeus Ropac, Salzburg, Austria

Adult Contemporary, Team Gallery, New York, NY, USA


A couple thousand short films about Glenn Gould, Northern Gallery for Contemporary Art, Sunderland, UK. Travelled to: Spacex, Exeter, UK and Castlefield Gallery, Manchester, UK; under the auspices of the Film and Video Umbrella

Request for Comments, Max Wigram Gallery, London, UK

Get back to me in a couple of years, Brändström & Stene, Stockholm, Sweden

Cory Arcangel, Galerie Guy Bärtschi, Geneva, Switzerland

Cory Arcangel : I Shot Andy Warhol, Wexner Center for the Arts, Columbus, Ohio, USA


Sweet, Virginia Commonwealth University, Richmond, Virginia, USA

Subtractions, modifications, addenda, and other recent contributions to participatory culture, Team Gallery, New York, NY, USA

Don’t Touch My Computer, Galerie Thaddaeus Ropac, Paris, France


Super Mario Movie (in collaboration with Paper Rad), Sorry We’re Closed, Brussels, Belgium

Disassembling 48k, Brändström & Stene, Stockholm, Sweden

Nerdzone Version 1, Migros Museum Für Gegenwartskunst, Zurich, Switzerland

Video Cube, Galerie Thaddaeus Ropac, Salzburg, Austria

Super Mario Movie (in collaboration with Paper Rad), Deitch Projects, New York, NY, USA

Welcome to my homepage artshow!!!, Team Gallery, New York, NY, USA


Welcome to the infinite fill zone, FACT, Liverpool, UK

LISTE, Basel, Switzerland (under the auspices of Team Gallery)

Group exhibitions


Asymmetric Response: Cory Arcangel and Olia Lialina, The Western Front, Vancouver, Canada

Open Source, London, UK

Electronic Superhighway (2016-1966), Whitechapel Gallery, London, UK



Space Age, Galerie Thaddaeus Ropac, Pantin, France

Toys Redux – On Play and Critique, Migros Museum fur Gegenwartskunst, Zurich, Switzerland

AESTHETICA: 50 Years of Computer Generated Art, DAM Gallery, Berlin, Germany

America Is Hard To See, Whitney Museum of American Art, New York, NY, USA

Watch This! Revelations in Media Art, Smithsonian American Art Museum, Washington D.C, USA

Open Source: Art at the Eclipse of Capitalism, Max Hetzler, Berlin, Germany

Pianos, Sounds, Concepts, Salzburg Museum, Salzburg, Austria

Aesthetic Decisions, Nova Southeastern University of Art, Fort Lauderdale, Florida, USA

Nouveau Festival, Centre Pompidou, Paris, France

Laugh-In: Art, Comedy, Performance, Museum of Contemporary Art San Diego, La Jolla, California, USA

Smithsonian Collection Show, Smithsonian Museum, Washington D.C., USA

Whitney Museum Collection Show, Whitney Museum of Art, New York, NY, USA

Don’t Talk to Strangers, Random Institute, Zurich, Switzerland

Virus, Boston Cyber Arts, Boston, Massachusetts, USA

Deep Screen, Parc Saint Leger, Pougues-les-eaux, France

Open source : Art at the eclipse of capitalism, Max Hetzler, Berlin, Germany

End User, Hayward Gallery Project Space, London, UK

The Internet Yami-Ichi, New York, NY, USA

The daily show, Bureau, New York, NY, USA

New Media at the Showroom, Showroom at Oklahoma Contemporary Arts, Center, Oklahoma City, Oklahoma, USA

Cool War : Game Art Across the Straits, Fanguito Estudio, Havana, Cuba

L’art et le numérique en résonnace : Ré-émergence, La maison populaire, Montreuil, France

Works on paper, Greene Naftali, New York, NY, USA

Can you hear me? Music labels by Visual Artists, Onomatopee, Eindhoven, Netherlands

La Scrittura Degli Echi, NERO at the Independent, Maxxi - Museo nazionale delle arti del XXI secolo, Rome, Italy

Framing Desire: Film and video, Museum of Modern Art Fort Worth, Fort Worth, Texas, USA

Five videos, Boca Raton Museum of Art, Boca Raton, Florida, USA

The Darknet, Kunst halle Sankt Gallen, St. Gallen, Switzerland



ArtList Christmas Carnival, ArtList, New York, NY, USA

In Real Life, Christine Koenig Gallery, Vienna, Austria

Nam June Paik Award 2014, Kunstmuseen Krefeld / Haus Large, Krefeld, Germany

Through Fire and Flames, ARTBOOK|D.A.P, The New York Art Book Fair, New York, NY, USA

LikeNewLandscape, Front Company, New York, NY, USA

do it, The Galleries at Moore College of Art & Design, Philadelphia, Pennsylvania, USA

do it, Episcopal Academy, Newton Square, Delaware, USA

Another Cats Show, 356 Mission / Ooga Twooga, Los Angeles, California, USA Painters and Poets, Mestna galerija Ljubljana, Ljubljana, Slovenia

In the Beginning / End-States, Sgorbati Projects, New York, NY, USA

Cinema Remake, EYE Filmmuseum, Amsterdam, Netherlands

Free Play, Independent Curators International at Arcadia University Art Gallery, Glenside, Pennsylvania, USA

Art Post-Internet, Ullens Center for Contemporary Art, Beijing, China

The Negligent Eye, The Bluecoat, Liverpool, UK

THENnow: Cory Arcangel & Mario Schifano, MiArt, Milan, Italy

Stars + Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurts Regional Art Gallery, Bathurst, Australia



Clouds: Images Between Heaven and Earth, Leopold Museum, Vienna, Austria

Color! American Photography Transformed, Amon Carter Museum of American Art, Fort Worth, Texas, USA

PIZZA TIME, Marlborough Broome Street, New York, NY, USA

The Cat Show, White Columns, New York, NY, USA

Sound Spill, Zabludowicz Collection, New York, NY, USA

Out of Memory, Marianne Boesky Gallery, New York, NY, USA

Gordian Conviviality, Import Projects, Berlin, Germany

Abstract Generation: Now in Print, Museum of Modern Art, New York, NY, USA

Decenter: An Exhibition on the Centenary of the 1913 Armory Show, Henry Street Settlement's Abrons Arts Center, New York, NY, USA

MASHup: New Video Art, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, USA

Regarding Warhol: Sixty Artists, Fifty Years Utah Museum of Contemporary Art, Pittsburgh, PA, Salt Lake City, Utah, USA

Analogital, Warhol Museum of Art, Pittsburgh, PA, Salt Lake City, Utah, USA

Numbers in the Dark, Southern Alberta Art Gallery, Alberta, Canada

Launch Pad: Some Misunderstandings (on Mondegreens and Pareidolias), Castlefield Gallery, Manchester, UK

30 Years (Part One), Galerie Thaddaeus Ropac, Salzburg, Austria

do it 2013, Manchester International Festival / Manchester Art Gallery, Manchester, UK

SHOWPAPER Retrospective, Market Hotel, Brooklyn, NY, USA

Black Sun Horizon, The Royal Standard, Liverpool, UK

XSTRACTION, The Hole, New York, NY, USA

OFFLINE ART: new2, Abrons Art Center, New York, NY, USA; Xpo Gallery, Paris, France



We Could Be Heroes: The Mythology of Monsters and Heroes in Contemporary Art, Brigham Young University Museum of Art, Provo, Utah, USA

Migros Collection Show, LuckyPDF at Les Urbaines Festival, Lausanne, Switzerland

Excursus III, Ooga Booga at ICA, University of Pennsylvania, Philadelphia, Pennsylvania, USA

PVM2130, Furnished Space / The Block, London, UK

Sphères 2012, Galleria Continua, Le Moulin, Boissy-le-Châtel, France

Meditation Cornwall, Miracle and Connelly, Vancouver, Canada

Pro Am, Western Front, Vancouver, Canada, Metropolitan Museum of Art, New York, NY, USA

Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York, NY, USA. Traveled to the Andy Warhol Museum, Pittsburgh, Pennsylvania, USA

How to Eclipse The Light, Wilkinson Gallery, London, UK

The Possibility of an Island, Grand Union, Birmingham, UK

Oil on Water Calming Effect, Skur2, Stavanger, Norway

Oh, you mean cellophane and all that crap, Calder Foundation via The McKittrick Hotel, New York, NY, USA

The Exotic, Tallinn Art Hall, Tallinn, Estonia

Transmission LA: AV Club, Mercedes via MOCA Los Angeles, California, USA

Sound Art: Sound as a Medium of Art, ZKM Center for Art and Media, Karlsruhe, Germany

La Loge, SAKS Gallery, Geneva, Switzerland

The Sports Show, Minneapolis Institute of Arts, Minneapolis, Minnesota, USA

Hors Pistes, Centre Pompidou, Paris, France



Speakers Going Hammer, Lisson Gallery, London, UK

Pro Tools, The Whitney Museum of American Art, New York, NY, USA

Beat the Champ, Barbican Centre, London, UK

An Ocean of Lemonade (Or The Trouble of Living in Times of Fulfilled Utopias), SMART Project Space, Amsterdam, Netherlands

Highlights from the Collection, The Alegre Sarfaty Collection, London, UK

I don’t know if it makes any sense..., IMO, Copenhagen, Denmark

Collect the WWWorld, Spazio Contemporanea, Brescia, Italy

I know about creative block and I know not to call it by name, Lisson Gallery, Milan, Italy

Contour 2011, 5th Biennial of Moving Image, Mechelen, Belgium. Travelled to Plug In Institute of Contemporary Art, Winnipeg, Canada

Humid but cool, I think, Taro Nasu Gallery, Tokyo, Japan

Drawn to Disaster, Institute of Contemporary Art at Maine College of Art, Portland, Maine, USA

New York Minute, Garage Center for Contemporary Art, Moscow, Russia

Play Ground, New Walk Museum & Art Gallery, Leicester, UK

Highways Connect and Divide, Foxy Production, New York, NY, USA

Printer's Proof, Bertrand Delacroix Gallery, New York, NY, USA

Cory Arcangel and / vs. Pierre Bismuth, Team Gallery, New York, NY, USA

Dance/Draw, Institute of Contemporary Art of Boston, Boston, Massachusetts, USA

La fabrique sonore, expérience pommery #9, Domaine Pommery, Reims, France

Videosphere : A new génération, Albright-Knox Art Gallery, Buffalo, NY, USA

We can be heroes, Espace Multimédia Gantner, Bourogne, France



Watch This! New Directions in the Art of the Moving Image, Smithsonian American Art Museum, Washington, D.C., USA

NEW YORK The Loudest, Gallery Koko, Tokyo, Japan

Syncopation, Grimmuseum, Berlin, Germany

Inside/Out, Portugal Arte 10, Lisbon, Portugal

Systematic, Zabludowicz Collection, London, UK

Adaptation: Between Species, The Power Plant, Toronto, Canada

Sound & Vision, Art Institute of Chicago, Illinois, USA

Videodrome, Autocenter / Galerie Feinkost, Berlin, Germany

NineteenEightyFour, Austrian Cultural Forum New York, New York, NY, USA

20 Years Already!, Galerie Guy Bärtschi, Geneva, Switzerland

Visionaries: Contemporary Art from Santa Barbara’s Private Collections, Museum of Contemporary Art Santa Barbara, California, USA

Resurrectine, Ronald Feldman Gallery, New York, NY, USA

A Bas Lénine, Ou La Vierge a L’Ecurie, Christine König Galerie, Vienna, Austria

Contemplating the Void, Solomon R. Guggenheim Museum, New York, NY, USA

Close Encounters 2: Acts of Social Imagination, Denison Museum, Granville, Ohio, USA



Pivot Points III, Museum of Contemporary Art North Miami, Miami, Florida, USA

DETERIORATION, THEY SAID, Migros Museum für Gegenwartskunst, Zurich, Switzerland

Arcangel, Pinard, Routson, Team Gallery, New York, NY, USA

Smoke & Mirrors, SPACE, Pittsburgh, Pennsylvania, USA

Rock-Paper-Scissors: Pop Music as Subject of Visual Art, Kunsthaus Graz, Graz, Austria

The Moving Image: Scan to Screen, Pixel to Projection, Orange County Museum of Art, Newport Beach, California, USA

Are You Sure You Are You?, Spencer Brownstone Gallery, New York, NY, USA

The Generational: Younger than Jesus, New Museum of Contemporary Art, New York, NY, USA

V.01 ß, Lieu Commun, Toulouse, France

Tracking Traces, Kiasma, Helsinki, Finland

Abstract Cinema & Technology, Museum of Contemporary Art North Miami, Miami, Florida, USA

The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi-do, South Korea

The Real Thing, MU, Eindhoven, Netherlands

On From Here, Guild & Greyshkul Gallery, New York, NY, USA

Synthetic, Whitney Museum of American Art, New York, NY, USA

FEEDBACKSTAGE, Georg Kargl, Vienna, Austria. Ttravelled to Kunsthaus Muerz, Styria, Austria

Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA

Show #17: Cory Arcangel + Lialina and Dragon Espenschield, And/Or Gallery, Dallas, Texas, USA

Lisson Presents 7, Lisson Gallery, London, UK

New York Minute: 60 Artists from the New York Art Scene, MACRO Testaccio, Rome, Italy

Insiders: Experience, Practices, Know-how, CAPC musée d’art contemporain, Bordeaux, France



The Possibility of An Island, Museum of Contemporary Art North Miami, Miami, Florida, USA

RESET/PLAY, Jones Center, Austin, Texas, USA

Dennis Hopper and the New Hollywood, Cinémathèque Française, Paris, France. Travelled to Australian Centre for the Moving Image, Melbourne, Australia

Rock My Religion, Domus Artium 2002, Salamanca, Spain

Occupancy by More Than 6'682'685'387 Persons is Dangerous and Unlawful – Pierre Bismuth and collaborators, Bugada Cargnel, formerly Cosmic Galerie, Paris, France

Close Encounters – Facing the Future, American University Museum, Washington, D.C., USA

Sound of Art, Museum der Moderne, Salzburg, Austria

BitmapAs Good As New, Leonard Pearlstein Gallery, Drexel University, Philadelphia, Pennsylvania, USA

Superlight, San Jose Museum of Art, San Jose, California, USA. Travelled to MOCA Cleveland, Cleveland, Ohio, USA

Call and Response, Mudam Luxembourg, Luxembourg, Luxembourg

Holy Fire: Art of the Digital Age, IMAL, Brussels, Belgium

Popshop: Remixing Icons of Mass Culture, Mu Foundation, Eindhoven, Netherlands

Just Play: Music as Social Praxis, Edith-Russ-Haus for Media Art, Oldenburg, Germany

Color Chart: Reinventing Color, 1950 to Today, Museum of Modern Art, New York, NY, USA. Travelled to Tate Liverpool, Liverpool, UK

Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg, Luxembourg

Popshop, Art Mu Gallery, Tokyo, Japan



If everybody had an ocean: Brian Wilson, une exposition, CAPC musée d'art contemporain, Bordeaux, France

Harlem Postcards, The Studio Museum in Harlem, New York, NY USA

Playback, ARC / Musée d’Art Moderne de la Ville de Paris, Paris, France

Tha Click, E:vent, London, UK

Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago, Illinois, USA

Multitasking, NGKB, Berlin, Germany

Passion Complex: Selected Works from the Albright-Knox Art Gallery, 21st Century Museum of Contemporary Art, Kanazawa, Japan

Passion for Art, Essl Museum, Klosterneuburg, Austria

Automatic Update, Museum of Modern Art, New York, NY, USA

Her(his)tory, Museum of Cycladic Art, Athens, Greece

My Own Private Reality: Growing up online in the 90s and 00s, Edith-Russ-Haus for Media Art, Oldenberg, Germany

Feedback, LABoral Centre for Art and Creative Industries, Gijón, Spain

Collection Part 1, Migros Museum, Zurich, Switzerland

We Are The Robots, Galerie Léo Scheer, Paris, France

Speed #3: Against the Clock, Instituto Valenciano de Arte Moderno, Valencia, Spain

Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan, Italy

Collective One, Galerie Guy Bärtschi, Geneva, Switzerland



Contos dixitais, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain

Electrohype 2006, Lunds Konsthall, Lund, Sweden

Interrupted, PKM Gallery, Beijing, China; New York, NY, USA

GameScapes, Monza Civic Gallery, Monza, Italy

Experiments in Pop, Zentrum Paul Klee, Bern, Switzerland

Bucolica: The Contemporary Landscape, Galerie Thaddaeus Ropac, Salzburg, Austria

Cosmic Satellites, Triple Base, San Francisco, California, USA

Time Frame, P.S.1 Contemporary Art Center, Long Island City, NY, USA

Action, Fonds Régional d’Art Contemporain (FRAC) Provence-Alpes-Côte d’Azur, Marseille, France

Outside the Box: New Cinematic Experiences, University of Akron, Akron, Ohio, USA

Show #2: Paper rad with Cory Arcangel + Chad Hopper, And/Or Gallery, Dallas, Texas, USA



Breaking and Entering: Art and the Video Game, Pace Wildenstein, New York, NY, USA

Passing Through, Art in General, New York, NY, USA

Mix, Temple University Gallery, Philadelphia, Pennsylvania, USA

320 by 240 (collaboration with the Beige Programming Ensemble), Space 1026Philadelphia, Pennsylvania, USA

Moving Pictures, Dallas Center for Contemporary Art, Dallas, TexasUSA

The Early Show, White Columns, New York, NY, USA

With Us Against Reality, Or Against Us!, Willy Wonka Inc., Oslo, Norway

Teaming, Embassy Gallery, Edinburgh, UK

Summer Party Mix, Wood Street Galleries, Pittsburgh, Pennsylvania, USA

Rhizome ArtBase 101, New Museum of Contemporary Art, New York, NY, USA

The Systems of Allusions VOX, Centre de l’image contemporaine, Montreal, Canada

Start Kapital, Standard, Oslo, Norway

Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY, USA

Growing Up Absurd, Herbert Read Gallery, Kent Institute of Art and Design, Canterbury, UK

New Cartoon, Deborah Colton Gallery, Houston, Texas, USA

Frankie + Cory !!! (Cory Arcangel and Franckie Martin), General Store, Milwaukee, Wisconsin, USA

Mixed Doubles 1: Dara Birnbaum and Cory Arcangel / Paper Rad, Carnegie Museum of art, Pittsburgh, Pennsylvania, USA



Database Imaginary, Walter Phillips Gallery, The Banff Centre, Alberta, Canada. Travelled to Blackwood Gallery, Mississauga, Canada and the Dunlop Art Gallery, Regina, Canada

Workspace Projects, Chelsea Art Museum, New York, NY, USA

EXPANDER, Royal Academy of Art, London, UK

The New York/Liverpool Project, Liverpool Biennial, Liverpool, UK

Pattern Playback, The Moore Space, Miami, Florida, USA

POP_ReMix, SF Camerawork, San Francisco, California, USA

Seeing Double: Emulation in Theory and Practice, Solomon R. Guggenheim Museum, New York, NY, USA

The Whitney Biennial, Whitney Museum of American Art, New York, NY, USA



Killer Instinct, New Museum of Contemporary Art, New York, NY, USA

Games. Computer games by artists, Hartware MedienKunstVerein, Dortmund, Germany

Throwback, Team Gallery, New York, NY, USA

Outpost, Smack Mellon, Brooklyn, NY, USA

Blinky, Foxy Production, Brooklyn, NY, USA

NOWN, Wood Street Galleries, Pittsburgh, Pennsylvania, USA



Digital Media, American Museum of the Moving Image, New York, NY, USA

NETIZENS - cittadini della rete, Galleria Sala 1 di Roma, Rome, Italy

Prints and Chips, Bitforms Gallery, New York, NY, USA

Unknown Pleasures, Daniel Reich Gallery, New York, NY, USA



Neuendorf, Henri. “Cory Arcangel Produces a ‘Teen Mag’ Catalogue for His New Miley Cyrus-Themed Museum Show.” Artnet News, March 27, 2015

Rogers, John. “It’s The Small Things That Matter: Cory Arcangel makes art of computer games, pool noodles, phones and Bieber merch.” The Reykjavik Grapevine, February 20, 2015

McGarry, Kevin. “In San Diego, Art is a Laughing Matter.” New York Times Style Magazine, January 23, 2015

Morrish, Lydia. “Cory Arcangel on losing himself to the Internet.” Dazed Digital, March 24, 2015

“GAMeC| Lisson Gallery: Interview with Cory Arcangel”, ATP Diary, March 31, 2015

Chiaverina, John. |Cory Arcangel to Release Upcoming Show Catalog As Teen Magazine.” Art News, March 24, 2015

Ekblad, Ida. Interview with Cory Arcangel. Kaleidoscope 23, Winter 2015: 140-142

Evans, Jill. “Bringing the 1990s internet back.” Exberliner, March 10, 2015



"Andy Warhol Originals Found On Floppy Disk." Sky News, April 24, 2014.

Arcangel, Cory. Interview with Hans Ulrich Obrist. “Cory Arcangel on borrowing musician's strategies, humor, and his Arcangel Surfware line.” Wax 5, Summer 2014: 26-37.

Arcangel, Cory. Interview with Ian Wallace. “Cory Arcangel on His Cryptic New Lifestyle Brand, Arcangel Surfware.” Artspace, April 3, 2014.

Arcangel, Cory. Interview with Maria Horvei. “Ti spørsmål: Cory Arcangel.” Kunstkritikk, January 31, 2014.

Arcangel, Cory. Interview with Michael Slenske. "Cory Arcangel's Art and Apparel: An interview with the artist who teamed up with the computer club to discover rare Andy Warhol digital works." Cool Hunting, June 11, 2014.

Arcangel, Cory. 'The Warhol Flies: Cory Arcangel On Andy Warhol's Long-lost Computer Graphics." Artforum, Summer 2014: 322-331.

"Arcangel Surfware Takeover Day 1-7 / Dance Nation - Sunshine By Dance Nation." Purple Fashion Magazine, May 15, 2014.

Battan, Carrie. "A New Line | Cory Arcangel’s Latest Conceptual Art Project: Fashion." New York Times Style Magazine, May 13, 2014.

Battan, Carrie. "A New Line: Web Attire." New York Times, May 18, 2014: ST3.

Binlot, Ann. "Sign of the Times: Clothes Built for Surfing the Web." Fast Co.Design, May 16, 2014.

Boucher, Brian. “Andy Warhol, New Media Artist.” Art in America, April 24, 2014.

Cascone, Sarah. "Cory Arcangel Excavates Andy Warhol's Digital Art from Ancient Floppy Disks." Artnet, April 26, 2014.

Cohn, Alison S. "Store Openings and Fashion Events Starting the Week of May 15." New York Times, May 14, 2014.

"Cory Arcangel designs line for avid internet users," Fibre 2 Fashion, May 20, 2014.

Connor, Michael. "A Surf Session with Cory Arcangel." Rhizome, May 15, 2014.

Daley, Elizabeth. "Andy Warhol's computer art rescued from 1985 floppy disks." The Star, April 26, 2014.

Daley, Elizabeth. "Forensic computer experts discover digital Warhol works." Forex Talk, April 25, 2014.

David, Lori. “Technology Meets Fashion: Surfware Clothing for Internauts.” Gadget Gestures, May 19, 2014.

Desat, Marla. "New Andy Warhol Art Recovered from Floppy Disks." The Escapist, April 24, 2014.

Doctorow, Cory. "Lost Warhol originals extracted from decaying Amiga floppies." BoingBoing, April 24, 2014.

Espenschied, Dragan. "Emulating 'Bomb Iraq.'" Rhizome, June 24, 2014.

Gorey, Colm. "Rare Andy Warhol art pieces recovered from Amiga disks." Silicon Republic, April 24, 2014.

Grow, Kory. "Dozens of Never-Before-Seen Andy Warhol Works Found on Floppy Disks." Rolling Stone, April 24,   2014.

Indrisek, Scott. "Cory Arcangel, Newly Minted Clothier, at the Holiday Inn." Blouin Artinfo, May 16, 2014.

Johnson, Jason. "Cory Arcangel Mines Digital Warhol Art From Floppy Disks." Kill Screen Daily, April 24, 2014.

Johnson, Jason. "Now You Can Play Cory Arcangel's Readymade 'Bomb Iraq' From Your Desk." Kill Screen Daily, June 24, 2014.

Katz, Leslie. “Surfing the Net all day? Wear this hoodie and sweats." CNET, May 13, 2014.

Lasane, Andrew. "Artist Cory Arcangel Creates Surfware, A Clothing Line for Surfing the Internet." Complex, May 5, 2014.

Laughlin, Shepherd. "Click's Up: A 'Surfware' Brand for the Rest of Us." LS:N Global, May 21, 2014.

Matthews, Lee. "Andy Warhol's 1985 Amiga art rescued from aging floppy disks." Geek, April 24, 2014.

Mallett, Whitney. “Personal Ads.” The New Inquiry, January 2, 2014.

McCormick, Rich. "Andy Warhol's Amiga computer art found 30 years later." The Verge, April 24, 2014.

Mkele, Yolisa.  “Net Wear: Do Your Online Shopping In Style.” Times Live South Africa, May 8, 2014.

"New Andy Warhol computer art found on old floppy disks." Fox News, April 26, 2014.

Pincus, Rachel. "Andy Warhol's Lost Artwork Recovered From 30-year-old Computer Disks." PSFK, April 28, 2014.

Pini, Gary. "12 Must-See Art Shows Opening This Week." Paper, May 14, 2014.

Ptak, Laurel. “Looking For LOL In All The Wrong Places.” Bon Magazine, Spring/Summer 2014.

"Purple Diary Cory Arcangel You Only Live Once Surfware Pop-Up Shop at the Holiday Inn Soho, New York." Purple Fashion Magazine, May 19, 2014.

Reburn, Scott. “On Screen and On the Block.” New York Times, May 30, 2014.

Smith, Nathaniel. "Digital Karma: Cory Arcangel on the Recovery of Warhol's Digital Works." Walker Art Center Media Lab Blog, May 14, 2014.

Stinson, Liz. "An Amazing Discovery: Andy Warhol's Groundbreaking Computer Art." Wired, April 28, 2014.

Terranova, Charissa N. Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art. Austin: University of Texas Press, 2014.

"The Approval Matrix: Highbrow/Despicable." New York Magazine, May 19, 2014: 164,

"Treasure trove of Warhols found on floppy disks." Times Live, April 25, 2014.

Turi, Jon. "Lost Andy Warhol artworks discovered on Amiga floppies from the '80s." Engadget, April 24, 2014.

Ugelvig, Af Jeppe and Rune Finseth. “Cory Arcangel: Scary Monsters and Nice Sprites.” Kopenhagen Magasin, April 18, 2014.

"Warhol works recovered from old Amiga disks." BBC News, April 24, 2014

"Whitney Stories Video: Cory Arcangel." Whitney Museum of American Art, June 2014.

Wienz, John. "When Irreplaceable History Lives on Obsolete Tech." Popular Mechanics, July 2, 2014.

Zhong, Fan. "Cory Arcangel is Inn." W Magazine, May 15, 2014. 



Amirsadeghi, Hossein and Maryam Homayoun Eisler, eds. Art Studio America: Contemporary Artist Spaces. Farnborough: Thames & Hudson Ltd., 2013.
Ball, Philip, Matt Clarke and Carinna Parraman. Colour in the Making: From Old Wisdom to New Brilliance. London: Black Dog Publishing, 2013.
Campbell, Andrianna and Daniel S. Palmer. DECENTER NY/DC. Washington D.C.: Luther W. Brady Art Gallery, The George Washington University, 2013.
Hozwarth, Hans Werner, ed. Art Now Vol. 4. Köln: Taschen, 2013.
Kalb, Peter R. Art Since 1980: Charting the Contemporary. London: Laurence King Publishing, 2013.
Obrist, Hans Ulrich, ed. Do It: The Compendium. New York: Independent Curators International/ D.A.P., 2013.
Wilson, Michael. How to Read Contemporary Art. New York: Abrams, 2013.



Little, David E. The Sports Show. Minneapolis: University Of Minnesota Press, 2012.

Obrist, Hans Ulrich. “Ways Beyond the Internet.” Curating DLD–Digital Live Design. Munich: DLD Media Gmbh, 2012.

The Possibility of an Island - Grand Union, Birmingham

Arcangel, Cory and Paul Chan. “Conversation: Biggie Smalls, Theodor Adorno.” 032c, Winter 2012/13.

Arcangel, Cory. Interview with Paul Pieroni. “Pierce the Noise.” Under/Current 6, 2012.

Arcangel, Cory. Interview with Richard Godwin. Hunger Magazine, Autumn/Winter 2012.

Arcangel, Cory. Interview with Stephen Willats. Artforum, September 2012: 451-52, 534, 536.

Bosco, Roberta and Stefano Caldana. “Twitter Art.” El País, June 1, 2012.

“Carnegie Museum of Art presents a survey of work by contemporary artist Cory Arcangel.” Art Daily, November 11, 2012.

Cochrane, Steven Leyden. “For those (almost) about to rock.” Art Burn, May 5, 2012.

Keats, Jonathan. “How Cory Arcangel Makes Art Memes Out Of YouTube Videos and Super Mario Bros.” Forbes, December 12, 2012.

O’Driscoll, Bill. “From ‘Super Mario Clouds’ to cats playing Schoenberg, the singular digital art of Cory Arcangel.” Pittsburgh City Paper, October 31, 2012.

Obrist, Hans Ulrich. “The Art of Gaming.” AnOther Magazine, Spring/Summer 2012.

Shaw, Kurt. “Obsession and Technology.” Pittsburgh Tribune, December 27, 2012.



“Top 100 Artists,” Flash Art, November/December, pp. 50-1 (with illustration).

Hoby, Hermione, “Man and Machine in Perfect Harmony,” The Observer, October 9 (with illustration).

Dabkowski, Colin, “Moving Images,” The Buffalo News, July 22.

Scott, Andrea K., “FUTURISM, Cory Arcangel Plays Around with Technology,” The New Yorker, May 30.

Smith, Roberta, “A Muse in the Machine: Click. Create,” The New York Times, May 26 

Drury, Tracey, “Albright-Knox Plans Summer Exhibition,” Buffalo Business First, May 23.

Spears, Dorothy, “I Sing the Gadget Electronic,” The New York Times, May 19.

Siegel, Miranda, “The Joys of Obsolescence,” New York Magazine, May 15.

Yablonsky, Linda, “May 26, Cory Arcangel,” W Magazine, May (with illustration).

Tarrant, Alexander, “Cory Arcangel,” Juxtapoz, January (with illustration).

Heilmann, Mary, “Cory Arcangel,” Interview, April (with illustration).

Miranda, Carolina, “Let the Games Begin,” ArtNews, April (with illustration).

Arcangel, Cory, “500 Words,”, March.

Ward, Ossian, “No-Win Ten-Pin Bowling with Cory Arcangel,” Time Out London, February.

Brown, Mark, “Barbican Bowled Over by Artist’s Game Installation,” Guardian, February 9.



Kuo, Michelle, “Cory Arcangel: The Sharper Image,” Artforum, January (with illustration).

Alan, Licht, “Feature: Cory Arcangel”, Art Review, March.

Karen, Rosenberg, “The Lights of Big Brothers Eyes, Blinking in the City” The New York Times, August.



Arcangel, Cory, Birnbaum, Dara, “Cory Arcangel and Dara Birnbaum in Conversation,” Artforum, March, pp. cover, 190-99 (with illustrations).

Hall, Emily, “Cory Arcangel,” Artforum, February, pp.192-93 (with illustration).

Knoll, Valerie, “Deterioration, They Said,” Artforum, December 2009, p. 250.



Rosenberg, Karen, “Cory Arcangel: Team Gallery,” The New York Times, November 21, p.C27.

Bliss, Abi, “Cross Platform: Sound in other media,” Wire, April, pp.20-1 (with illustration). 

Arcangel, Cory, “Project 3: Techniques,” Tokion, Spring, p.146 (with illustration).

Pieroni, Paul, “Cory Arcangel,” Art World, February/March, pp.102-05 (with illustration).

Ackermann, Tim, “Die neue alte Computerkunst,” Welt am Sonntag, February 3, p.56 (with illustration).



Knoll, Valerie, “Cory Arcangel: Galerie Guy Bartschi,” Artforum, September, p.484 (with illustration).

Lin, Tan, “Less Creative Anachronism,” Artforum, Summer, pp.199-200 (with illustration).

Schwendener, Martha, “Source Code, The New York Times, July 20, p.E29.

Wolin, Joseph R., “Automatic Update,” TimeOut NY, July 19-25, p.66 (with illustration).

Spampinato, Francesco, “E l’ora della Neopsichedelia,” Arte, March, pp. 102 -108 (with illustration).

Mendelsohn, Adam, “Cory Arcangel,” ArtReview, February, pp. 84-5 (with illustration).

Duff, Stacey, “A New York Minute,” Time Out Beijing, February, p. 45.

DeVille, Chris, “What A Hack,” ALive, January 4, p. 28 (with illustration).

Kraft, Jessica, “Cory Arcangel,” WhiteWall, Winter, pp. 34 (with illustration).



Friedling, Melissa, “Cory Arcangel,” Flash Art, November/December, pp. 115 -116 (with illustration).

Hall, Emily, “Critic’s Pick: Cory Arcangel,”, October (with illustration).

Fels, Sophie, “Time Frame,” TimeOut NY, September 7-13, p.147 (with illustration).

Liu, Benjamin, “Peter Rojas/Cory Arcangel,” Self Service, Fall/Winter, pp.340-3, 360 (with illustrations).

Chaffee, Cathleen, “Cory Arcangel,” Contemporary, Issue 84, pp. 26-9 (with illustrations).

Cosgrove, Julia, “Digital Underground,” ReadyMade, June/July, pp. index, 62-5 (with illustrations).

Corrigan, Susan, “Cory Arcangel: Fallen from Grace,” i-D, June, p.36 (will illustration).

Tribe, Mark, “Cory Arcangel: An Interview,” UOVO, Issue 11, pp.252-63 (with illustrations).

Spiegler, Marc, “Game Art,” Departures, May/June, p._ (with illustrations).

Weiner, Emily, “Motivational Speaker,” TimeOut NY, May 18-24, p.80 (with illustration).

Trembley, Nicolas, “L’ange Techno,” Numero, Spring, pp.38-40 (with illustrations).

Dugan, Anne, “The air we breathe: Cory Arcangel,” Code, Winter, pp.12-15 (with illustration).

Murg, Stephanie, “Walking the Green Carpet,” ArtNews, February, p._.

Smith, Roberta, “Turning Games Into a New Kind of Art,” The New York Times, January 21, p.B9.



Jones, Caitlin, “My Art World Is Bigger Than Yours,” The Believer, December/January, pp.3-12 (with illustration).

Stevens, Mark, “Best Emerging Artist: Cory Arcangel”, New York, December 19, pp.59-60 (with illustration).

Fallon, Roberta, “Screen Play,” Philadelphia Weekly, December 7, p._ (with illustration).

Boase, Gair, “Future Greats 2005,” ArtReview, December, p.66,80 (with illustration).

Ehmann, Arne, “Cory Arcangel: Historische Computertechnologie,” PARNASS, September – October, pp. 140-1 (with illustrations).

Valdez, Sarah, “Open Source Art,” Art in America, September, p. 146, 175 (with illustrations).

Boxer, Sarah, “Web Works That Insist on Your Full Attention,” The New York Times, June 28, p. E1, E7 (with illustration).

Stillman, Nick, “Cory Arcangel: Hack Man,” Flash Art, May/June, pp. 116-7 (with illustrations).

Chun, Kimberly, “Fault-line Transmisssions,” San Francisco Bay Guardian, May 11-17.

Perlin, Daniel, “Technarchy,” XLR8R, May, p. 60-5 (with illustrations).

Sholis, Brian, “Cory Arcangel: Team Gallery/Cory Arcangel/Paper Rad: Deitch Projects,” Artforum, April, pp. 190-1 (with illustration).

Sudbrack, Eli, “Assume Vivid Astro Focus and Cory Arcangel,” Tokion, March/April, pp. 56-7 (with illustrations).

Underwood, Paul, “Joysticking it to the Man,” Spin, March, p.39 (with illustrations).

Smith, Roberta, “Last Chance: Cory Arcangel,” The New York Times, February 11, E28.

Smith, Roberta, “Cory Arcangel/Cory Arcangel and Paper Rad,” The New York Times, February 4, E39.

Finch, Charlie, “The Museum Comes to Us: Art in 2050”, February 3 (with illustrations).

Schwendener, Martha, "Cory Arcangel & Beige", TimeOut, February 3-9, p.60 (with illustration).

Nussbaum, Danielle, "hacker's delight," Nylon, February, p.89 (with illustrations).

Stillman, Nick, “Critics’ Picks: Cory Arcangel,”, January 21.



Halter, Ed, “Midtown Rushes: Premieres,” Village Voice, November 17-23, p.60.

Valdez, Sarah, "Last Night, An Artist Saved My Life," Paper, November, pp.62-4 (with illustration).

Douglas, Sarah, “London Letter,”, October 27 (with illustration).

Rosenberg, Karen, “Last Shot: The Matrix Reloaded,” New York, August, p.75, 77 (with illustration).

Levin, Kim, "The Infinite Fill Group Show," Village Voice, August 18-24, p. c46.

Kerr, Merrily, “The Infinite Fill Show,” TimeOut, August 12-19, p.53 (with illustration).

Smith, Roberta, “The Infinite Fill Group Show,” The New York Times, August 6, p.E32 (with illustration).

Robinson, Walter, "Weekend Update,", August 2 (with illustration).

Delgado, Lisa, "Cory Arcangel's Pizza Party," Res, July/August, p. (with illustrations).

Thompson, Clive, “Pac is Back,” New York, July 19, pp.48-9.

Moloun, Dominique, "Une Instantane des arts numerique a New York," Images, Issue #5, pp.88-93 (with illustrations).

Houpt, Simon, "FrankenArt: The mix and mash future," The Globe and Mail, May 14.

CBS, "What's Bizarre at the Whitney?" CBS News Sunday Morning, May 2.

Stillman, Nick, “2004 Whitney Biennial,” The Brooklyn Rail, April, p.16.

Sisario, Ben, “Internet Art Survives, but the Boom is Over,” The New York Times, March 31, p.13 (with illustration).

Halter, Ed, “Mind the Gap,” The Village Voice, March 17-23, p.62.

Saltz, Jerry, “The OK Corral,” The Village Voice, March 17-23, p.80.

Kimmelman, Michael, "Touching All Bases At The Biennial," The New York Times, March 12, pp.E27, 38.

Plagens, Peter, "Art's 'Star Search,'" Newsweek, March 22, p.61.

Wolf, Matt, “Killer Instinct,” Flash Art, March-April, p.62 (with illustration). 



Gardner, James, “Art of the game,” New York Post, December 22, p.42 (with illustration).

Solomon, Deborah, “The 3rd Annual Year in Ideas: Video-Game Art,” The New York Times Magazine, December 14, p.105.

Scott, A.O., “Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds,” The New York Times, July 23, E3.

Olson, Marisa S., “Hacktivist: Cory Arcangel,” Planet, Spring, p.13 (with illustration).

Davenport, Misha, “Old Chips, but new music” Chicago Sun-Times, March 23, p.__.

Cotter, Holland, “Doing Their Own Thing, Making Art Together,” The New York Times, January 19, pp.E1,36.

Gunn, Angela, “The Personal Touch,” Time Out, January 9-16, p.44 (with illustration).



Cotter, Holland, "THE CRITICS/10 MOMENTS", The New York Times, December 29.

Cotter, Holland, "A Document made by Paul Thek and Edwin Klein", The New York Times, December 20.

Cotter, Holland, "Art In Review: 'Unknown Pleasures ‘" The New York Times, May 17.

Jana, Reena, "KOPy Cats", Artforum, March.

Gann, Kyle, "Pop Goes the Composer", The Village Voice, April 10.

Public and private collections


Essl Collection, Vienna



Fonds Régional d’Art Contemporain Provence-Alpes-Côte d’Azur, Marseille



Neue Nationalgalerie, Berlin



Migros Museum für Gegenwartskunst, Zurich



The Tate, London



Albright-Knox Gallery, Buffalo, NY

Miami Art Museum, Miami, FL

Museum of Contemporary Art North Miami, Miami, FL

Museum of Modern Art, New York, NY

Smithsonian Museum of American Art, Washington D.C.

University of Michigan Museum of Art, Ann Arbor, MI

Whitney Museum of American Art, New York, NY