Erwin Wurm

Erwin Wurm

Erwin Wurm was born in 1954. He lives and works in Vienna and in Limberg/Lower Austria. During the 1990s, he attracted much attention with his "One-Minute Sculptures". Following the artist's partly written and partly pictorial instructions, visitors to the exhibition could themselves briefly become sculptures, by taking up often absurd poses frequently involving everyday objects – especially clothing – such as the knitted pullovers, frequently recurring in his works. Clothing as a sculptural theme, the second skin, the protective shell, the outline, and also the filling out of a volume is of prime importance in Erwin Wurm's complex work, which includes performance, video, photography, drawing and classical sculpture, in combination and interdependence. Time is a further important factor which he explores in all kinds of different  ways:  from the shortest-lived works , the "dust sculptures", through large-scale installations, in which fixed architectural components are dressed in knitted pullovers, to the performative "One-Minute Sculptures".Wurm understands the concept of sculpture as the pre-modern premise that sculpture is concerned with the alteration of mass and volume. In this respect, he describes humans gaining or losing weight as a sculptural act. His artistic expression, rather like the comic strip or science fiction images, is clear and simple, readily accessible to a wide public. At the same time, he makes use of cynical criticism. Individuality as a projection from outside.  

"My work is about the drama of the pettiness of existence, whether one approaches it through philosophy or through a diet. In the end we always draw the short straw".

Solo exhibitions


Erwin Wurm, Lehmbruck Museum, Duisburg, Germany 

Erwin Wurm, MKM Museum Küppersmühle für Moderne Kunst, Duisburg, Germany

Performative Skulpturen, 21er Haus, Vienna, Austria 

Austrian Pavilion, 57th International Art Exhibition, La Biennale di Venezia, Venice, Italy

CCBB (Centro Cultural Banco do Brasil) São Paulo, travelling to CCBB Brasilia, CCBB Belo Horizonte 
and CCBB Rio de Janeiro, Brasil 

Fussballgrosser Tonklumpen auf hellblauem Autodach, Kunsthaus Graz, Graz, Austria

Carl Spitzweg – Erwin Wurm. Köstlich! Köstlich?, Leopold Museum, Vienna, Austria



Lost, Galerie Thaddaeus Ropac, Paris, France.

Erwin Wurm: One Minute Sculptures, MAK Center for Art and Architecture, Schindler House, West Hollywood, California, USA.

Erwin Wurm: Bei Mutti, Berlinische Galerie - Museum für Moderne Kunst, Berlin,     Germany.

Erwin Wurm: Ende, Landesmuseum Niederösterreich, St. Pölten, Austria.

Erwin Wurm, Museo Novecento, Bargello and works in the city of Florence, Italy.

Erwin Wurm, Cristina Guerra Contemporary Art, Lisboa, Portugal.

Erwin Wurm, Bangkok Art and Culture Center (BACC), Bangkok, Thailand.

Zwielicht, Galerie Thaddaeus Ropac, Salzburg, Austria.

Grüner Veltliner, Büro Weltausstellung, Vienna, Austria.



IMA - Indianapolis Museum of Art, Indianapolis, Indiana, USA

Sara Hildén Art Museum, Tampere, Finland

Narrow House, Pilane Heritage Museum, Klövedal, Sweden

Fichte, Kunstmuseum Wolfsburg, Wolfsburg, Germany

Am I still a House?, Skulpturenpark Waldfrieden/Cragg Foundation, Wuppertal,        Germany

CAC - Contemporary Art Centre, Vilnius, Lithunia

Erwin Wurm : Euclidean Exercises, Indianapolis Museum of Art, Indianapolis, USA

Erwin Wurm : Angst / Lache Hochgebirge, Galerie Thaddaeus Ropac, Salzburg, Austria



One Minute Sculptures - Städel Museum, Frankfurt, Germany

TRAFO Trafostacja Sztuki - Center for Contemporary Art in Szczecin, Szczecin, Poland

Lehmbruck Museum, Duisburg, Germany

Synthesa, Lehmann Maupin Gallery, New York, USA
Crap Head, Anna Schwartz Gallery, Sydney, Australia
Elfie Semotan - Erwin Wurm, Galerie422, Gmunden, Austria



ŸWittgenstein’s Grammatik der Leibesübungen, Galerie Thaddaeus Ropac, Pantin, Paris, France

Project: Friterie ("Frittenbude"), Lille, France

Synthesa, Xavier Hufkens Gallery, Brussels, Belgium

Good Boy, MOCAK - Museum of Contemporary Art in Krakow, Krakow, Poland
Abstract Abstruse, Wincavod - Centre for Contemporary Art, Moscow, Russia
The Discipline of Subjectivity, 100 Tonson Gallery, Bangkok, Thailand
Erwin Wurm: Video Works, B³, Recife, Brasil 
One Minute Forever, Artconnexion, Lille, France
BOB, Place François Mitterand, Lille, France
Das Kleine im Grossen, das Grosse im Grossen, das Grosse im Kleinen und das Kleine im Kleinen - Eine Wortskulptur / Erwin Wurm, Dramaturgie: Matthias Hartmann (performed by Nicholas Ofczarek, Oliver Masucci), Galerie Thaddaeus Ropac, Salzburg, Austria 
Video: Wortskulptur, Salzburg "ANNEX", Galerie Thaddaeus Ropac, Salzburg, Austria



Home - Vitra Design Museum, Weil am Rhein, Germany 

Beauty Business - Dallas Contemporary, Dallas, USA

Samurai & Zorro, Galerie Thaddaeus Ropac, Salzburg, Austria

Lehmann Maupin Gallery, New York, USA

De Profundis, Albertina, Vienna, Austria
Am I a house?, CAC Málaga – Centro de Arte Contemporáneo, Málaga, Spain
hit me,... hit me..., Gironcoli-Museum, Schloss Herberstein, Austria
Blow Up, Galerist, Istanbul, Turkey (curator: Jérome Sans) 
One Minute Sculptures, Open Eye Gallery, Liverpool, Great Britain
Kastenmann, Standard Hotel, New York, USA



The Beauty Business, gem – Museum voor Actuele Kunst, Gemeentemuseum Den Haag, The Hague, Netherlands

Schöner Wohnen, MAK – Museum für angewandte Kunst, Vienna, Austria

Wear me out, Middleheimmuseum, Antwerp, Belgium

Misconceivable, Kunsthallen Brandts / Brandts Klaedefabrik, Odense, Denmark

Yes Biological, Galerie Thaddaeus Ropac, Paris, France

Micro-Retrospective, Institute of Contemporary Art – Sofia (ICA-Sofia), Sofia, Bulgaria

Beauty Business, Bass Museum of Art, Miami Beach, USA

I am Erwin Wurm, Galleri Bo Bjerggaard, Copenhagen, Denmark
Narrow House, Kunstraum Dornbirn, Dornbirn, Austria
Their Time, Cristina Guerra Contemporary Art, Lisbon, Portugal
Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria
Test Site: How to Make a One Minute Sculpture, Henry Art Gallery, University of Washington, Seattle, USA



Liquid Reality, Kunstmuseum Bonn, Bonn, Germany (curator: Stephan Berg)

Narrow Mist, Ullens Center for Contemporary Art, Beijing, China (curator: Jerome Sans)

Private Wurm, Kunst der Gegenwart – Essl Museum, Vienna, Austria

Selbstportrait als Essiggurkerl, Museum der Moderne Salzburg, Salzburg, Austria

Museo de Arte Moderno de Bogotà (MAMBO), Bogota, Columbia

Elogiate i ceti inferiori soprattutto per rimanere inferiori, BASE, Progetti per L’Arte, Firenze, Italy

Gulp, Lehmann Maupin Gallery, New York, USA

Project - Selfportrait as Pickles, Jack Hanley Gallery, New York, USA



Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany

Desperate Philosophers, Galerie Xavier Hufkens, Brussels, Belgium

The Desperate Philosophers, Galerie Thaddaeus Ropac, Salzburg, Austria

Würstelstand, Vartai Gallery, Vilnius, Lithuania ›

Erwin Wurm – Sammlung Rudolf Budja, Kunsthalle Nexus, Saalfelden, Austria

Exhibition Institution of the Akbank Sanat, Istanbul, Turkey

Yes Biological Wall House #2, Groningen, Netherlands



Keep a Cool Head, Central House of Artists, Moscow, Russia

The Artist Who Swallowed The World, Kunstmuseum St. Gallen, Switzerland

Spit in Someone’s Soup, Malmö Konstmuseum, Malmö, Sweden

Desperate, Galerie de L`UQAM, Universite du Quebec a Montreal, Montreal, Canada

(curator: Patric Duhamel +)

Hypnosis, Galerie Thaddaeus Ropac, Salzburg, Austria

Erwin Wurm – Video, Salzburg „ANNEX“, Galerie Thaddaeus Ropac, Salzburg, Austria

Ich – Es – Überich, Tomio Koyama Gallery, Tokyo, Japan

Hypnose II, Galerie Krinzinger, Vienna, Austria

Erwin Wurm, Galerie Nicola von Senger, Zurich, Switzerland

Direktionsskulptur, Galerie Thoman, Innsbruck, Austria



Das lächerliche Leben eines ernsten Mannes, das ernste Leben eines lächerlichen

Mannes, Deichtorhallen Hamburg, Hamburg, Germany

Erwin Wurm, Musée d’Art Contemporain de Lyon, Lyon, France

Erwin Wurm - Hamlet, Kunsthaus Zurich, Switzerland

Erwin Wurm, Le lieu unique, Nantes, France

Direktionsskulptur – con vista sulle mie montagne, Museum Hetdomein Sittard, Sittard, Netherlands

Erwin Wurm, Musée des Beaux-Arts de Rouen, Rouen, France

Erwin Wurm - New Sculptures, Galerie Xavier Hufkens, Brussels, Belgium

Erwin Wurm, Cristina Guerra Contemporary Art, Lisbon, Portugal



Keep a cool head, MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria

The Artist Who Swallowed The World, Ludwig Forum für Internationale Kunst, Aachen, Germany

Erwin Wurm - New Sculpture, Baltic Centre for Contemporary Art, Newcastle, UK

The Idiot, Sala de Exposiciones Canal de Isabel II, Madrid, Spain

I love my time, I don’t like my time: Recent works by Erwin Wurm, Rose Museum at

Brandeis University, Waltham, Massachusetts, USA; Frye Art Museum, Seattle, USA

Adorno was wrong with his ideas about art,  Museum der Moderne Salzburg, Salzburg, Austria

Home, Galerie Anne de Villepoix, Paris, France

Disziplin der Subjektivität, Kunstraum Innsbruck, Innsbruck, Austria



Erwin Wurm, MACRO - Museo d'Arte Contemporanea Roma, Roma, Italy

I love my time, I don’t like my time: Recent works by Erwin Wurm, Cincinnati Contemporary

Art Center, Cincinnati, USA

Erwin Wurm - Lisboa Photo 2005, Museo do Chiado, National Museum of Contemporary Art,

Lisbon, Portugal

Glue your brain, Museum of Contemporary Art, Sydney, Australia

Erwin Wurm, Peggy Guggenheim Collection, Venice, Italy

Erwin Wurm, Galerie Nicola von Senger, Zurich, Switzerland

The Idiot, Galerie Xavier Hufkens, Brussels, Belgium

“Am I a House?”, Galerie Krinzinger, Vienna, Austria



I love my time, I don’t like my time: Recent works by Erwin Wurm, Yerba Buena Center for

the Arts, San Francisco, USA

European Dream, Universidad de Guanajuato, Guanajuato, Mexico (curator: Pamela Echeverria)

Erwin Wurm, TRAC Tecnologie e Ricerca Artistica Contemporanea, Palazzo Fichera, Centro

per l’Arte Contemporanea, Catania, Italy

Photo and Video Sculpture by Erwin Wurm, KvadraT Gallery, St.Petersburg, Russia

Erwin Wurm, Jack Hanley Gallery, San Francisco, USA

Erwin Wurm, Jack Hanley Gallery, Los Angeles, USA



Erwin Wurm, ZKM - Center for Art and Media, Karlsruhe, Karlsruhe, Germany

European Dream, Museo de Arte Carrillo Gil, Mexico City (curator: Pamela Echeverria)

Erwin Wurm – One Minute Sculptures, Orifice, ACCA Australian centre for Contemporary Art

- Gertrude Contemporary Art Spaces, Melbourne, Australia

Erwin Wurm videos, RISD - Rhode Island School of Design, Providence, USA

Erwin Wurm, Galerie Ars Futura, Zurich, Switzerland

Erwin Wurm, Galerie Anne de Villepoix, Paris, France

Erwin Wurm, Galerie Aurel Scheibler, Cologne, Germany



Fat Survival – Handlungsformen der Skulptur, Neue Galerie Graz am Landesmuseum

Joanneum, Graz, Austria

Erwin Wurm, Centre National de la Photographie, Paris, France

Erwin Wurm, Galleria d’Arte Moderna, Bologna, Italy

Fat Car, Palais de Tokyo, Paris, France

Sculptures with embarrassment, Studio K. Kiasma, Museum of Contemporary Art, Helsinki, Finland

Erwin Wurm - Videoarbeiten 1989 - 2002, Akademie der bildenden Künste, Budapest, Hungary

Erwin Wurm, Galerie Art: Concept, Paris, France

Erwin Wurm, Jack Hanley Gallery, San Francisco, USA



Performance Drawings,  Drawing Centre, New York, USA

Sleeping for two month, Centre pour l´Image Contemporaine, Genf, Switzerland

Videos 1991 – 2001, Miro Foundation, Barcelona, Spain

Fat car, MAMCO Museé d’Art Moderne et Contemporain, Genf, Switzerland

Erwin Wurm, Galerie Ars Futura, Zurich, Switzerland

Erwin Wurm, Galerie Krinzinger, Wien, Austria



Erwin Wurm, Photographers Gallery, London, England

Erwin Wurm, F.R.A.C. Limousin, Limoges, France

Feelings, L´Ecole  des Beaux-arts, Rouen, France

Erwin Wurm, Galerie Art: Concept, Paris, France

Erwin Wurm, Jack Hanley Gallery, San Francisco, USA



Erwin Wurm, Kunsthaus Bregenz, Bregenz, Austria

Erwin Wurm, F.R.A.C. Bourgogne, Dijon, France

Erwin Wurm, CAN Centre d´art Neuchâtel, Neuchâtel, Switzerland

Project wall, Rosamund Felsen Gallery, Los Angeles, USA

Erwin Wurm, Galerie Elisabeth und Klaus Thoman, Innsbruck, Austria

Group exhibitions


Glassstress, Boca Raton Museum of Art, Boca Raton, Florida, USA Participation, Trondheim kunstmuseum, Trondheim, Norway

Franz West. Artistclub, 21er Haus, Belvedere, Vienna, Austria

Kunst und Scham, Marta Herford Museum, Herford, Germany

Play. Homo Ludens & The Peter Pan Syndrome, Kortrijk, Belgium

Luther und die Avantgarde, Gefängnis Wittenberg, Wittenberg, Germany

Duett mit KünstlerIn. Partizipation als künstlerisches Prinzip, Museum Morsbroich, Leverkusen, Germany

Variable Dimensions. Artists and Architecture, MAAT ­– Museum of Art, Architecture and Technology, Lisbon, Portugal

Do it, Ilmin Museum of Art, Seoul, South Korea



Performing for the CameraTate Modern, London, UK.

Ich - Neue Formen des SelbstporträtsSchirn Kunsthalle Frankfurt, Germany.


Vita Vitale, Azerbaijan Pavilion at Venice Biennial 2015, Venice, Italy

BACC - Bangkok Art & Culture Centre, Bangkok, Thailand (together with Surasi Kusolwong, 14/10 - Jan. 2016)
Ayala Museum, Manila, Philippines (together with Surasi Kusolwong, Spring 2015)

Dusk to Dusk : Unsettled, Unraveled, Unreal, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, USA

Future Seasons Past, Lehmann Maupin, New York, USA


Moving Parts: Time and Motion in Contemporary Art, Kemper Art Museum, St. Louis, MO, USA
Die Krawatte der Männer, Landesmuseum Zürich, Zurich, Switzerland
made in austria, Essl Museum, Klosterneuburg, Austria
Raw Materials - Vom Baumarkt ins Museum, Städtische Galerie Bietigheim-Bissingen, Bietigheim-Bissingen, Germany
Les archives du rêve, dessins du musée d'Orsay: carte blanche à Werner Spies, Musée de l'Orangerie, Paris, France

Synthesa, Lehmann Maupin Gallery, New York

Halle Verrière, Meisenthal, France 

Dom Umenia /Kunsthalle Bratislava, Slovakia

Klasse Kunst in 3D - Landesgalerie Linz, Austria

Heimsuchung, Kunstmuseum Bonn, Bonn, Germany
Piero Manzoni. Als Körper Kunst wurden, Städel Museum, Frankfurt am Main, Germany

Generosity. Geschenke und Leihgaben aus der Sammlung des ZKM, ZKM - Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Far from the Madding Crowd, Bonnefanten Hedge House - Bonnefantenmuseum, Maastricht, Netherland
30th Council of Europe Exhibition - The Desire for Freedom. Art in Europe Since 1945, MOCAK - Museum of Contemporary Art in Krakow, Krakow, Poland
A.E.I.O.U. - Österreichische Aspekte in der Sammlung Würth, Museum Würth, Künzelsau, Germany 
Die Liebe zu den Dingen, Kunsthalle Münster, Münster, Germany
Macht. Wahn. Vision. Der Turm und urbane Giganten in der Skulptur, Städtische Museen Heilbronn, Heilbronn, Germany
The Red Queen, MONA - Museum of Old and New Art, Hobart, Tasmania, Australia
Las huellas del camino. CAC Málaga, una década, CAC Málaga - Centro de Arte Contemporáneo, Málaga, Spain
Out of Fashion, Gl Holtegaard, Copenhagen, Denmark
Out of Fashion, KUNSTEN, Museum of Modern Art, Aalborg, Denmark
Photos - Points of view in Austrian Photography from the 1930s until today, 21er Haus, Vienna, Austria
Die Sammlung #2, 21er Haus, Vienna, Austria 
Eine kleine Machtmusik. Bericht aus dem Depot, Essl Museum, Klosterneuburg, Austria (curator: René Block)
Von oben her betrachtet. Dächer und Dachlandschaften von Egon Schiele bis Alfons Walde, von Inés Lombardi bis Gerhard Richter, Museum Kitzbühel - Sammlung Alfons Walde, Kitzbühel, Austria
Gegenwartskunst der Sammlung und der Kico Stiftung, Städtische Galerie im Lenbachhaus & Kunstbau, Munich, Germany
Do It, Socrates Sculpure Park, Long Island City, New York, USA; Gund Gallery, Gambier, Ohio, USA; MU artspace, Eindhoven, Netherlands; tranzit, Budapest, Hungary; Manchester Art Gallery, Manchester, United Kingdom; Samek Art Gallery at Bucknell University, Lewisburg, Pennsylvania, USA (curator: Hans Ulrich Obrist)
ARTZUID 2013, Amsterdam, Netherland
CBK (Centrum Beeldende Kunst) Drenthe, Governor's Garden, Assen, Netherland
Théâtre du monde, La Maison Rouge, Paris, France
Œuvres De La Collection Philippe Cohen 20 Ans D'acquisitions, Passage de Retz, Paris, France
Walter van Beirendonck: Dream the World Awake, RMIT Design Hub, Melbourne, Australia
Uncanny, Contemporary Art Galleries at the University of Connecticut, Connecticut, USA

Step Right In, Visual Arts Center (VAC) of the University of Texas, Austin, USA 
Limousin - L'exception culturelle, Abbaye Saint André - centre d'art contemporain, Meymac, France
Still, RLB Kunstbrücke, Innsbruck, Austria
Flesh Reality, Point Zero, Hackney, London, UK
Sammlung in Bewegung: anybody can have an idea, Museum Ostwall im Dortmunder U, Dortmund, Germany
Collection Joseph Kouli, Mains d'oeuvres, Saint Ouen, France
Wagner Extase, k.u.k Post- und Telegrafenamt am Börseplatz, Vienna, Austria
Essen in der Kunst. Genuss und Vergänglichkeit, Forum Frohner, Kunsthalle Krems, Krems, Austria
FRAGILE - curated by EIKON, BAWAG P.S.K. Contemporary, Vienna, Austria
Mindwalk, Galerija Vartai, Vilnius, Lithuania

Pink Caviar – New Acquisitions 2009-2011, Louisiana – Museum of Modern Art, Humlebaek, Denmark
Decade: Contemporary Collecting 2002-2012, Albright-Knox Art Gallery, 2012, Buffalo, New York, USA
Art and press, Martin Gropius Bau, Berlin, Germany
Parallelwelt Zirkus / The Circus as a parallel Universe, Kunsthalle Wien, Vienna, Austria
Atelier + Küche = Labore der Sinne, MARTa Herford, Herford, Germany
Kunst ist schön, Macht aber viel Arbeit, Städtische Galerie im Lenbachhaus & Kunstbau, Munich, Germany
Reflecting Fashion – Kunst und Mode seit der Moderne, Mumok, Vienna, Austria
Von Sinnen – Wahrnehmung in der Zeitgenössischen Kunst, Kunsthalle zu Kiel, Kiel, Germany
Die Sammlung, 21er Haus, Vienna, Austria
Art Cars at the Kröller-Müller Museum, Kröller-Müller Museum, Otterlo, Netherlands
Zeitzeugen – Fotografie in Österreich nach 1945, Künstlerhaus, Vienna, Austria
Sculpture Is Everything – Contemporary Works From The Collection, Brisbane, Queensland, Australia
Flashdance – Die sinnlich-freche Kunst der 80er Jahre, Stadtmuseum St. Pölten, St. Polten, Austria
The Haberdashery, Eric Firestone Gallery, Bridgehampton, New York, USA
Dust, Laboratoria – Art & Science Space, Moscow, Russia
On the Contrary, Meetfactory – International Center for Contemporary Art, Prague, Czech Republic
Raw Materials – Vom Baumarkt ins Museum, Museum für Konkrete Kunst, Ingolstadt, Germany
Woher kommt das Neue? – Kreativität und Einfallsreichtum im Design, Hessen Design e.V., Darmstadt, Germany
Riso/Laughter, Fundação EDP, Lisbon, Portugal
Natürlich Natur – Paralipomena, Ausstellungshaus Spoerri, Hadersdorf, Austria
Bending the Mirror & home, Canzani Center Gallery, Columbus, Ohio, USA
Outdoor – P28, Lisboa, Portugal; Oporto, Portugal
Car Culture – Das Auto als Skulptur, Lentos Kunstmuseum Linz, Linz, Austria
Wunder – Kunst, Wissenschaft und Religion, Kunsthalle Krems, Krems, Austria
Beaufort 04 – Trienniale of Contemporary Art by the Sea, Ostende & Belgium Coast , Belgium
APO-CALYPSE, Old Beard Factory, Clarens / Montreux, Switzerland
Ich & Ich – Selbstporträts aus der Sammlung Me & I –Self Portraits from the Collection, Museum der Moderne Salzburg, Salzburg, Austria
Künstlerkinder – Von Runge bis Richter, von Dix bis Picasso, Kunsthalle Emden, Emden, Germany
Gold, Belvedere, Vienna, Austria
Röcke tragen – Die Inszenierung von Kleidung in der zeitgenössischen Fotografie und Plastik, Museum der Moderne Salzburg, Salzburg, Austria
Space affairs / Raumaffären / Affaires d'espace, MUSA, Vienna, Austria
Theatre of the world, MONA – Museum of Old and New Art, Hobart, Tasmania, Australia
Légèreté? / Lightness?, Maison Particulière, Brussels, Belgium
Speaking drawing, WAF kunstbuero, Vienna, Austria
Be here now – Eine Ausstellung über den fotografischen ZeitRaum Art Collection Deutsche Börse, RAY 2012 – Fotografieprojekte, Frankfurt, Germany
Funny, The Flag Art Foundation, New York, USA
From Head to Toe – Human Images in the Focus of the Würth Collection, Kunsthalle Würth, Schwäbisch Hall, Germany
Language Games – An Introduction to the Art of Our Times, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain
AMOR PSYCHE ACTION – VIENNA – The Feminine in Viennese Actionism. Hummel Collection, DOX – Centre for contemporary art, Prague, Czech Republic
Juegos de lenguaje, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain
Zwischen Erinnern und Vergessen – Endlichkeit & Ewigkeit, Benediktinerstift Admont – Bibliothek & Museum, Admont, Austria
4 de Korenbeurs Schiedam, Galerie Tanya Rumpff, Haarlem and RAM – Berry Koedam, Rotterdam, Netherlands
L'amour du Risque, Museum of Contemporary Art Zagreb, Croatia
PINGO ERGO SUM - Das Bild fällt aus dem Hirn, Kunsthalle Rostock, Germany
Ungeheuerlich! – Eine Ausstellung für Kinder, MdM Rupertinum – Museum der Moderne Salzburg, Austria
Humour, Seriously, Esbjerg Kunstmuseum, Esbjerg, Denmark 

Albertina Contemporary, Gerhard Richter bis Kiki Smith, Albertina, Vienna, Austria
Future Garden, Kunstbunker Forum für zeitgenössische Kunst, Nuremberg, Germany
Superstress, 54th Biennale di Venezia, Palazzo Cavalli Franchetti, Venice, Italy
Fetisch Auto. Ich fahre also bin ich, Museum Tinguely, Basel, Switzerland
Die Frucht der Verheißung, Germanisches Nationalmuseum, Nuremberg, Germany
Öffentlicher Raum Salzburg / Salzburg Foundation, Salzburg, Austria
Car Culture – Medien der Mobilität, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
The Original Copy – Photography of Sculpture 1839 to Today, Kunsthaus Zürich, Zurich, Switzerland
Wunder – Kunst, Wissenschaft und Religion vom 4. Jahrhundert bis zur Gegenwart, Deichtorhallen Internationale Kunst und Fotografie Hamburg, Germany
Surreal versus Surrealism in Contemporary Art, IVAM, Valencia, Spain
The excitement continues – Zeitgenössische Kunst aus der Sammlung Leopold II, Leopold Museum, Vienna, Austria
Kunst-Stoff – Textilien in der Kunst seit 1960, Städtische Galerie Karlsruhe, Karlsruhe, Germany
The fashion world of Jean Paul Gaultier – From the sidewalk to the catwalk, Montreal Museum of Fine Arts, Montreal, Quebec, Canada
Middle Age – Curated with Diana Kingsley, Leo Castelli Gallery, New York, USA
Corps à Corps, Musée des Beaux-Arts de Dunkerque, Dunkerque, France
Austria Davaj! Der Gipfel des Kreativen Österreich, Schusev State Museum of Architecture, Moscow, Russia
Ha Ha Road, Quad, Derby, UK and Oriel Mostyn Gallery, Llandudno, Wales
Monanism – an evolving exhibition, MONA, Museum of Old and New Art, Hobart, Tasmania, Australia
Realität und Abstraktion 1 - Figurative und expressive Konzepte ab 1980 bis heute, Museum Liaunig, Neuhaus, Austria
Froschbärfant und andere Tiere in der Kunst, Galerie im Traklhaus, Salzburg, Austria
Fettsalon / Fedtsalon, Salon Neucologne, Berlin, Germany
ak7 – Contemporary Design by Contemporary Artists, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria
Our House in the Middle of our Street, Maison des Arts de Malakoff, Malakoff, France
Contemporary sculpture in a prehistoric landscape – Sculpture at Pilane 2011, Pilane, Sweden
Temporary Structures – Performing Architecture in Contemporary Art, deCordova – Sculpture Park and Museum, Lincoln, Massachusetts, USA
Black River Festival 2011, Vienna, Austria
Hochhaus – Wunsch und Wirklichkeit, Museum für Gestaltung Zürich, Zurich, Switzerland
From contemplating to constructing situations, Pavilion Unicredit – Center for Contemporary Art and Culture, Bucharest, Romania
Do it yourself, Fundación Canal, Madrid, Spain
Anybody There?, Le Volume, Vern-sur-Seiche, France
Things are queer – Highlights der Sammlung UniCredit, MARTa Herford Museum, Herford, Germany
The art to innovate – Skulpturen aus Kunststoff – Teil 2, MuseumsQuartier Wien, Vienna, Austria
Magie des Objekts – Photographie aus drei Jahrhunderten, Leopold Museum, Vienna, Austria
Anti/Form – Sculptures from the MUMOK Collection, Kunsthaus Graz, Austria
ART/LIFE – Humour, paradoxe et parodie dans l'art vidéo, Nights of the Museums 2011, Musée Cantonal des Beaux Arts, Lausanne, Switzerland
Neue Stofflichkeit – Textilkunst durch die Jahrhunderte, Diözesanmuseum Hofburg Brixen, Italy
Sammler-Leidenschaft, Benediktinerstift Admont – Bibliothek & Museum, Admont, Austria
Zeichen. Sprache ohne Worte, Stiftung Haus der Geschichte der Bundesrepublik Deutschland, Haus der Geschichte Bonn, Bonn, Germany
*Grrr*(eece) & *Hmmm*, ReMap3, Athens, Greece
Kunstkörperlich / Körperkünstlich Band 3 – Bodies, Kunsthalle Dominikanerkirche, Osnabrück, Germany
Time Wounds all Heels, White Flag Projects, Saint Louis, Missouri, USA
Generation 1951 ±, Galerie Altnöder, Salzburg, Austria
Antidepressiva, GPL – Galerie Peithner-Lichtenfels, Vienna, Austria
Physical Video, Queensland Art Gallery / Gallery of Modern Art, South Brisbane, Queensland, Australia
Zeichnung Wien, Galerie Lindner, Vienna, Austria 

The Original Copy – Photography of Sculpture, 1839 to Today, MoMA – Museum of Modern Art, New York, USA
Die 7 Todsünden, Kunstmuseum und Zentrum Paul Klee, Bern, Switzerland
just what is it ...., ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Towada Art Center, Towada, Japan
Charity Exhibition for light the dark, Galerie Thaddaeus Ropac Salzburg, Villa Kast, Drawing Space, Salzburg, Salzburg
Art of Participation – 1950 to Now, Museum am Ostwall Dortmund, Dortmund, Germany
Glück happens, Kunstpalais Erlangen, Erlangen, Germany (curator: Claudia Emmert)
Play Admont, Museum für Gegenwartskunst Stift Admont, Admont, Austria
Atopia, CCCB, Centre de Cultura Contemporània de Barcelona, Spain
Humor, John Michael Kohler Arts Center, Sheboygan, Wisconsin, USA
Körper Codes – Menschenbilder aus der Sammlung, Museum der Moderne Salzburg, Salzburg, Austria
Realismus – Das Abenteuer der Wirklichkeit, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany
Realismus – das Abenteuer der Wirklichkeit, Kunsthalle Emden, Emden, Germany
The Adventure of Reality – International Realism - Kunsthal Rotterdam, Netherlands
Entre tiempos, Teatro Fernan – Gomez Arts Center, Madrid, Spain
Day of Time, City Theatre of Lisbon, Teatro Maria Matos, Lisboa, Portugal
Angst, Galleria Gentili, Prato, Italy (Curator: Helmut Friedel)
Erwin Wurm, Otto Zitko, Galerie 422 Margund Lössl, Gmunden, Austria
The artist in the (art)society, Motorenhalle Dresden, Dresden, Germany (curator: Andrea Domesle)
The artist in the (art)society, Emil Filla Gallery, Ústí nad Labem, Czech Republic (curator: Andrea Domesle)
Videorama – Videoclips from Austria, UCCA, Peking, China; National Academy, New Dehli, India; Ursula Blickle Stiftung, Kraichtal, Germany; Museum der Moderne Mönchsberg, Salzburg, Austria; Magazin 4, Bregenz, Austria; ParaSite, Hong Kong, China; Center of Contemporary Art, Tel Aviv, Israel
You never know what will happen next..., Lentos Kunstmuseum Linz, Linz, Austria
(No) Relation, Galerie Raum und Licht, Vienna, Austria
25 + 25, Kunstverein Wilhelmshöhe, Ettlingen, Germany
Der Alte Mann und das Meer, NÖ Dokumentationszentrum für Moderne Kunst, St. Pölten, Austria
PastPresentFuture, Palazzo della Ragione, Verona, Italy
2. Ausstellung der NV Art Foundation, Niederösterreichische Versicherung AG, St. Pölten, Austria
Blickwechsel – österreichische Fotografie heute, WestLicht – Schauplatz für Fotografie, Wien, Austria
Walk like an Egyptian, Les Abattoirs, Toulouse, France
Das Fundament der Kunst – Die Skulptur und ihr Sockel seit Auguste Rodin, Arp Museum, Remagen, Germany
...und immer fehlt mir was, und das quält mich, Kunstgruppe Kunstverein Köln, Galerie Schmitz, Köln, Germany
Ein Minuten Skulpturen, Fünfjahresbilder, Galerie Sechzig, Feldkirch, Austria
künstlerisch dokumentiert, Palais Trauttmansdorff, Graz, Austria
Sternchen 15, Werkstadt Graz, Graz, Austria
Twentysix Gasoline Stations ed altri libri d’Artista – Una Collezione, Museo Regionale di Messina, Messina, Italy
Vienna, Galleria Marie-Laure Fleisch, Rom, Italy
The Art of Design, ak7 – Contemporary Design by Contemporary Artists, Freiraum quartier21 International, MuseumsQuartier Wien, Vienna, Austria
Monat der Photographie 2010, Autofocus, Focus_Auto – Cars in Contemporary Photography, Projektraum Viktor Bucher, Vienna, Austria
Originalfunktional, Wiener Art Foundation, Vienna, Austria
Entretiempos / Nel Frattempo – Istanti, intervalli, durate, MAN – Museo d’Arte Provincia di Nuoro, Nuoro, Italy
Collection 2 – Focus on Recent Acquisitions, NMAO – National Museum of Art, Osaka, Japan
Happy End, Kunsthalle Göppingen, Göppingen, Germany
Playboys & Killjoys, Ambach & Rice, Seattle, Washington, USA
Julian Opie / Erwin Wurm, Galerie Judith Walker, Weizelsdorf, Austria
Skulpturen, Objekte und Installationen, Galerie Kunst & Handel, Graz, Austria
89 Km – Colección CGAC, MARCO – Museo de Arte Contemporánea de Vigo, Vigo, Spain
Raum – körper einsatz, MUSA – Museum auf Abruf, Vienna, Austria
Acting Out – Three Videos by Three Artists, Norton Museum of Art, West Palm Beach, Florida, USA
Zeichnung 2010 – Nader Ahriman bis Chen Zhen, Galerie Krinzinger, Vienna, Austria
Aquarellhappening 2000-2009, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria
Das Fundament der Kunst – Die Skulptur und ihr Sockel in der Moderne, Gerhard Marcks Haus, Bremen, Germany
Wir leben und arbeiten in Wien – Brighten the Corners, Gallery AREA 53, Vienna, Austria
Visual/Conceptual – NCCA, National Center For Contemporary Art, Moscow, Russia
A Swiss Private Collection, Galerie Mitterrand+Cramer, Geneva, Switzerland
The obscure objects of my desire, Hilger contemporary, Vienna, Austria
Zeichnung Wien, Galerie Ruberl, Vienna, Austria
Aktualität eines Mediums – Nader Ahriman bis Chen Zhen, Galerie Krinzinger, Vienna, Austria
Jugend und ihre Werte, Galerie Marenzi, Leibnitz, Austria
Here, There and Everywhere, Hilger BROT Kunsthalle, Vienna, Austria
Long time no see – Contemporary Austrian Art, The Brno House of Arts, Brno, Czech Republic
 (no)Relation, Raum mit Licht Galerie, Vienna, Austria 

3rd Moscow Biennial, Moscow, Russia (curator: Jean-Hubert Martin)
BODY AND LANGUAGE – Zeitgenössische Fotografie aus der Albertina, Albertina, Vienna, Austria
Extreme Frontiers, Urban Frontiers (Confines), IVAM – Institut Valencia d‘Art Modern, Valencia, Spain
Live Art – Living Stage, Kunstnernes Hus, Oslo, Norway
YOU_ser. The Century of the Consumer, Museum Santralistanbul, Istanbul, Turkey
Too Much of Me – 7 Paths through the absurd (with detour), MUMA – Monash University Museum of Art, Melbourne, Australia (curator: Geraldine Barlow)
Our Subject is You, Weatherspoon Art Museum, Greensboro, North Carolina, USA (curator: Xandra Eden)
GAGARIN. The artists in their Own Words, S.M.A.K., Stedelijk Museum voor Actuele Kunst Ghent, Ghent, Belgium
HÖHENRAUSCH – Kunst über den Dächern von Linz – Eine Ausstellung in 7 Stationen,Offenes Kulturhaus / Kulturhaupstadt 2009, Linz, Austria
Art Boom Festival, Krakow, Poland
Lebensform Wittgenstein, Wittgensteinhaus, Vienna, Austria (curator: Christian Denker)
AUTO. Dream and Matter, LABoral, Gijón, Spain; Dos de MayoArt Center, Madrid, Spain (curator: Albert Martìn)
Fuori gioco, Olafur Eliasson, Giulio Paolini, Erwin Wurm, Camere #8, RAM_radioartemobil, Roma, Italy (curator: Helmut Friedel, Giovanni Iovane)
ArtZuid – sculptures & architecture in Amsterdam, Berlage in Beeld, Apollo- and Minervalaan, Amsterdam, Netherlands
Zauber der Zeichnung, Galerie im Lanserhaus, Epen, Italy (curator: Peter Weiermair)
Focus Nature. Fokus Natur!, Museum Stift Admont, Admont, Austria (curator: Michael Braunsteiner)
Get Connected – Alexander Reznikov Collection, Künstlerhaus, Vienna, Austria
NAIL SOUP, Photogallery Peter Lav, Copenhagen, Denmark
Malzeit – Essen in der Kunst, Galerie im Traklhaus, Salzburg, Austria
Best of Austria – Eine Kunstsammlung, Lentos Kunstmuseum Linz, Linz, Austria
Sakra, jetzt papp I aa – Karl Valentin, Komik und Kunst seit 1948, Münchner Stadtmuseum, Munich, Germany
Sehnsucht nach dem Abbild – Das Portrait im Wandel der Zeit, Kunsthalle Krems, Krems, Austria
The rest. Superfluous and utopian, Fundación de Artes Plásticas Rafael Boti, Sala Puertanueva de Córdoba, Spain (curator: Angel Luis Pérez Villén)
Museum in Bewegung, Museum am Ostwall, Dortmund, Germany
REWIND / FAST FORWARD – Die Videosammlung, Neue Galerie, Graz, Austria
Sammlung FOTOGRAFIS der Bank Austria, Museum der Moderne, Salzburg, Austria
The artist in the (art)society. International group show, Kunsthalle Palazzo, Liestal bei Basel, Switzerland (curator: Andrea Domesle)
Die Schönheit des Hässlichen, Forum Frohner, Kunsthalle Krems, Krems, Austria
Das Fundament der Kunst. Die Skulptur und ihr Sockel seit Auguste Rodin, Städtisches Museum Heilbronn, Heilbronn, Germany
GBB 1999 →, Galleri Bo Bjerggaard, Copenhagen, Denmark
“Laughing Prohibited !”, On the comic and the prophecy, Dutch Design Week 2009, Eindhoven, Netherlands
Lianzhou International Photo Festival, Huangzou, China
Schenkung Thaddaeus Ropac, Museum der Moderne Mönchsberg, Salzburg, Austria
All Creatures Great and Small, Zacheta National Gallery of Art, Warsaw, Poland
*STERNCHEN, Graz Kunst & Galerie Grazy, Graz, Austria
just what is it ..., Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Dieseits/Jenseits – Kultur des Abschieds, Museum Hartberg, Hartberg, Austria
Videorama: Subversion, Absurdity, and Form in Austrian Video Art, ACF – Austrian Cultural Forum, New York, USA
Twentysix Gasoline Stations Ed Altri Libri DArtista – Una Collezione, Museo Regionale di Messina, Messina, Italy
Videorama – Art clips from Austria, Kunsthalle Wien, Vienna, Austria (curator: Angela Stief) 
DuMont Editions, White Space Beijing, China
PastPresentFuture – Werke aus des Sammlung der Unicredit Group, Bank Austria Kunstforum, Vienna, Austria
Best Of Kunstraum Innsbruck 2004-2009 – Kunstraum Innsbruck, Austria
Faux-semblants, CAB, Centre d’Art Bastille, Grenoble, France
Pas nécessaire et pourtant indispensable“ – 1979-2009 : 30 ans d’art contemporain à Meymac, Abbaye St André – Centre d'art contemporain Meymac, Meymac, France
Estuaire 2009 – Nantes <> St Nazaire, Nantes, France
summa summarum, Galerie Wilma Lock, St. Gallen, Switzerland
Uncharted – User Frames in Media Arts, Santralistanbul, Istanbul, Turkey
Artists of the Gallery – A special selection, Galerie Krinzinger, Vienna, Austria
b/w, Galerie Mitterrand+Cramer, Geneva, Switzerland
Austrian Painters, Artis Causa, Thessaloniki, Greece
Videorama – Artclips from Austria, Galerie Henze & Ketterer, Wichtrach/Bern, Switzerland
Natur – die Schöpfung ist nicht vollendet, Galerie im Traklhaus, Salzburg, Austria
Gestern oder im 2. Stock – Karl Valentin, Komik und Kunst seit 1948, Münchner Stadtmuseum, Munich, Deutchland
Visions of the Forntiers, IVAM – Institut Valenciá d'Art Modern, Valencia, Spain
Auto – Dream & Matter, Laboral – Centro de Arte y Creación Industrial, Gijón, Spain
Marilyn Monroe: Life as a Legend, Wag – Winnipeg Art Gallery, Winnipeg, Manitoba, Canada
Spotlight – Neuzugänge seit 2006, MdM Rupertinum – Museum der Moderne Salzburg, Austria

Art of Participation: 1950 to Now, San Francisco Museum of Modern Art, San Francisco, USA
First Person Video, The Box, Wexner Center for the Arts, Columbus, Ohio, USA
Car Culture, The Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, USA
Not to play with dead things, Villa Arson, Nice, France
NACH 1970 – Österreichische Kunst aus der Albertina, Albertina, Vienna, Austria
Another Tomorrow: Young video art from the collection of the Neue Galerie am Landesmuseum Joanneum / Graz, SLOUGHT FOUNDATION, Philadelphia, USA
Anatomie les peaux du seddin – collection Florence & Daniel Guerlain, FRAC Picardie, Amiens, France
Second_Nature, Domaine départemental de Chamarande, Chamarande, France
System Mensch, Museum der Moderne Rupertinum, Salzburg, Austria
(No) Relation, St. Peter an der Sperr/Wiener Neustadt, Vienna, Austria (curator: Margarita Rukavina)
FOTOGRAFIS collection reloaded, Bank Austria Kunstforum, Vienna, Austria
HOME ALONE, Galerie Mikael Andersen, Copenhagen, Denmark
TELL, Locarno International Filmfestival, Locarno, Switzerland
I Am Future Melancholic, GoGallery and www.TANK.TV, Milan, Italy
Schenkungen an das Belvedere von Thaddaeus Ropac, Belvedere, Vienna, Austria
Short Stories, Museum für Gestaltung, Zurich, Switzerland
GAMES. Kunst und Politik der Spiele, Kunsthalle Wien Project Space, Vienna, Austria
30 x 2 Sessel/Stühle, Artelier Collection, Graz, Austria
Play it – Kunst und Spiel, Halle 6 Killesberg, Stuttgart, Germany
KOMPLEX – Österreichische Gegenwartskunst aus der Sammlung Essl in Klosterneuburg/Wien, Museum am Ostwall, Dortmund, Germany
Lustwarande 08 – Wanderland, De Oude Warande, Tilburg, Netherlands
Leibesübungen. Vom Tun und Lassen in der Kunst, Institute of Contemporary Art, Dunaújváros, Hungary; Kunstmuseum Heidenheim, Heidenheim, Germany
SchauM, Mannheimer Kunstverein, Mannheim, Germany
Second_Nature, Galerie l’Indépendance et Parc Heintz, Dexia Banque Internationale à Luxembourg, Luxemburg, Luxemburg
Now you see it, Aspen Art Museum, Aspen, Colorado, USA
10 Jahre Galerie 422, Galerie 422, Gmunden, Austria
Repertorium, Galerie Eugen Lendl, Graz, Austria
Im Rahmen des Projektes "Hannover Goes Fashion", Sprengel Museum Hannover, Hannover, Germany
Regarde de tous tes yeux, regarde! – L'art contemporain de Perec - Musée des Beaux-Arts de Nantes, Nantes, France
Die Hände der Kunst, MARTa Herford, Herford, Germany
The Hands of Art, S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium
Testgyakorlatok / Body Exercise, Institute of Contemporary Art - Dunaújvàros, Dunaujvaros, Hungary
Eyesore, V1 Gallery, Copenhagen, Danemark
Editionen 2009, Momentum, Vienna, Austria
Sculpture Trail, Grieder Contemporary – Zürich, Küsnacht, Switzerland
30x2 Chairs, Artelier Contemporary, Graz, Austria 



YOU_ser. The Century of the Consumer, ZMK, Karlsruhe, Germany (curator: Peter Weibl)

 Affinities - Deutsche Guggenheim 1997 - 2007, Deutsche Guggenheim, Berlin, Germany

All about laughter: role of humors in contemporary art, Mori Art Museum, Tokyo, Japan

“I am future melancholic”,, Tate Modern, London, UK; Go Gallery, Milan, Italy

Contact, Toronto Photography Festival, Toronto, Canada

Repositioning the Coordinates, Wexner Center for the Arts, The Ohio State University,

Columbus, Ohio, USA

TIMER 01 INTIMACY, Triennale Bovisa, Triennale Museum in Milan, Italy

Hard Rock Walzer, Villa Manin Centre for Contemporary Art, Codroipo, Italy

Exitus. Tod alltäglich, Künstlerhaus, Vienna, Austria

Trauma*68, City of Bruges, Halls of Bruges, Bruges, Belgium

Out of space: la photographie et l’imaginaire sculptural, Dazibao Centre de Photographies

Actuelles, Montréal, Canada

 Il était une fois, l’École d’Arts Plastiques de Vitrolles, Vitrolles, France

Fashion in film festival, Museum of the Moving Image, NY, USA; Arnheim Fashion Biennale

Arnheim Picturehouse, Arnheim, The Netherlands

21 Positions, Austrian Cultural Forum, New York, USA

Salon de la Kakanie, Central House of Artists, Moscow, Russia

Estuaire Nantes Saint Nazaire, Nantes, France

Raum und Zeit (Teil 1), Häusler Contemporary, Munich, Germany

Vidéorama, FRAC Nord-Pas de Calais, Dunkirk, France

Erwin Wurm - video works, Auditorum Arte, Equilibrio, Festival della nuova danza,

Auditorium Parco della Musica, Rome, Italy

Situation Comedy: Humor in recent art, Salina Art Center, Salina, Kansas

Cross-Border. Fotografie und Videokunst aus dem MUMOK Wien, Vienna, Austria; Kunstmuseum Stuttgart, Stuttgart, Germany

Passion for Art - 35 Jahre Sammlung Essl, Essl Museum, Klosterneuburg, Austria

Tanzen - Sehen, Museum für Gegenwartskunst Siegen, Siegen, Germany; Ver bailar –

Diálogo entre la danza y las bellas artes, Centro Andaluz de Arte Contemporáneo, Sevilla, Spain

De leur temps, Art contemporain et collections privées en France, Musée de Grenoble, France

Sculpture Grande Prague 07, Gallery Art Factory, Prague, Czech republic

Art -, 90 Kurzvideos aus der Schweiz, Österreich und Deutschland, ZKM -

Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany

House Trip, Art Forum Berlin 2007, Berlin, Germany

Die Heimat ist um die Ecke, Museo da Imagem, Braga, Portugal

Les Inattendus, Musée départemental d’arts et traditions populaires, Frac Franche-Compté, Champilitte, France

Surréalités, Centre PasquArt, Kunsthaus Centre d’Art, Biel, Switzerland

Sur Papier, Art & Public - Cabinet Pierre Huber, Geneva, Switzerland

Small is beautiful, Ursula Blickle Foundation, Kraichtal-Unteröwlsheim, Kraichtal, Germany

Paul Klee – Überall Theater, Zentrum Paul Klee, Bern, Switzerland

Objekthaftes – Einblicke in die Sammlung, Museum der Moderne Salzburg Rupertinum, Salzburg, Austria

Leibesübungen. Vom Tun und Lassen in der Kunst, Kunsthalle Göppingen, Göppingen;

Hochschule für Bildende Künste Braunschweig, Braunschweig; Kunstmuseum Heidenheim,

Heidenheim, Germany

L’Art, c’est renversant, Frac Bourgogne, Galeries Lafayette, Dijon, France

Cheminements, Centre de photographie de Lectoure, Lectoure, France

Austria +/- 50, Galerie Ruzicska, Salzburg, Austria

TIMELESS, Galerie Wilma Lock, St. Gallen, Switzerland

Wann immer vorerst – Aktuelles aus der Kunstsammlung der BA-CA, BA-CA Kunstforum Wien, Vienna, Austria

Marilyn Monroe – Life as a Legend, The Dayton Art Institute, Dayton, Ohio, USA

Die Liebe zu den Objekten - Aspekte zeitgenössischer Skulptur, Niederösterreichisches Landesmuseum, St. Pölten, Austria

Souvenir dalla Colezione del Centro per l’arte contemporanea Luigi Pecci, Centro per l’Arte

Contemporanea Luigi Pecci, Prato, Italy

30, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria

Mapas, Cosmogonias e Puntos de Referencia, CGAC –Centro Galego de Arte

Contemporánea, Santiago de Compostela, Spain

Come, come, come into my world, Ellipse Foundation Contemporary Art Collection, Cascais, Portugal

Standing on one foot, Triangle Project Space, San Antonio Texas

Objekthafte - Einblicke in die Sammlung, Museum der Moderne Salzburg, Austria

Paris en couleur, Hotel de Ville, Paris, France

Strange Events Permit Themselves the Luxury of Occuring, Camden Arts Centre, London, UK



In den Alpen, Kunsthaus Zurich, Zurich, Switzerland

Le mouvement des images, Centre Pompidou, Paris, France

opera austria. Brüchige Perspektiven. Kunst im Herzen Europas, Centro per L`Arte

Contemporanea Luigi Pecci, Prato, Italy

All the Best. The Deutsche Bank Collection and Zaha Hadid, Singapore Art Museum,

Singapore, Malaysia

In den Alpen, Kunsthaus Zurich, Zurich, Switzerland

Le mouvement des images, Centre Pompidou, Paris, France

Erwin Wurm, Nuit Blanche, Paris, France

Why pictures now - Fotografie, Film, Video heute, Mumok Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria

Wiener Aktionismus - Die Sammlung Hummel, Mumok Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria

Take a walk on the wild side, The Pury & Luxembourg, Zurich, Switzerland (curators: Jerome Sans and Olivier Vrankenne)

Sweet Ecstasy, Galerie Nicola von Senger, Zurich, Switzerland

Fo.KU.S, Foto Kunst Stadtforum, Stadtforum, Innsbruck, Austria

Simultan, zwei Sammlungen österreichischer Fotografie, Fotomuseum Winterthur,

Winterthur, Switzerland

Lifestyle, Kunstmuseum St. Gallen, St. Gallen, Switzerland

Franz West without Franz West, Centre d’Art Santa Mònica, Barcelona, Spain

Art Unlimited, Art 37 Basel, Basel, Switzerland

Don Juan alias Don Giovanni: “zwei und zwei sind vier” oder “Lust ist der einzige Schwindel,

dem ich Dauer wünsche.”, Kunsthalle Wien, Vienna, Austria; Ursula Blickle Stiftung,

Kraichtal, Germany; Magazin4 Bregenzer Kunstverein, Bregenz, Austria

Situation Comedy: Humor in recent art, Chicago Cultural Center, Chicago Illinois; Winnipeg

Art Gallery, Winnipeg, Manitoba, Canada; MacKenzie Art Gallery, Regina, Saskatchewan, Canada

Display of UBS Collection, Tate Modern, London, UK

Postmediale Kondition, Galería del 98 im Centro Cultural, Madrid, Spain

Art and Play, Museum of Modern Art, Saitama, Japan

Weak perspectives: Art in Austria 2006, Luigi Pecci Centre, Prato, Italy

Auto-Non-Mobile, Kasseler Kunstverein, Kassel, Germany

Die Heimat ist um die Ecke, Historisches Museum der Stadt Regensburg, Regensburg,

Draw A Straight Line and Follow It, Center for curatorial Studies (CCS) at Bard College, Annandale on Hudson, New York, USA

Drawing as Process in Contemporary Art, Smart Museum of Art at the University of Chicago,

Chicago, USA

Humor Me, H & R Block Artspace at the Kansas City Art Institute, Kansas City, USA

Intérieur Jour - L’objet entre art et design dans la collection du Frac Île-De-France, Paris, France

Passage en ville, Association Biarritz Photo, Biarritz, France

UD.A. últimos disenos austriacos. Contemporary Austrian Design, Fundación Canal, Canal de Isabel II, Madrid, Spain   

"THE SUSPENDED MOMENT" (H & F collection), PSG Art Gallery, Silpakorn University, Bangkok, Thailand

Hundert Küsse sind besser als einer, Krinzinger Projekte, Vienna, Austria

Art Collection Deutsche Börse, Frankfurt am Main, Germany

Ein gemeinsamer Ort. Skulpturen, Plastiken, Objekte, Lentos Kunstmuseum Linz,  Linz, Austria

Eine Frage nach der Gestik, Hochschule für Grafik und Buchkunst Leipzig, Leipzig, Germany

Bon Appetit, Galerie Lisi Hämmerle, Bregenz, Austria

Artists for Tichy – Tichy for artists, East Bohemian Gallery, Pardubice, Czech Republic;

Museum für Moderne Kunst, Passau, Germany

E-flux Video Rental, Arthouse at the Jones Center – Contemporary Art for Texas, Austin, TX, USA

Chauffe Marcel! A propos de “Mona Lisa”, FRAC – Languedoc-Rousilon, Montpellier, France

Medium Fotografie, Stampa, Basel, Switzerland

Österreichische Kunst am oberen Tassenrand, IKOB – Museum für eitgenössische Kunst

Eupen, Eupen, Belgium



Simultan, zwei Sammlungen österreichischer Fotographie, Museum der Moderne Salzburg,

Salzburg, Austria

2D from 3D, Elizabeth Leach Gallery, Portland, USA

Wer Visionen hat soll zum Arzt gehen. 25 Jahre GAK, Gesellschaft für aktuelle Kunst, Bremen, Germany

Postmediale Kondition, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria

Joy, Casino Luxembourg, Luxembourg

Drive. Automobili nell’Arte Contemporanea, GAM, Galleria d’Arte Contemporanea Bologna,

Bologna, Italy

Biennale de Lyon, Lyon, France, (curators: Jérome Sans, Nicolas Bourriaud)

"THE SUSPENDED MOMENT" (H & F collection), CRAC ALSACE, Altkirch, France;

MARCO (Vigo - Spain), Art Centre TADU (Bangkok - Thailand), Art centre Z33 Hasselt

(Belgium) and the Centraal Museum Utrecht (the Netherlands)

Spielräume, Wilhelm Lehmbruck Museum - Zentrum Internationaler Skulptur, Duisburg, Germany

Figur Skulptur, Sammlung Essl, Klosterneuburg, Austria

Rundlederwelten, Gropiusbau, Berlin, Germany

Materika, Biennale di scultura, Gorizia, Italy

In the Line of Flight, China Millenium Art Museum, Bejing, China

Art that works / Catch me !, 46th October Salon, Belgrade, Serbia and Montenegro

“…O luna tu..Il notturno come spazio della fantasia”, ARCOS, Museo d’Arte Contemporanea

Sannio, Benevento, Italy

“…i’ am an artificial product.“ - Myth and Legend Marilyn Monroe, Museum in Cádiz, Spain

Die Heimat ist um die Ecke, Centro de Fotografia Salamanca, Salamanca, Spain; Museo de

Arte Contemporáneo MARCO, Vigo, Spain

Snow white and the seven dwarfs, Fundación Marcelino Botín, Santander, Spain (curator: Udo Kittelmann)

Situation Comedy: Humor in recent art, The Contemporary Museum, Honolulu, Hawaii

Private View 1980 - 2000, Collection Pièrre Hubert, Musée Cantonal des Beaux Arts, Lausanne, Switzerland

Chronos, Il tempo nell’arte dall’epoca barocca all’etá contemporanea, Il Filatoio, Caraglio (Cuneo), Italy

Sculpture, Galerie Elisabeth & Klaus Thoman, Innsbruck, Austria

Le genie du lieu, Musée des Beaux Arts Dijon, Dijon, France

Sweet Temtations, Kunstverein St. Gallen Kunstmuseum, St. Gallen, Switzerland

Marking Time, Los Angeles Contemporary Exhibitions, The Getty Center, Los Angeles, USA

Scultura leggera - Light Sculpture, 503 Mulino, Vicenza, Italy

Munch revisited - Edvard Munch und die heutige Kunst, Museum am Ostwall im Museum für

Kunst und Kulturgeschichte Dortmund, Dortmund, Germany

Oevres de la collection du Fonds régional d’art contemporain d’Ile-de-France, IUFM Paris, France

Polaroid als Geste, Museum für Photographie, Braunschweig, Germany

ATTENTION A LA MARCHE (histoires de gestes), La Galerie Centre  dárt  contemporain, Noisy-le-Sec, France

Das Neue 2, Atelier Augarten, Zentrum für zeitgenössische Kunst der Österreichischen Galerie Belvedere, Vienna, Austria

Aus der Fotosammlung: Neuerwerbungen, Sammlungen Walter und Frank, Landesgalerie Linz, Austria

Kunst im T-Center, T-Center/T-Mobile Austria GmbH, Vienna, Austria

E-flux Video Rental, KW Kunst-Werke Berlin, Institute of Contemorary Art, Berlin; Portikus, Frankfurt/Main, Germany

Undsoweiter…, Galerie Wilma Lock, St. Gallen, Switzerland

I am Making art, Queensland Art Gallery, Brisbane, Australia

Europe in Art – A HVB Group Project, National Museum of Contemporary Art (MNAC), Bukarest, Romania



International Biennial Foundation of Contemporary Art of Seville, Sevilla, Spain (curator: Harald Szeemann)

Arti & Architettura, 1900 - 2000, Palazzo Ducale, Genua, Italy (curator: Germano Celant)

Skulptur. Prekärer Realismus zwischen Melancholie und Komik, Kunsthalle, Wien, Austria

Ich will, dass Du mir glaubst !, 9. Triennale Kleinplastik Fellbach, Fellbach, Germany

(curator: Jean - Christoph Ammann)

Orozco - Wentworth - Wurm, FotoGrafia - International Rome Festival, The Andersen

Museum, Rom, Italy

Soziale Kreaturen – wie Körper Kunst wird, Sprengel Museum, Hannover, Germany

Global World - Private Universe, Kunstmuseum St. Gallen, St. Gallen, Switzerland

Von Angesicht zu Angesicht – Das Antlitz des Menschen in der Kunst,  Kunstmuseum

St. Gallen, St. Gallen, Switzerland

Porträts. Picasso, Bacon, Warhol …, Museum Moderner Kunst Stiftung Ludwig Wien,

Vienna, Austria

Vision einer Sammlung, Museum der Moderne Salzburg, Salzburg, Austria

Farbige Plastik, Museum der Moderne Rupertinum, Salzburg, Austria

Le proche et le lointain, Domaine de Kerguéhennec, centre d'art contemporain, Bignan, France

LASTWINTERSPRINGNEVERCAME, Platform Garanti Contemporary Art Center, Istanbul, Turkey

Paisaje después de la tormenta [Landscape after the storm], T20 Gallery, Murcia, Spain

Dessins et des autres, Galerie Anne de Villepoix, Paris, France

Exposition collective de sculpture, Galerie Anne de Villepoix, Paris, France

Dessins et des autres – part II, Galerie Catherine Bastide, Brussels, Belgium

à 20 h Prêts à prêter 1, Frac Provence-Alpes-Côte d’Azur, Marseille, France

Close Reading#3, objectif_exhibitions, Antwerp, Belgium (curator: Philippe Pirotte, Win Van

den Abbeele)

Art Unlimited, Art 35 Basel, Basel, Switzerland

Krinzinger Österreich - Künstler der Galerie, Galerie Krinzinger, Vienna, Austria

Virtual Frame, Kunsthalle Wien project space Karlsplatz, Vienna, Austria

Short Stories – Zeichnung lesen, Galerie Eugen Lendl, Graz, Austria

Haus und Körper, Galerie Francoise Heitsch, Munich, Germany (curator: Agnes Kohlmeyer)

4ème Biennale de la Photographie et des Arts visuels, Centre Culturel "Les Chiroux", Liège,


Brooklyn Euphoria festival, Brooklyn Academy of Music, New York, USA

Grotesque, burlesque et parody, Abbaye Saint-André, Centre d'Art Contemporain, Meymac, France

La Collezione permanente, Centro per l'Arte Contemporanea Luigi Pecci, Prato, Italy

Video killed the radio star, La Fabrica Galeria, Madrid, Spain

Jusqu’où irez-vous ?, Parcours Saint-Germain-des-Prés, Paris, France

Galway Arts Festival, Galway, Ireland

Around the corner, Cristina Guerra Contemporary Art Gallery, Lissabon, Portugal

Im Bild, Kunsthalle Göppingen, Göppingen, Germany

De fil en aiguille, Musée-Beaux-Arts de Lons Le Saunier, Lons Le Saunier, France

Camera/Action: Performance and Photograph, Museum of Contemporary Photography,

Columbia College Chicago, Chicago, USA

Artist’s collection, Werke aus den Sammlungen von Herbert Brandl, Werner Feiersinge,

Erwin Wurm und Jun Yang, Galerie der Stadt Schwaz, Schwaz / Tirol, Austria

Hors d’oeuvre : ordre er désordres de la nourriture, capcMusée d’art contemporain,

Bordeaux, France



Das lebendige Museum, Museum Moderner Kunst, Frankfurt am Main, Germany

Work Ethic, The Baltimore Museum of  Art, Baltimore, USA (curator: Helen Molesworth);

how travels to Des Moines Art Center, Des Moines Iowa; Wexner Center for the Arts, Ohio

State University, Columbus Ohio, USA (curator: Helen Molesworth)

Performance y casi Performance, Museo Nacional Centro de Arte Reina Sofia, Madrid; show

travels to Centro Párraga, Murcia, Centro Andaluz de Arte Contemporáneo, Seville, Domus

Artium 2002 (DA2) Museum, Salamanca, Spain; El Museo del Barrio, New York, USA;

Konceptkonstmuseum, Rydboholm, Sweden (curator: Paco Barragan)

Outlook, International Art Exhibition,  Athens, Greece (curator: Christos Joachimides)

Orifice, Australian Centre for Contemporary Art, Southbank, Australia (curator: Juliana Engberg)

Performance, Frieze Art Fair, London, England

Lost and Found, Queensland Art Gallery, Australia (curator: Nicholas Chambers)

Mise en Scene, Museum Moderner Kunst Stiftung Ludwig Wien, Wien, Austria

Auto-nom, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Gemany

Support – Die Neue Galerie als Sammlung, Neue Galerie am Landesmuseum

Joanneum, Graz, Austria (curator: Peter Weibel)

1 : 1 x temps, quantités, proportions et fuites , Fonds Régional d’Art Contemporain –

Bourgogne, Dijon, France

“Tra Est e Ovest”, Gas Art Gallery, Torino, Italy (Galerie Krinzinger, Vienna)

17 reasons, serie of interventions around the Mission District in San Francisco, USA,

organized by Gallery Jack Hanley

Photo-sculpture (gestes, poses, attitudes…), Fonds Régional d’Art Contemporain –

Limousin, Limoges, France

Der ephemere Körper, Palais Liechtenstein, Feldkirch, Austria

Des voisinages, FRAC d`Ile-de-France, Paris, France

Doing, Festival internazionale sullo Spettacolo, Galleria D`Arte Moderna Bologna,

Bologna, Italy

Doublures (Body Doubles), Musée du Québec, Québec, Canada (curator: Johanne Lamoureux)

Dust memories, Swiss Institute Contemporary Art, New York, USA (curator: Emmanuel Latreille)

Farniente (Le travail, c’est la santé), FRAC Longuedoc-Roussillon, Montpellier,

France (curator: Emmanuel Latreille)

Frankenstein, Tanya Bonakdar Gallery, New York, USA (curator: Ethan Sklar)

Handlungsanweisungen - Alles oder nichts – 10 Jahre Kunsthalle Wien, Kunsthalle

Wien, Vienna, Austria

Himmel Falden, Kunsthallen Brandts Klaedefabrik, Odenso, Dänemark

Himmelschwer, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria

Excess and Trick, Joan Prats Gallery, Barcelona, Spain

“…I am an artificial product.“ - Myth and Legend Marilyn Monroe, County Hall Gallery,

London, England; Centro Cultural CAJA VITAL, Vitoria, Edifico de la Llorja, Sede del

Departamento de Cultura del Gobierno de Baleares, Palma de Mallorca, Museo

Municipal de Historia delAyuntamiento de Valencia, Valencia, Spain; Centro Cultural de la

Villa Madrid, Spain (curator: Thomas Levy and Alexander Sairally)

Narcissus / new visions of self-representation, CRAC Alsace (Centre Rhénan d'Art

Contemporain), Altkirch, France, (curator: Hilde Teerlink)

Objet / Reflexion, FRAC Ile-de-France/Lycee Galilèe, Cergy-Saint-Christophe, France

Performance Area, 18th Festival an der Werf, Utrecht, Netherlands (curator: Moritz Küng)

Prophetic Corners, International Art Exhibition, Periferic Biennial Lasi, Romania (curator:

Anders Kreuger)

Prophetic Remix, National Art Museum Bucharest, Bucharest, Romania (curator: Anders Kreuger)

Seethe, Catriona Jeffries Gallery, Vancouver, Canada

Striptease, Kunstverein St. Gallen Kunstmusem, St. Gallen, Switzerland

Thatcher exhibition, the blue Gallery, London, England (curator: Tara Howard)

Made for Admont, Benediktinerstift Admont, Admont, Austria

Regarde, il neige (schizogéographie de la vie quotidienne), Centre National d’Art et du

paysage de Vassivière en Limousin, Beaumont du Lac, France (curator: Guy Tortosa)

Galerie Ambulante, FRAC-PACA, France

Ankäufe 2002, Landesmuseum Niederösterreich, St. Pölten, Austria (curator: Carl Aigner)



Tempo, Museum of Modern Art, New York, USA

Tutto Casino, Villa Medici Gardens, Rom, Italy (curator: Jerôme Sans)

Uncommon Denominator: New Art From Vienna, MASS MoCA, Museum of Contemporary

Art, North Adams / Massachussetts, USA

Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography, Institute of

Contemporary Art, Boston, USA; show travels to Fotomuseum Winterthur, Winterthur,

Switzerland; Chic Chlicks, Modefotografie zwischen Kunst und Kommerz, NRW-Forum

Kultur und Wirtschaft, Düsseldorf, Germany

Art & Industry, 2002 Biennial, Christchurch, New Zealand

Iconoclash - Bilderkriege in Wissenschaft, Religion und Kunst, Zentrum für Kunst und

Medientechnologie Karlsruhe, Karlsruhe, Germany

Unravelled: Works from the Collection, Vancouver Art Gallery, Vancouver, Canada

Equivoques – Figures du corps en action, Grandes Galeries – Aître Saint-Maclou, Ecole

Régionale des Beaux-Arts de Rouen, Rouen, France

Man in the Middle, From the Deutsche Bank collection, Hermitage, St.Petersburg, Russia

Hommage an Rudolf Schwarzkogler – 30 Jahre Galerie Krinzinger, Galerie Krinzinger,

Vienna,  Austria

Erwin Wurm – Sylvie Fleury, Galerie Krinzinger, Vienna, Austria

Dancas na Cicade, CAM Centre d'Art Moderne de la Fondation Gulbenkian, Lisbon, Portugal

Et reciproquement, F.R.A.C. Bourgogne, Chateau-Chinon, France

Exhibition, le corps en situation , Ecole supérieure des Beaux-Arts du Mans, Le Mans, France

Hic et Nunc, the ephemeral figure, Villa Manin Di Passariano, Codroipo / Pordenone, Italy

A  given Circumstance, Arcadia University Art Gallery, Glenside, Pennsylvania, USA

Highlights der Photo Collection, UBS Art Collection, Wolfsberg, Germany

Juste des Images, la nuit art video, Le Maillon theatre de Strasbourg, Le Forum itinerant,

Strasbourg, France

La Nuit Art Video, Le Maillon Theatre de Strasbourg, Strasbourg, France

Le paysage dans l’’art d’aujourd’hui, Galerie – Maison de la Culture, Bourges, France

Nè un 3 Septembre, FRAC Bourgogne, Dijon, France

Pass me the butterfly, Dumbo Art Center, New York, USA

Qu`est – ce que l`art domestique, Citè internationale universitaire de Paris, Paris, France

S.O.S. – Zur Rettung der MAK Sammlung, MAK, Wien,

Vidéos, Galerie Yvon Lambert, Le Studio, Paris, France

Enactments of the Self, Steirischer Herbst, Graz, Austria, (curator: Maia Damianovic)



Azerty: Un abécédaire aléatoire autour des collections du Frac Limousin, Musée national

d´art modern Centre Pompidou, Paris, France

freeStanding, Beaver College Art Gallery, Glenside, Pennsylvania, USA (curator: Yane Calovski, Richard Torchia)

5 Years, Unlimited Contemporary Art, Athens, Greece

Une nouvelle présentation des collection, Musée national d´art moderne Centre Pompidou, Paris,


Austrian Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China

Candice Breitz, Claude Closky, Elaine Sturtevant, Martin Walde, Erwin Wurm, Galerie

Mezzanin, Wien, Austria

Dans le désodre / si possible, le forum itinérant, Strasbourg, France

Days of hope, Biennale Venecia Scuola di San Zaccharia, Venedig, Italia (curator: Maia Damianovic)

Die Cabinette des Dr. Cerny, Neue Galerie am Landesmuseum Joanneum Graz, Austria

Die Sammlung, Eröffnungsausstellung des Museum moderner Kunst, Stiftung Ludwig Wien

im MuseumsQuartier, Vienna, Austria

Die Sammlung als Bild, Sammlung Kugelkopf v. Klaus Merkel, Städtische Galerie im Haus

der Kultur, Waldkraiburg, Germany; show travels to Kunstverein Neuhausen,

Neuhausen/Fildern, Germany

Extended Transformation / Natura Naturans n.5, Art Gallery of Bosnia & Herzegovina

(curator: Maria Campitelli)

Fabio getting dressed, Sert Gallery, Carpenter Center for the Visual Arts, Harvard University,

Cambridge, England

Face off, Aeroplastics Damasquine cont. Art Gallery, Brussels, Belgium

Höchstleistung, Sheed im Eisenwerk, Frauenfeld, Switzerland

Human f-actor-y, Unlimited Contemporary Art, Athen, Greece

Kleine Formate, Galerie Martina Detterer, Frankfurt/Main, Germany

Kunst und Kur – Ästhetik der Erholung, artForum Kunsthaus Meran, Südtirol,  Italy

Missing link, Kunsthaus Dresden, Dresden, Germany

Out of Bounds: Working off Paper, California State University, LA, USA (curator: Julie Deamer)

Re-mote, Photographers Gallery, London, England

Sculptura Austriae, Galerie Elisabeth u. Klaus Thoman, Castello Di San Giorgio, Maccarese

Fiumicino, Italy

Untragbar. Mode als Skulptur, Museum für angewandte Kunst, Cologne, Germany



5th  Lyon Biennale of Contemporary Art, Lyon, France

The sky is the limit, Biennale Taipei, Taiwan (curator: Jerome Sans, Manray Hsu)

Videos Braun, Streuli, Wurm, Flottmann – Hallen, Herne, Germany

Erwin Wurm, Centre pour l´Image Contemporaine, Genève, Switzerland

Cronicles from the outside, Recuntre Center National de la Photographie, Arles, France

„One of those days“ Mannheimer Kunstverein, Mannheim, Germany

Everyday – Pictures – Every Day, Rogoland Kunstnersenter, Stavanger, Norwegen

Garde-Robe  -  Faux Mouvement, Metz, France

Lebt und arbeitet in Wie, Kunsthalle Wien, Vienna, Austria

Mettre en Scène, FRAC Bretagne, Rennes, France

Narcisse blessé – Autoportraits 1970 – 2000, Le Passage du Retz, Paris (curator: Jean-

Michel Ribettes)

New Worlds – Digital Visions, National Gallery of Iceland, Reykjavic, Iceland

Portraits, Kunstpanorama  Luzerne, Switzerland

Sinn und Sinnlichkeit, Neues Museum Weserburg, Bremen, Germany

Transfert, Kunst im urbanen Raum, Art dans l´espace urbain, Biel, Switzerland

„Wortbilder“ Franz Erhard Walther – „One minute sculptures“ Erwin Wurm, Galerie Wilma

Lock, St.Gallen, Switzerland

1900 – 2000  Zeitschnitt, Neue Galerie der Stadt Linz , Austria

Erwin Wurm, Art Gallery, Ontario, Canada              

Comment tuer le temps ?, La galerie. Ecole supérieure d´art, Quimper, France

Der Spaziergänger – Artothek und Fotosammlung, Künstlerhaus Graz, Austria

Utopia, Jack Hanley Gallery, San Francisco, USA



Annika Ström, Erwin Wurm, Liverpool Biennial of Contemporary Art , Liverpool, U.K.

Transformation, Scuola di San Pasquale – San Francesco della Vigne , XLVIII

Biennale, Venedig, Italy

Missing Link  - Das photographische Subjekt, Kunstmuseum Bern, Bern, Switzerland

Serien und Konzepte, Museum Ludwig, Cologne, Germany

Die Farben Schwarz, Landesmuseum Jonneum, Graz, Austria

Erwin Wurm, W 139, Amsterdam, Netherlands (curator: Hilde Teerlinck)

EXTRAetORDINAIRE, Le Printemps de Cahors, Toulouse, France (curator: Christine Macel)

Flexible 3 - Close to the body, Landesgalerie Oberösterreich, Linz , Austria;

Universitätsmuseum in Manchester, England

FunktionsSystemMensch, Museum Bochum, Bochum, Germany

Free Coke, Greene Naftali - Gallery, New York, USA

Attention: John Baldessari, Christian Boltanski, Bernd & Anna Blume, Robert Cumming,

Gervan Elk, Roman Signer, William Wegman, Erwin Wurm, Galerie Art:Concept, Paris, France 

DACH, Semperdepot, Vienna; Galerie Krinzinger im Benger Park, Bregenz, Austria

Interesse, Galerie Stadtpark, Krems, Austria      

Körper, Frankfurter Oper, Frankfurt, Germany

Let´s get lost: Fionna Banner, Pierre Bismuth, Liam Gillick, Jonathan Monk, Lars Nilsson,

Henrik Plenge Jakobson, Erwin Wurm, Central Saint Martins College, London, England

Level Zero Cinema, Stefan Banz, Joel Bartolomeo, Lucy Gunning, Josep Maria Martin,

Österreichische Zeichnung der 90er Jahre, Galerie im Traklhaus, Salzburg, Austria

Un art incertain du réel (la collection du Frac Franche-Comté), Galerie du Tnb, Rennes, France     




› Babin, Sylvette: “The Curator’s Power,” in Esse, Spring/Summer 2011, Montreal, Canada, pp. 2-3, cover. › Borchhardt-Birbaumer, Brigitte: “Skulpturen der zweiten Haut,” in Wiener Zeitung, October 20 2011,

Vienna, Austria. › Chambers, Tony: “Body Line,” in Wallpaper, no. 144, March 2011, London UK, pp. 29, 66, 186–193, 215. › De Wild, Femke: “Think Thin,” in Frame, no. 78, January/February 2011, Amsterdam, Netherlands,

pp. 130–137. › Donoghue, Katy: “Erwin Wurm,” in Whitewall, no. 21, Spring 2011, New York, USA, pp. 20, 110-115. › Grubmüller, Peter: “Der tägliche Horror, neu arrangiert,” in OÖNachrichten, March 25, 2011, Linz,

Austria, p. 29. › Hansen, Simone L: “Kassetænkning, du bliver klogere af,” in, March 31, 2011, Åarhus, Denmark. › Hornung, Peter Michael: “Humor i tre dimensioner,” in Politiken, April 30, 2011, Copenhagen, Denmark, p. 7. › Jensen, Iben Friis: “Proportionsforvrængning,” in Fyens amts avis, March 19, 2011, Svendborg,

Denmark, p. 10. › Jeppesen, Michael: “Udstilling: Er der nogen, der har set mig ?,” in Information, April 29, 2011, 1. sektion,

Copenhagen, Denmark, p. 16. › Koch, Marianne: “Hus på højkant liv på tværs,” in Fyens Stiftstidende, March 11, 2011, Odense,

Denmark, p. 8. › Kromp, Renate: “Es herrscht eine Unmoral,” in News, no. 41, October 14, 2010, Vienna, Austria, pp. 98-99. › Maertens, Marie: “L’État d’Homme“, in Blast, no. 36, Printemps 2011, Paris, France, pp. 152-155. › Marcus, J.S.: “An Austrian thrives in Paris,” in The Wall Street Journal, January 14/16, 2011, New York,

USA, p. w17. › Nimmervoll, Lisa: “Österreich ist noch immer ein autoritärer Staat,” in Der Standard, February 5/6, 2011,

Vienna, Austria, p. 25. › Probst, Ursula Maria: “Das Konzept der Pointe,” in Artpaper, March 2011, Vienna, Austria, p.5. › Rappolt, Mark: “Erwin Wurm,” in Art Review, no. 47, January/February 2011, London, UK, pp. 68–75, cover. › Rifbjerg, Synne: “Skulpturel praksis,” in Weekendavisen, no. 11, March 18, 2011, Copenhagen,

Netherlands, p. 5. › Scavenius, Bente: “Med sans for det humoristiske,” in Børsen, March 25, 2011, Copenhagen, Denmark. › Steverlynck, Sam: “Ins and Outs. Wurm plus Van Beirendonck,” in DAMn° magazine, no. 29, July/August,

Brussels, Belgium, pp. 90-94. › Vollmann, Klaus Peter: “Kleider Körper,” in Wien live, no. 65, June 2011, Vienna, Austria, pp. 164-169.

› “Art & Humour,” in Beaux Arts Magazine, no. 326, August 2011, Paris, France, p. 83, cover. › “Kleine Quetsche am Canal Grande,” in der Standard, Mai 21/22, 2011, p. 25. › “The Body as an Object,” in Exit, no. 42, 2011, Madrid, Spain, pp. 106-111.


› Ackermann, Tim: “Humor ist halt auch eine Überlebensstrategie,” in Welt am Sonntag, no. 3, January 17, 2010, Munich, Germany, pp. 56–57.

› Angerer, Ela: “Dieses Land ist korrupt,” in Kurier Wien, December 4, 2010, Vienna, Austria. › Baltzer, Burkhard: “Kunst trifft Krise,” in Kunst+Kultur, no. 4, December 2010, Berlin, Germany, pp. 2–3,

5, 9–14, 16, cover. › Behrens, Katja: “Auto rast in Schieflage,” in Kölner Stadt-Anzeiger, April 1/2, 2010, Cologne, Germany. › Borchhardt-Birbaumer, Brigitte: “Skulpturen der zweiten Haut,” in Wiener Zeitung, October 20, 2010,

Vienna, Austria.

Darley, Esther: “Welke realiteit?,” in Kunstbleed, no. 5, 2010, Diemen, Netherlands, pp. 21–25. › Feigelfeld, Paul: “Das Loch und sein Fortsatz – Wie Erwin Wurm das Leben mit der Kunst behandelt,”

in Style and the family tunes, no. 1, 2010, Berlin, Germany, pp. 128–137.

“Jede Sekunde eine Skulptur,” in The Gap, no. 111, November 2010, Vienna, Austria, pp. 28-29. › Fleck, Michaela: „Die wundersame Welt des Erwin Wurm,“ in NÖN St. Pöltner Zeitung, no. 43, October

25, 2010, St. Pölten, Austria. › Fricke, Christiane: “Der Künstler lässt die Besucher Verrücktes tun,” in Handelsblatt, April 2010,

Dusseldorf, Germany. › Galani, Vaghi: “Erwin Wurm,” in Vaímadeco, no. 30, 2010, Athens, Greece, p. 55. › Galloway, David: “Upping,” in ARTnews Magazine no. 9, vol. 109, October 2010, New York, USA, pp. 82–89. › Hausenblas, Michael: “Die Kunst vermöbeln,” in Der Standard, Rondo, no. 594, October 15, 2010,

Vienna, Austria, pp. 16–17. › Hofleitner, Johanna: “Erwin allein zu Hause,” in Die Presse – Kultur Spezial, September 17, 2010,

Vienna, Austria. › Hütter, Frido: “Eine geniale Quetschung,” in Kleine Zeitung Ennstal, October 20, 2010, Graz, Austria.

“Eine geniale Quetschung,” in Neue Vorarlberger Tageszeitung, October 22, 2010,

Bregenz, Austria. › Kliemann, Thomas: “Wenn die Welt flüssig wird,” in General-Anzeiger, March 24, 2010, Bonn, Germany.

“Erwin Wurm reizt Grenzen der Skulptur aus,” in General-Anzeiger, March 24, 2010, Bonn, Germany. › Knapp, Michaela: “Keine Sauregurkenzeit,” in Format, August 8, 2010, Vienna, Austria. › Komarek, Eva: “Phänomenologie des Essiggurkerls,” in Wirtschaftsblatt, October 1, 2010, Vienna, Austria. Koop, Ursula: “Dezenter Sarkasmus,” in Stadt Revue, Kunstmuseum Bonn, no. 5, 2010, Cologne,

Germany, p. 31. › Kromp, Renate: “Erwin Wurm staucht sein Elternhaus,” in Extra, October 2010, Vienna, Austria, pp. 4–5.

“Es herrscht eine Unmoral,” in News, October 14, 2010, no. 41, Vienna, Austria, pp. 98–99. › Laudon, Sebastian: “Freiheit für die Werbung,” in Bestseller, no. 3/4, 2010, Vienna, Austria, pp. 16–26, cover. › Linossi, Christa: “Erwin Wurm, Selbstportrait als Essiggurkerl,” in Kultur Online, June 27, 2010, Berlin,

Germany. › Luef, Peter, Peter Praschl, Susanne Schneider & Moritz von Uslar: “Wir müssen reden,” in Süddeutsche

Zeitung Magazin, no. 3, January 22, 2010, Munich, Germany, pp. 14–29. › Mayer, Mariano: “Guest Editor Erwin Wurm,” in Neo2, November 2010, Madrid, Spain, pp. 80–97. › McCann, Paul: “Erwin Wurm’s Deep fried gherkin,” in Wallpaper*, September 2010, London, GB, p. 194. › Mongómeri, Ramón Fano: “Moda,” in Neo2, November 2010, Madrid, Spain, pp. 100–101. › Müller, Wenzel: “Übergroße Polizeimütze, zusammengestauchtes Elternhaus,” in Ärzte Woche, no. 4,

January 27, 2011, Wien, Austria. › Müller, Hans-Joachim: “Das Komische wächst in den Trümmern der Utopien,” in Der Welt am Sonntag,

November 28, 2010, Berlin, Germany. › Neider-Olufs, Brigitte: “Die Welt wird zunehmend breiter,” in Wiener Zeitung extra, October 16/17, 2010,

Vienna, Austria, pp. 6–7. › Nicoli, Francesca: “Erwin Wurm, Desperate Philosopher,” in arte e criterica 61, 2010, Rom, Italy, pp. 74–75. › Nimmervoll, Lisa: “Wir haben wahrscheinlich öfter falsch ausgesucht,” in Der Standard, July 24/25, 2010,

Vienna, Austria, p. 7. › Panagl, Clemens: “Das Gurkerl bin ich,” in Salzburger Nachrichten, June 24, 2010, Salzburg, Austria, p. 11. › Patton, Phil: “Cars Starved (or Stuffed) for Attention,” in The New York Times, April 2, 2010, New York,

USA, p. 5. › Raftl, Ro: “Verzerrt & real,” in Profil, October 18, 2010, no. 42, Vienna, Austria. › Rödermund, Roland: “Schlusstrich,” in Gala MEN, no. 1, 2010, Hamburg, Germany, p. 146. › Rossem, Jan van: “Der Speen von Wien,” in Architektur & Wohnen, no. 5, October/November 2010,

Hamburg, Germany, pp. 196–206. › Schedlmayer, Nina: “Zwängen und Drängen,” in Profil, October 25, 2010, no. 43, Vienna, Austria. › Schlocker, Edith: “Vier Gurkerln zum Quadrat gibt einen Wurm,” in Die Presse, August 12, 2010, Vienna,


› Schütze, Bernard A.: “Sculpting thoughts,” in Esse/sabotage 68, winter 2010, Montréal, Canada, pp. 58–63. › Spiegler, Almuth: “Bin strikt gegen die Rückgabe,” in Die Presse, March 20, 2010, Vienna, Austria, p. 41. › Stadel, Stefanie: “Das Sandwich sind wir,” in K.West, no. 4, 2010, Essen, Germany, pp. 10–14. › Strobl, Ernst P.: “Wahrnehmungsklettern für Extraschlanke,” in Salzburger Nachrichten, October 21, 2010,

Salzburg, Austria. › Tasch, Stefan: “Holz(an)stoß Erwin Wurm,” in zuschnitt 39, no. 39, 10. Jg., September 2010, Vienna,

Austria, p. 28, cover. › von Taube, Annika: “Narrow Circumstances,” in sleek Magazine for art and fashion, autumn 2010, Berlin,

Germany, pp. 160–169. › Tomassoni, Italo: “Erwin Wurm e il divenire dell’ altro,” in Abitare la Terra, no. 27, 2010, Trent, Italy, pp.

36–37. › Trenkler, Thomas & Rita Newman: “Ich bin mit der Gurke quasi aufgewachsen,” in Morgen, no. 6,

November 2010, St. Pölten, Austria, pp. 5-7. › Vogel, Sabine B.: “Schmal: Erwin Wurm verzerrt sein Elternhaus,” in Die Presse, Feuilleton, October 20,

2010, Vienna, Austria, p. 29. › Volz, Ruprecht: “Max Ernst und Erwin Wurm im MdM Salzburg – Loplop trifft das Essiggurkerl,” in Das

Münchner Kunstjournal, no. 43, 2010, Munich, Germany. › Weingartner, Christian: “Im Angesicht des Gurkerls,” in Der Standard, June 26/27, 2010, Vienna,

Austria, p. 37. › Wiesauer, Caro: “Hallelujah, das ist die Zukunft!,” in Kurier, October 20, 2010, Vienna, Austria. › Wirth, Heidrun: “Wenn der Alltag verrückt wird,” in Kölner Rundschau, no. 70, March 24, 2010, Cologne,

Germany, p. 10. › Wirth, Heidrun: “’Soziale Hüllen’ Pulli und Auto stehen für verlorenes Maß,” in Rhein Zeitung, April 6,

2010, Mayen, Germany.

› “Alte Meister, von Neuen geliebt,” in Monopol, no. 4, 2010, Berlin, Germany, p. 30. › “An Artist’s Four One Minutes in Beijing,” in Vogue Art & Living, September 1, 2010, Beijing, China,

pp. 568–571, cover. › “Art Erwin Wurm Eternity in one minute,” in TimeOut Beijing, July 21, 2010, Beijing, China, pp. 76–78. › “Art,” in Culture, July 8, 2010, Beijing, China, pp. 76–77. › “Chat with Erwin Wurm,” in Fashion Weekly, September 8, 2010, Beijing, China, p. 40. › “Cynical Criticism,” in Sanlian Life Weekly, August 16, 2010, Beijing, China, pp. 144–145. › “Das Kommische wächst in den Trümmern der Utopien,” in Die Welt am Sonntag, November 28, 2010,

Munich, Germany. › “Der Multi-Artist mit viel Humor,” in Kleine Zeitung Graz, October 18, 2010, Graz, Austria. › “Eine Stadt & ihre Gesichter,” in Wien-live, no. 57, September 2010, Vienna, Austria, p. 88. › “Erwin Wurm,” in Parnass no. 3, 2010, Vienna, Austria. › “Erwin Wurm: Be a one-minute sculpture,” in China Business News, July 30, 2010, Shanghai, China, p. D6. › “Erwin Wurm does not want to play hide-and-seek,” in Modern Weekly, August 7, 2010, Beijing, China,

pp. F25–F25. › “Erwin Wurm, here comes the quick sculptor,” in Art Value, September 2010, Beijing, China, pp. 128–130. › “Erwin Wurm is Coming,” in MILK, July 16, 2010, London, GB, pp. 14–16. › “Erwin Wurm Narrow Mist,” in The Outlook Magazine, September 2010, Guangdong, China, pp. 166–169. › “Erwin Wurm: Swallow down the world,” in Contemporary Art Guide, September 2010, USA, pp. 70–73. › “Erwin Wurm: to criticize in a humorous way,” in New Weekly, August 2010, Guangzhou, China, pp. 118–119. › “Feeling Stuck? Good!,” in Buddhadharma, The Practitioner’s Quarterly, autumn 2010, pp. 42–43. › “Four one-minute sculpture”, in Vogue, September 2010, Beijing, China, pp. 568–571. › “Gestauchte Wahrnehmung,” in NÖN Klosterneuburger Nachrichten, October 20, 2010, St. Pölten, Austria. › “Haus, so flach wie ein Hemd,” in Der Standard, October 20, 2010, Vienna, Austria, p. 30. › “Heiss und kalt – Kunst bei Fernwärme Wien,” in Wien Energie Magazin, no. 13, September 29, 2010,

Vienna, Austria. › “Humorous Sculpture,” in Interior Architecture of China, November 2010, China, pp. 220–231.

› “I don’t wear anything but a cabinet,” in Esquire, August 2010, Beijing, China, p. 70. › “Mikro-Armee der Essiggurkerl,” in SVZ, June 24, 2010, Salzburg, Austria. › “Mit Haus und Kappe,” in NÖN Klosterneuburger Nachrichten, October 13, 2010, St. Pölten, Austria. › “Narrow House: a reverse fairy tale of modern habitation,” in Real Estate, September 2010, Beijing,

China, pp. 22–23. › “Narrow Mist: unveil the camouflage,” in Zenith Air Media, August 2010, Beijing, China, pp. 112–113. › “Philosopher of Sculpture,” in iLook, September 2010, Beijing, China, pp. 58–59. › “Private Wurm,” in Vernissage, no. 295, November 2010, Vienna, Austria, pp. 24-27. › “Selbstporträt als Essiggurkerl: Erwin Wurm,” in Foto Wirtschaft Austria, July/August 2010, Austria. › “Senkrecht an die Hauswand geparkt,” in Frankfurter Allgemeine Zeitung, May 10, 2010, Frankfurt, Germany. › “The artist as / Der Künstler als,” in Creative Austria, no. 11, 2010, Vienna, Graz, Austria. › “They are crazy except Erwin Wurm,” in Milk, July 21, 2010, Beijing, China. › “Total verzerrte Realitäten,” in Heute, October 21, 2010, Vienna, Austria. › “Wie Wurm wohnte,” in Flair, October 2010, no. 10, Vienna, Austria. › “Die Kunst vermöbeln”, in Der Standard - Rondo, 15. October 2010, Vienna, Austria.


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November 2, 2009, Munich, Germany. › Altmann, Alexander: “In der Knautschzone des Irrwitzes,” in Müchner Merkur, October 16, 2009, Munich,

Germany. › Altmann, Alexander: “Im Zerrbild liegt die Kunst der Welterkenntnis,” in Nürnberger Nachrichten,

November 3, 2009, Nuremberg, Germany. › Bäume, Dörthe: “Querdenker – Von der Erweiterung des Möglichen,” in München Stadtmagazin,

no. 24, 2009, Munich, Germany, p. 32. › Brewinska, Maria: “All Creatures Great and Small,” in Zacheta National Gallery of Art – Warsaw,

Feuilleton, December 19, 2009, Warsaw, Poland. › Buhr, Elke: “Ein Sturz gegen die Erhabenheit,” in Monopol, no. 2, 2009, Berlin, Germany, pp. 54–56. › Combres, Philippe: “Erwin Wurm,” in Blast, winter 08/09, Paris, France, pp. 86–91. › Czaja, Wojciech: “Erwin Wurm Odpovedà,” in The New Strabag Headquarters, 2009, Bratislava,

Slovakia, pp. 74–79. › Danek, Sabine & Judith Mair: “Marke sucht Kunst,” in Page, no. 3, 2009, Hamburg, Germany, pp. 33–37. › Denegri, Dobrila: “Mylenie o wyjatkowym (Ways of thinking of something exceptional),” in artluk, January

2009, Warsaw, Poland, pp. 66–71. › De Righi, Roberta: “Ausgebeulte Peinlichkeit,” in Abendzeitung München, October 19, 2009, Munich,

Germany. › Ehret, Inga: “Was für ein Wurm,” in Süddeutsche Zeitung, Feuilleton, October 20, 2009, Munich,

Germany. › Ehret, Inga: “Nur 60 Sekunden,” in Süddeutsche Zeitung, October 20, 2009, Munich, Germany. › Fleischhacker, Michael: “Österreichs Künstler der Nullerjahre: Erwin Wurm,” in Die Presse, December 13,

2009, Vienna, Austria. › Fleisz, Sigrit: “Ein Mann für gewisse Stunden,” in Flair, no. 5, 2009, Vienna, Austria, pp. 50–55. › Friedel, Helmut & Giovanni Iovane: “Fuori Gioco,” in RAM, Radioartemobile newsletter, no. 6, January-

April, 2009, Rom, Italy, pp. 4–5. › Galler, Baudouin: “Erwin Wurm,” in Le Vif / L’Express (Weekend), November 13, 2009, Brussels,

Belgium, pp. 54–55. › Gilsoul, Guy: “Le monde selon Wurm,” in Le Vif / L’Express, November 20, 2009, Brussels, Belgium, p. 92. › Groll, Matthias: “Erwin Wurm,” in European Photography Art Magazine, no. 85/86, 2009, Berlin, Germany,

pp. 62–63. › Hampel, Elena Lisa: “Im Alter wird man frei,” in Meet, no. 1, 2009, Vienna, Austria, pp. 46–51. › Häupl-Seitz, Helga: “Die neuen Theaterlieblinge,” in Wien–live, May 2009, Vienna, Austria, pp. 30–35.

› Huber, Michael: “Was ein Künstler tun kann, um begehrt zu sein,” in Kurier, November 1, 2009, Vienna, Austria, pp. 32–33.

› Iovane, Giovanni: “Erwin Wurm – As cool as a cucumber,” in Segno, no. 227, November/December 2009, Pescara, Italy, pp. 28–29, cover.

› Lehmann, Teresa: “Skurrile Momente – Skulptur ist Handlung,” in kunst:art, no. 10, November/December 2009, Munich, Germany, p. 9.

› Lobo, Bruno: “ARTE BY HERMÈS,” in GQ Portugal-Gentlemens Quarterly, no. 69, January 2009, Portugal, p. 34.

› Lorent, Claude: “La subversion des objects selon Wurm,” in Arts Libre (sup. La Libre Belgique), November 13, 2009, Brussels, Belgium, pp. 1–2.

› Nichanian, Veronique: “Je ne fais pas de la mode, mais des vètements,” in Libération, 2009, Paris, France, pp. 2–3.

› Nicoli, Francesca: “Erwin Wurm. Desperate Philosopher,” in arte e critica 61, December-February 2009/2010, Rome, Italy, pp. 74–75.

› Ott, Susanna: “Skulptur süßsauer,” in Applaus, Stadtmagazin, December 2009, Munich, Germany. › Petersen, Sylvia: “Nacht-Eulen mit Muse,” in Abendzeitung München, October 2009, Munich, Germany. › Reitter-Welter, Barbara: “Die verdrehte Welt des Erwin Wurm,” in Die Welt am Sonntag, October 11,

2009, Munich, Germany. › Reitter, Barbara: “Die Welt auf den Kopf gestellt,” in Neues Deutschland, October 30, 2009, Berlin,

Germany. › Rosenau, Mirja: “Durch den Monat mit: Erwin Wurm, Vom Cockerspaniel lernen,” in art Das

Kunstmagazin, October 2009, Hamburg, Germany, p. 112. › Scherf, Martina: “Wozu die ganze Aufregung?,” in Süddeutsche Zeitung, SZ Extra, October 15, 2009,

Munich, Germany. › Schlocker, Edith: “Aufforderung zum Nasenbohren,” in Tiroler Tageszeitung, December 14, 2009,

Innsbruck, Austria, p. 14. › Schödl, Hans: “Erwin Wurm,” in SPICK – Das schlaue Schülermagazin aus der Schweiz, no. 322, 2009,

Zurich, Switzerland, p. 13. › Schreiber, Luca, Rebecca Schreiber, Sabrina Schreiber & Yannick Schreiber: “Der Wurm in der Essiggurke,”

in spitzer – Die Münchner Kinderzeitung, no. 10, December 2009, Munich, Germany, pp. 1, 4–3. › Schreiner, Michael: “In der Nase bohren,” in Augsburger Allgemeine, Augsburger und Allgäuer Zeitung,

October 29, 2009, Kempten, Germany. › Schuster, Sabine & Astrid Wallner: “Österreichische Literatur 2008. Ein Pressespiegel mit Register

1984-2008,” in Zirkular, no. 72, September 2009, Vienna, Austria, cover. › Searle, Adrian: “Parklife,” in The Guardian, October 15, 2009, London, GB. › Spiegler, Almuth: “Die Essiggurke zwischen Traum und Realität,” in Die Presse, October 18, 2009,

Vienna, Austria, pp. 41, 44. › Steverlynck, Sam: “Verdikken of afkslanken is ook een sculptural process,” in H ART, November 12,

2009, Brussels, Belgium, p. 4, cover. › Titz, Walter: “Man tut ja sonst nichts,” in Kleine Zeitung, no. 132, October 2009, Graz, Austria. › Todd, Stephen: “Mr. Konstantin Grcic,” in Fantastic Man, no. 9, spring/summer 2009, Amsterdam,

Netherlands, pp. 118–129. › Vollmann, Klaus Peter: “Stadt,” in Wien-live, no. 50, 2009, Vienna, Austria, pp. 4–9, 85, 128.

› “Anarchia All’ Ultima Moda,” in IL – Intelligence in Lifestyle, no. 5, January 2009, Florence, Italy. › “de kunstmarkt,” in De Standaard, April 2009, Brussels, Belgium, pp. 4–5. › “Erwin Wurm,” in Sculpture, December 2009, Washington D. C., USA. › “Happy Humors,” in Vogue, no. 116, 2009, Tokyo, Japan, p. 167.

› “Hermès + Erwin Wurm – Un amante del absurdo y del lujo (A luxury and bizarre lover),” in SPOT, December/January 2009, Portugal, pp. 50–57.

› “Ich habe alle Therapien abgebrochen,” in 1st FIRST, no. 6, 2009, Vienna, Austria, pp. 66–70. › “Kunstpausen,” in Vogue Germany, November 2009, Munich, Germany, pp. 200–207.

› “Playground Art & Design,” in GG Lifestyle, Personalities, Real Estate, September/October/November 2009, Hamburg, Germany, p. 60.

› “Portfolio Erwin Wurm,” in Les Inrockuptibles, no. 713–715, 2009, Brussels, Belgium, pp. 34–35. › “SHOW ANGEWANDTE 09,” in Wien-live, June 2009, Vienna, Austria, p. 30.


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› Badrutt-Schoch, Ursula: “Heiterkeit am Abgrund,” in St. Gallener Tagblatt, March 3, 2008, St. Gallen, Switzerland.

› Barioscheva, Anastasia: “Obiknabennaja Chud, Erwin Wurm,” in Blacksquare, May/June 2008, Moscow, Russia, pp. 48–53.

› Borin, Edava: “Erwin Wurm,” in K-Magazin Russia, September 22, 2008, Moscow, Russia, pp. 46–51. › Bousteau, Fabrice: “Quand Erwin Wurm & Véronique Nichanian, font du touche-à-touche,” in Beaux Arts

Magazine, September 2008, Paris, France, pp. 122–125. › Caron, Emmanuel: “L’art au Masculin,” in L’officiel Hommes, no. 13, 2008, Paris, France, p. 68. › Casati, Rebecca: “Die Entstehung der Lächerlichkeit,” in Süddeutsche Zeitung, no. 249, 2008, Munich,

Germany, p. 4. › Djogotv, Ekaterina & Cud Obviknovennoe: “Erwin Wurm,” in Blacksquare, May/June 2008, Moscow,

Russia, pp. 48–53. › Dufaux, Pascal: “Erwin Wurm,” in Spirale, September/October 2008, Paris, France, pp. 9–10. › Duhamel, Patrice: “Cet emploi du temps de l’entropie, du provisoire,” in CV-ciel variable, 2008, Montréal,

Canada, pp. 11–12. › El-Himoud-Sperlich, Inge: “Pullover nach Maß für fette Mind Bubbles,” in Neue Vorarlberger Tageszeitung,

March 19, 2008, Bregenz, Austria. › Fleck, Robert: “Atelierbesuch – Erwin Wurms sonderbare Zwittergebilde,” in Kunstzeitung, no. 145,

September 2008, Regensburg, Germany. › Fujita, Makoto: “Erwin Wurm,” in Commercial Photo, no. 12, 2008, Tokyo, Japan, pp. 130–131. › Galler, Baudouin: “L’homme Hermès selon Erwin Wurm,” in Mode C’est Belge, September 2008, Brussels,

Belgium. › Gòmez, Jorge: “escultura en movimiento,” in El Mundo Magazine, no. 479, November 2008, Madrid,

Spain, pp. 39–41. › Grasser, Hans: “Eine Minute Hermès,” in DIVA, no. 167, September 2008, Vienna, Austria, p. 40. › Guerrin, Michel: “Se joue des corps,” in Le Monde 2, no. 211, March 1, 2008, Paris, France, pp. 48–52. › Hofleitner, Johanna: “Ikonen unter sich,” in Die Presse Schaufenster, no. 34, August 22, 2008, Vienna,

Austria, pp. 28–29. › Hütter, Frido: “Ein entspannter Typ, der jedes Pathos hasst,” in Kleine Zeitung, March 30, 2008, Graz,

Austria, pp. 100–101. › Klausnitzer, Isabella: “Tanz der Ikonen,” in Kurier-Magazin, no. 981, September 20, 2008, Vienna, Austria,

pp. 60–63. › Kreuzmayr, Charlotte: “Ich lebe in meiner Künstlerwelt,” in Parnass Kunstmagazin, no. 4, 2008, Vienna,

Austria, pp. 30–36, cover. › Köb, Edelbert: “Erwin Wurm – Tour de Skulptur,” in Wien live, June 2008, Vienna, Austria, pp. 10–11, cover. › Mack, Gerhard: “Wir sind die Skulptur,” in Neue Zürcher Zeitung am Sonntag, March 16, 2008, Zurich,

Switzerland. › Mutti, Sylvia: “Skulpturen aus der Tiefe des Künstlerbauches,” in artensuite, May 2008, Bern, Switzerland. › Oberholzer, Nikolaus: “Das seltene Lachen im Kunstmuseum,” in Neue Luzerner Zeitung, March 27, 2008,

Luzern, Switzerland. › Pesch, Martin: “Minute Man,” in Frieze Contemporary Art and Culture, no. 52, May 2008, London, GB,

pp. 76–79. › Quand Bousteau, Fabrice & Veronique Nichanian: “font du touché-à-touche,” in Beaux Arts Magazine,

no. 291, September 2008, Paris, France, pp. 122–125.

› Roeschmann, Dietrich: “Archiv des Absurden,” in Annabelle, no. 4, February 27, 2008, Zurich, Switzerland, p. 44.

› Sans, Jérôme: “Corpi e mestieri – Hermès visto da Erwin Wurm,” in Hermès – Le Monde d’Hermès, autumn/winter 2008, Paris, France, pp. 94–101.

› Savidan, Dominique: “RèvoLUXion culturelle,” in MIXTE, no. 58, October 2008, Paris, France, pp. 118–120. › Schürch, Felix: “Die Mediziner-Kunstkolummne, Verzauberter Alltag, Erwin Wurm,” in Bodensee

Kulturmagazin, April/May 2008, Konstanz, Germany. › Schwarz, Michaela: “KUNSTstoff,” in Kronen Zeitung, December 7, 2008, Vienna, Austria, pp. 18–21. › Simons, Pauline: “LVMH a participè au financement de 32 expositions,” in Le Figaro Magazine,

December 6, 2008, Paris, France, p. 116. › Spiegler, Almuth: “Abgehoben wie Hermès,” in Die Presse, January 11, 2008, Vienna, Austria. › Stieger, Johannes: “An der Welt verschluckt,” in Saiten, Ostschweizer Kulturmagazin, March 2008,

St. Gallen, Switzerland, pp. 30–33. › Stock, Andreas: “Ein Aufbruch zu spüren,” in St. Gallener Tagblatt, March 22, 2008, St. Gallen, Switzerland. › Szmydke, Paulina: “Talent ist nicht genug,” in Kurier (Karriere), April 24, 2008, Vienna, Austria, p. 3. › Vollmann, Klaus: “Ist Gerald Matt ein Kommunist?,” in Wien-live, October 2008, Vienna, Austria, pp. 44–46. › Vronti, Selana: in K Magazine, Kathimerini Newspaper, no. 22, June 2008, Athens, Greece, pp. 46–51. › Wicker, Olivier: “Edito Un Chic Type,” in Libération Next, no. 11, September 6, 2008, Paris, France, p. 5. › Wicker, Oliver: “Les Hommes-Objects d’ Erwin Wurm,” in Libèration, September 2008, Paris, France, p. 1–2. › Zavernik, Stefan: “Humor als Waffe,” in 80 Kulturzeitung, 2008, Graz, Austria, pp. 4–5. › Zuspan, Peter: “Erwin Wurm,” in MUSEO Contemporary Art Magazine (online magazine), 2008,

› “44 Vorschläge – eine soziale Skulptur,” in Die Zeit Feuilleton, no. 49, November 27, 2008, Hamburg, Germany, pp. 1–9.

› “Carte Blance Pour Wurm,” in Upstreet, no. 73, autumn/winter 2008, London, GB. › “Der Wurm macht den Mann,” in GQStyle – Men’s Quarterly, no. 14, September 2008, Munich, Germany. › “Erwin Wurm chez Hermès,” in le nouvel Observateur, September 18-24, 2008, Paris, France, p. 32. › “Expos Hermès aux Cimaises,” in madame FIGARO, September 20, 2008, Paris, France. › “Hypnose II,” in Vernissage, May 2008, Vienna, Austria, pp. 18–21. › “L’homme d’Hermès,” in Point Revue, July 30, 2008, Paris, France. › “L’homme Hermès vu par l’artiste Erwin Wurm,” in Paris Capital, September 2008, Paris, France, p. 24. › “Mobile Geste – Ein Stinkefinger auf Wienreise,” in Wien-live, 2008, Vienna, Austria, pp. 10–11. › “One Man Show,” in Elle Decoration, no. 176, October 2008, Paris, France, p. 32. › “Portraits EN PIED,” in marie Claire Maison, no. 424, October 2008, Paris, France. › “setzen, stellen, legen – denken,” in Neue Zürcher Zeitung, April 12/13, 2008, Zurich, Switzerland. › “The artist who swallowed the world,” in Active Live, April 2008, Wil, Switzerland. › “Umsatteln,” in Vogue, October 2008, Munich, Germany. › “Un Ceil Objectif,” in Figaro, September 22, 2008, Paris, France. › “Update: Style,” in La Tribune & Moi, September 26, 2008, Paris, France. › “Wurm trifft Hermès / One Minute Sculptures,” in style MAG.NET (online magazine), August 25, 2008,

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no. 651, July/August 2007, Paris, France, pp. 80–85. › Büsing, Nicole & Heiko Klaas: “Humor ist nicht lieb,” in Kieler Nachrichten, May 4, 2007, Kiel, Germany, p. 17. › Comes, Peter: “Eine Welt platzt aus den Nähten,” in SHZ Schleswig-Holsteinische Landeszeitung, April

27, 2007, Schleswig Holstein, Germany, p. K1. › Dagen, Philippe: “Erwin Wurm miroir déformant,” in Le Monde 2, July 21, 2007, Paris, France. › Dagen, Philippe: “Wurm recycle la contestation,” in Le Monde, July 25, 2007, Paris, France.

› Di Blasi, Luca: “Endlich offline!,” in Hannoversche Allgemeine Zeitung, March 17, 2007, Hannover, Germany, p. 5.

› Edelstein, Susan: “Out of Space: Photography and sculptural imagination,” in Prefix Photo, no. 15, 2007, Toronto, Canada, pp. 46–47.

› Feilacher, Johann: “Erwin Wurm – Keep a Cool Head,” in Psychiatrie & Psychotherapie, no. 4, 2007, Berlin/Heidelberg, Germany, pp. 146–148.

› Fell-Zellner, Judith: “Besoffen oder bekifft?,” in Hamburger Morgenpost, April 27, 2007, Hamburg, Germany, p. 30.

› Gardner, Belinda Grace: “Ein bisschen Spaß muss sein,” in Kunstzeitung, June 1, 2007, Regensburg, Germany, p. 31.

› Gardner, Belinda Grace: “Den Rahmen sprengen,” in Welt am Sonntag, April 22, 2007, Munich, Germany.

› GD: “Wurms Welt,” in GQ, April 10, 2007, Munich, Germany, p. 54. › Georgen, Vera: “Schön schräg,” in Lufthansa Exclusive, June 2007, Hamburg, Germany, pp. 52–63. › Gretzschel, Matthias: “Durch dick und dünn,” in Hamburger Abendblatt, April 27, 2007, Hamburg,

Germany, p. 7. › Große-Wilde, Carola: “Übergewichtiges ganz groß,” in Nordsee-Zeitung, April 27, 2007, Bremerhaven,

Germany, p. 32. › Große-Wilde, Carola: “Kugelmenschen und kippende Häuser,” in Neue Presse, May 3, 2007, Vienna,

Austria, p. 30. › Herrndorf, Ursula: “Die Welt ist sein Material,” in Museumswelt Hamburg, June/August, June 12, 2007,

Hamburg, Germany, p. 24. › Herrndorf, Ursula: “Die Welt ist sein Material,” in Hamburger Abendblatt, June 1, 2007, Hamburg,

Germany, p. K1. › Hubschmid, Christian: “ Es muss schon wehtun,” in Sonntags Zeitung, February 25, 2007, Zurich,

Switzerland, pp. 41, 43. › Jandl, Paul: “Der Künstler, der die Welt verschluckt,” in Neue Zürcher Zeitung, no. 16, January 20/21,

2007, Zurich, Switzerland, p. 25. › Keil, Frank: “Postume Post für Bello,” in Frankfurter Rundschau am Freitag Mittag, June 22, 2007,

Frankfurt, Germany, p. 40. › Keitsch, Roland: “Interview in einer Hundehütte,” in Bild, April 26, 2007, Hamburg, Germany. › Klot, Kristina von: “Der große Katalysator,” in DB Mobil, no. 3, 2007, Hamburg, Germany, pp. 102–103. › Knapp, Michaela: “Wurm wirkt,” in Skylines, January/February 2007, Vienna, Austria, pp. 66–69. › Kuhn, Nicola: “Der Biss des Bildhauers,” in Der Tagesspiegel, May 14, 2007, Berlin, Germany, p. 24. › Kunze, Barbara: “Skulpturen voller Witz und böser Ironie,” in Sylter Spiegel, no. 21, May 23, 2007,

Westerland, p. 14. › Latil, Sophie: “Erwin Wurm multiplie les facétie philosophiques,” in Le Figaro, June 25, 2007, Paris,

France, p. 10. › Le Moigne, Cyrielle: “2 questions à Erwin Wurm,” in Beaux Arts Magazine, no. 277, July 2007, Boulogne,

France, p. 57. › Lodos, Sandra: “Erwin Wurm, The artist who swallowed the world,” in Arte Allimite, no. 27, September/October

2007, Santiago, Chile, pp. 28–33, 130–131. › Lum, Ken: “Die Last der Öffentlichkeit,” in Spike, Kunstmagazin, no. 11, spring 2007, Vienna/Berlin,

Austria/Germany, pp. 8–14. › Marquart, Christian: “Die Welt verschlucken,” in Kulturgemeinschaft, no. 165, February 2007, Stuttgart,

Germany. › Mayer, Mariano: “Erwin Wurm,” in NEO2, June 2007, Madrid, Spain, pp. 16–17. › Meier, Philipp: “Zum Schauen und zum Grinsen,” in Neue Zürcher Zeitung, no. 60, March 13, 2007,

Zurich, Switzerland, p. 41. › Naso, Rüdiger von: “Wurm – oder wie er die Welt sieht,” in Madame, no. 4, April 2007, Munich, Germany,

pp. 56–59. › Opitz, Christiane: “Die Welt macht dick,” in Szene Hamburg, June 2007, Hamburg, Germany, p. 90.

› Orden, Abraham: “Erwin Wurm, beginning with a single Stepp,” in Parkett, no. 78, 2007, Zurich, Switzerland, pp. 156–167.

› Pajon, Léo: “Erwin Wurm présente sa pièce maitresse la Fat Car,” in Art magazine, June, 2007, Paris, France.

› Percher, Petra: “Die zweite Haut,” in Die Presse Schaufenster, no. 16, April 20, 2007, Vienna, Austria, pp. 6–12.

› Pohle, Julika: “Aus Sicht einer sehr hoch fliegenden Wurstsemmel sind Menschen Krümel,” in Die Welt, April 27, 2007, Hamburg, Germany, p. 38.

› Probst, Ursula Maria: “Erwin Wurm,” in Kunstforum International, no. 188, December 2006-February 2007, Ruppichteroth, Germany, pp. 373–375.

› Pühringer, Alexander: “Ich bin immer Erwin Wurm,” in Frame, no. 20, summer 2007, Vienna, Austria, pp. 128–133, cover.

› Rambaud, David: “Pas assez trop,” in area revues, no. 15, autumn/winter 2007, Paris, France, pp. 119–121. › Rohr-Bongard, Linde: “Capital-Kunstkompass: Die 100 Größten,” in Capital, no. 13, June 6, 2007,

Cologne, Germany, pp. 109–116. › Roos, Peter: “Eine Minute Skulptur,” in Die Zeit, April 26, 2007, Hamburg, Germany, p. 53. › Schellen, Petra: “Von torkelnden Häusern und fetten Autos,” in Die Tageszeitung Nord, April 30, 2007,

Berlin, Germany, p. 23. › Schreiber, Falk: “Wunst!,” in U_Mag, no. 7/8, June 28, 2007, Hamburg, Germany, pp. 50–53. › Schulze, Karin: “Kein Spaß, nur Selbsterkenntnis,” in O.T., Magazin für Kunst / Architektur / Design,

no. 12, April 2007, Hamburg, Germany, p. 6, cover. › Spies, Werner: “Überall ist der Wurm drin,” in Frankfurter Allgemeine Zeitung, no. 47, February 24, 2007,

Frankfurt am Main, Germany, pp. Z1–Z2. › Stöber, Michael: “Runter vom Sockel,” in Hannoversche Allgemeine Zeitung, April 27, 2007, Hannover,

Germany, p. 7. › Theys, Hans: “Over Bulten en Gaten,” in ART, September 27, 2007, Edegem, Belgium, p. 11. › Unruh, Rainer: “Erwin Wurm,” in Kunstforum International, no. 186, 2007, Ruppichteroth, Germany,

pp. 314–316. › Vogel, Sabine B.: “Realitätskollisionen,” in Frame, no. 20, summer 2007, Vienna, Austria, pp. 118–127, cover.

› “Die Last der Öffentlichkeit,” in Spike, Kunstmagazin, no. 11, spring 2007, Vienna, Austria, pp. 8–14. › “Die wunderbare Welt des Erwin Wurm,” in CI, Das Magazin der creativen Einrichter, no. 3, winter 2007,

Darmstadt, Germany, pp. 36–37. › “Erwin Wurm fettet Wien live mit Kunst auf,” in Wien live, January 2007, Vienna, Austria, pp. 1–8. › “Erwin Wurm – form follows function,” in Designers Digest, no. 100, 2007, Hamburg, Germany, pp. 89–92. › “Keep a Cool Head, Erwin Wurm im Museum Moderner Kunst in Wien,” in Zukunft, no. 01/2007, Vienna,

Austria, pp. 3, 6, 18, 30, 38, 46, cover. › “Künstler des Jahres, Erwin Wurm,” in Kunstjahr 2007, no. 7, 2007, Regensburg, Germany, pp. 114–125,

cover. › “The constructed Image,” in Contact, Toronto photography festival, May 2007, Toronto, Canada, pp. 40–41. › “Was Kunst mit Küssen zu tun hat,” in Wien live, January 2007, Vienna, Austria, pp. 42–45. (nedds to be

added in existing list) › “Wo der Wurm dran ist,” in Wien live, January 2007, Vienna, Austria, pp. 32–37.


› Balcetti, Solal: “Wurm, Le psycho sculpteur,” in Blast, autumn 2006, Paris, France, p. 34. › Bernert-Thomann, Marion: “Autokult. Kunst & der 911er,” in Wiener, no. 304, 27. Jg., October 2006,

Vienna, Austria, p. 42. › Brüggeller, Moni: “Ernst der Leichtigkeit,” in Kronen Zeitung, April 28, 2006, Vienna, Austria, p. 33. › Daneshmandi, Laila: “Ein Haus kracht aufs Museum,” in Österreich, no. 39, October 9, 2006, Vienna,

Austria, p. 4. › Debailleux, Henri-Francois: ”Le miroir grossissant d’Erwin Wurm,” in Libération, October 6, 2006, Paris,


› Denker, Christian W. & Thomas Redl: “Das Inhalieren der Welt als Künstler,” in ST/A/R, no. 12, 2006, Vienna, Austria, pp. 17–23.

› Díaz-Guardiola, Javier: “Erwin Wurm. ‘Los Conceptos “fuerte” y “para siempre” no tienen sentido para mí,” in ABCD, 732, February 11–17, 2006, Madrid, Spain, pp. 46–47.

› Díez, Celia: “Erwin Wurm. La incongruencia congelada,” in Exit Express, Suplemento Arco, 2006, Madrid, Spain, p. 10, cover.

› Doyon, Jaques: “Performance pour l’image / Image as Performance,” in CV Ciel Variable 72, 2006, Montréal, Canada, pp. 5–6.

› Duhamel, Patrice: “Cet emploi du temps,” in CV Ciel Variable 72, 2006, Montréal, Canada, pp. 11–13. › Duponchelle, Valérie: “Erwin Wurm. L’esthète contrariant,” in Le Figaro, September 22, 2006, Paris,

France, p. 31. › Fembeck, Michael: “Kunst, die 2006 die höchsten Renditen bringt,” in Gewinn, 25. Jg., September 9,

2006, Vienna, Austria, pp. 52–56. › Gabler, Thomas: “Betriebsanleitung für kühle Köpfe,” in Kronen Zeitung, October 20, 2006, Vienna,

Austria, p. 41. › Göricke, Jutta: “Jacke wie Hose,” in Süddeutsche Zeitung, no. 254, November 4/5, 2006, Munich,

Germany, p. 17. › Grimm-Weisert, Olga: “Humorvolle Dialoge,” in Der Standard, April 11, 2006, Vienna, Austria, p. 26. › Grotte, Werner: “Verkehrt am Dach am Dach,” in Wiener Zeitung, no. 208, October 18, 2006, Vienna,

Austria, p. 14. › Guggenberger, Ulrike: “Sammlung österreichischer Fotografie, Zwei Sammlungsstrategien in Salzburg,”

in Parnass Kunstmagazin, no. 2, 2006, Vienna, Austria, pp. 44–45, 48–51, cover. › Hoffmans, Christiane: “Mann mit Spargel im Nasenloch,” in Welt am Sonntag, September 24, 2006,

Berlin, Germany, p. NRW13. › Hoog, Eckhard: “Einminütige Skulpturen des Augenblicks,” in Aachener Zeitung, September 22, 2006,

Aachen, Germany, p. ABCDE 221. › Horak, Ruth: “Erwin Wurm’s Antihelden,” in EIKON, no. 55, 2006, Vienna, Austria, pp. 9–13, cover. › Horny, Henriette: “Der Philosoph Adorno hatte nicht Recht,” in Kurier, April 25, 2006, Vienna, Austria, p. 31. › Huemer, Christof: “Big Art,” in Steirer Monat, February, 2006, Graz, Austria, p. 30. › Jelcic, Ivona: “Die Kehrseite im Bett,” in Die Neue, April 28, 2006, no. 100, p. 58. › J. P.: “De Wurm al arte electrónico,” in El Mundo (El Cultural), February 9, 2006, Madrid, Spain, p. 36. › Knapp, Michaela: “Stachel im Fleisch,” in Format, no. 41, October 13, 2006, Vienna, Austria, pp. 98–99. › Knapp, Michaela: “Den Nerv der Zeit treffen,“ in Bühne, no. 11, November 2006, Vienna, Austria, p. 78. › Kreis, Elfi: “Die Tücken des Objekts,” in Kunstzeitung, no. 122, October 6, 2006, Regensburg, Germany, p. 18. › Krimbacher, Elisabeth: “Kultur Nation? Humbug!,” in Schaufenster. Die Presse, no. 04, February 2, 2006,

Vienna, Austria, pp. 34–35. › Kromp, Renate: “Kunst mit der Lizenz zum Lachen,” in News, no. 41, October 12, 2006, Vienna, Austria,

pp. 136–137. › Mack, Gerhard: “Punk, Prada und andere Pullover,” in Art das Kunstmagazin, no. 9, September 2006,

Hamburg, Germany, p. 99. › Mittringer, Markus: “Der ausgeweitete Kunstbegriff,” in Der Standard, October 20, 2006, Vienna, Austria,

p. 32. › Moragues, Gudi: “Austria en Madrid,” in Ultima Hora (El Domingo), February 19, 2006, Palma de Mallorca,

Spain, p. 10. › Orden, Abraham: “Erwin Wurm, Beginning With A Single Step,” in Parkett, no. 78, 2006, Zurich, Switzer-

land, pp. 156–167 . › Paré, André-Louis: “Why and how sculpture has become humorous,” in Espace, summer 2006, Montréal,

Canada, pp. 5–14, cover. › Redl, Thomas: “Auszüge aus dem Interview mit Erwin Wurm,” in ST/A/R, no. 11, 2006, Vienna, Austria,

pp. 17–18. › Rossi, Mariella: “Erwin Wurm,” in Lapiz, no. 224, 2006, Madrid, Spain, p. 89. › Rugo, Jaqueline: “Skulpturale Träume,” in Die Tageszeitung, November 18/19, 2006, Berlin, Germany, p. 21.

› Sansom, Anna: “Fondre À Se Fendre,” in Mixte, August/September 2006, Paris, France, pp. 100–101. › Sansom, Anna: “Around the bend, Erwin Wurm,” in Sleek Magazine for Art and Fashion, 2006, Berlin,

Germany, pp. 204–209. › Schlocker, Edith: “Wider das Heilige in der Kunst,” in Tiroler Tageszeitung, May 11, 2006, Innsbruck,

Austria, p. 19. › Schwanberg, Johann: “Den Kopf in den Kühlschrank stecken,” in Die Furche, no. 48, November 30,

2006, Graz, Austria, p. 20. › Sönmez, Necmi: “Bir dakikalik heykeller,” in Cumhuriyet, October 9, 2006, Istanbul, Turkey, p. 14. › Spiegler, Almuth: “Kunstwitze mit Hintersinn,” in art Das Kunstmagazin, no. 10, October 2006, pp. 102–104. › Spiegler, Almuth: “Wenn der Alltag ins Museum kracht,” in Die Presse, Rr. 17609, October 18, 2006,

Vienna, Austria, p. 37. › Spiegler, Almuth: “Hände weg vom Stromstecker,” in Die Presse, December 30, 2006, Vienna, Austria,

p. 33, cover. › Stadler, Rainer: “Andere Länder, Andere Sitten,” in Süddeutsche Zeitung Magazin, December 8, 2006,

Munich, Germany, pp. 26–33. › Strobl, Ernst P.: “Kopf kühl halten,” in Salzburger Nachrichten, no. 242, October 18, 2006, Salzburg,

Austria, p. 11. › Strudlar, Bernhard: “Frühstück – Mittag – Abendessen (und dazwischen Jause),” in Quart Heft für Kultur

Tirol, no. 7, 2006, Innsbruck, Austria, pp. 6–15, cover. › Titz, Walter: “Körperlosigkeit und Fettsucht,” in Kleine Zeitung, no. 286, October 16, 2006, Graz, Austria, p. 41. › Trenkler, Thomas: “Der König und die Idioten, Österreich schlug sich tapfer bei der ‘Arco’,” in Parnass

Kunstmagazin, no. 1, 2006, Vienna, Austria, pp. 27–29. › Truskolaski, Sebastian: “Erwin Wurm,” in Contemporary no. 85, vol. XIII, 2006, London, GB, pp. 100–103,

cover. › Vogel, Sabine B.: “Schmelzende Wirklichkeiten,” in Parnass Kunstmagazin, no. 3, 2006, Vienna, Austria,

pp. 80–85. › Weinzierl, Ulrich: “Ironie hilft,” in Die Welt, November 30, 2006, Berlin, Germany, p. 28. › Wetterwald, Élisabeth: “Erwin Wurm,” in Beaux Arts Magazine, 2006, Paris, France, pp. 42–43. › White, Roger: “Star Wars, authorship and curatorial practice,” in Artlies, no. 52, autumn 2006, Houston,

Texas, USA, pp. 40–43, cover. › Wiesauer, Caro: “Der Kleingeist hat eingeschlagen,” in Kurier, no. 288, October 18, 2006, Vienna,

Austria, p. 33.

› “Attacke auf das Wiener Mumok,” in Heute, no. 525, October 6, 2006, Vienna, Austria, p. 20. › Beaux Arts Magazine, no. 269, November 2006, Paris, France, cover. › “Das Paradies. Schlangen haben keinen Zutritt,” in Museumszeitung Benediktinterstift Admont, no. 6,

2006, Admont, Austria, p. 3. › “Eine Verschiebung von Zeit und Raum,” in Kurier , April 28, 2006, Vienna, Austria, p. 14. › “Erwin Wurm,” in Livraison, N°2 Exchange Issue Hidden Objects 2006/2007, Stockholm, Sweden,

pp. 357– 360. › “Erwin Wurm” in Delicatessen, no. 1, 2006, Barcelona, Spain, pp. 196–205. › “Kleine Ori und Erwin Wurm,” in North Drive Press, no. 3, 2006, New York, USA. › “Wurm,” in Vorn – Das Magazin für freie Gestaltung, issue no. 3, 2006, Berlin, Germany, pp. 130–145.


› Azimi, Roxana: “Aprés le merchand d’art,” in L’Oeil, no. 565, January 2005, Paris, France, pp. 31–33. › Fracer, Nancy: “Für eine dreidimensionale Gerechtigkeit,” in WOZ Die Wochenzeitung, no. 13, March

2005, Zurich, Switzerland, p. 15. › Helfand, Glen: “Erwin Wurm,” in Artforum International, January 2005, New York, USA p. 187. › Hofbauer, Susanne: “Erwin Wurm. Aufgeblasen,” in Autorevue, no. 3, 2005, Vienna, Austria, pp. 112–113. › Janku, Laura Richard: “Erwin Wurm,” in art US, no. 7, March/April 2005, Los Angeles, USA, pp. 4–5, cover. › Jardì, Pia: “Sculpture according to Wurm,” in Lapiz, no. 215, 2005, Madrid, Spain, pp. 56–63, cover.

› Joy, Jenn: “Spasm: Improvisation and effect,” in Contemporary, no. 73, 2005, London, GB, pp. 36–39. › Le Fevre Stassart, Isabelle: “Mauvaise posture,” in Dada, L’idiotie et le burlesque, no. 3, June 2005,

Paris, Frnace, p. 18. › Orden, Abraham: “Erwin Wurm,” in Flash Art, Vol. XXXVIII, no. 240, January/February 2005, Milan, Italy,

p. 117. › Randeria, Shiraz: “2 Fat, 2 Curious,” in Intersection, no. 14, 2005 London, GB, pp. 32–33. › Rato, Vanessa: “A minha arte é o caocom que farejo o mundo,” in Artes Plásticas, May 28, 2005, p. 18. › Soetaert, Gerrie: “Fat House Talking,” in Damn, no. 3, Juli/August 2005, Brussels, Belgium, pp. 94–102.

› “Business but not as usual,” in Vogue Hommes International, spring/summer 2005, Condé Nast Group, Paris, France, pp. 170–181.

› “I Love My Time, I Don’t Love My Time,” in CAC Contemporary Arts Center, spring 2005, pp. 1–5, cover. › “Nine to five,” in Monopol, Magazin für Kunst und Leben, no. 2, April/May 2005, Berlin, Germany, pp. 36–37. › Monopol Magazin für Kunst und Leben, no. 4, August/September 2005, Berlin, Germany. › “Sculptor’s art larger than life,” in The Daily Telegraph, November 23, 2005, London, GB.


› Bta. Peirò, Juan: “Erwin Wurm: Paradoja e ironìa,” in Levante, January 16, 2004, Valencia, Spain, p. 7. › Carrasco, Alex: “Erwin Wurm, No lo llames burla,” in NEO2, no. 33, February/March 2004, Madrid, Spain,

pp. 57–58. › Holzer, Walter: “Arts and it’s Double, Extreme Kunst oder die Reduktion auf das Wesentliche,” in

KUNSTFORUM International, November/December 2004, Ruppichteroth, Germany, pp. 125–126. › Jarque, Vicente: “Sencillo y hondo,” in El País , February 14, 2004, Madrid, Spain, p. 17. › Jouannais, Jean-Yves: “L’idiotie: Art, vie, politique-methode,” in Beaux Arts Magazine, September 19,

2004, Paris, France, p. 53. › Lequeux, Emmanuelle: “Maisons. Une nouvelle adresse,” in Beaux Arts Magazine, no. 245, October

2004, Paris, France, pp. 72–79. › Marsola, Helga: “Erwin Wurm,” in Flash Art, August/September 2004, Milan, Italy, p. 128. › Marsola, Helga: “Erwin Wurm,” in EXIBART on paper, June/July 2004, Florence, Italy. › Olivares, Rosa: “Este no es un texto de un minuto / This is not a one minute text,” in Exit, no. 13, 2004,

Madrid, Spain, pp. 72–93. › Olivares, Rosa: “Teoría, teóricos, teorética, teorizante ... teomanía,” in Exitbook, no. 3, 2004, Madrid,

Spain, pp, 4–5. › Rusterholz, Sabine: “UBS Wien, Skulpturale Augenblicke,” in Parnass Kunstmagazin, no. 4, 2004,

Vienna, Austria, pp. 10 – 11. › Rusterholz, Sabine: “Erwin Wurm Instructions for Political Incorrectness, Two Ways of Carrying a Bomb,”

in artphoto contemporary art magazine, no. 5, 2004, Bucharest, Rumania, pp. 38–47. › Seidl, Walter: “Erwin Wurm. Hilfe, Graz!,” in Contemporary, no. 60, 2004, London, GB, p. 74. › Verhagen, Eric: “L’échec sculptural de Erwin Wurm,” in art press, no. 307, December 2004, Paris,

France, pp. 18–23, cover. › Werner, Frank R.: ”Architekturtheorie lehren(1),” in Baumeister-Zeitschrift für Architektur, August 2004,

Munich, Germany, pp. 22–23.

› “Erwin Wurm,” in Studio Voice, January 2004, Tokyo, Japan, pp. 110–111, 114–115. › “I’m floored!,” in Read, BABY!, MGZN no. 11, autumn 2004, Amsterdam, Netherlands, pp. 164–173. › “Les 20 ans des FRAC,” in Beaux Arts Magazine, 2004, Paris, France, pp. 60–61. › “Nichts als Gesichter; Das Antlitz des Menschen in der Kunst. Kunstmuseum St. Gallen,” in Neue Zürcher

Zeitung, October 30/31, 2004, Zurich, Switzerland. › “les expositions choisies pour vous,” in Beaux Arts Magazine – Les 20 ans de Frac, 2004, Paris, France,

pp. 60–61. › in Borderline Festival International, March 9-26, 2004, Lille, France, p. 2, cover, backcover.


› Brooke Schleifer, Kristen: “Erwin Wurm: Vedanta Gallery,” in art on paper, no. 4, vol. 7, January/February 2003, New York, USA, p. 78.

› Cash, Stefanie: “Stand-Up Artist,” in Art in America, December 2003, New York, USA, pp. 7, 84–87, cover. › Fanchette, Fréderice: “Simplement incorrect,” in Libération, November 14, 2003, Paris, France, pp. 38–39. › Gavulová, Lucia: “Kto je Erwin Wurm?,” in VLNA, no. 16, 2003, Bratislava, Slovakia, pp. 4–11. › Kissler, Alexander: “Das Orakel der Steiermark,” in Süddeutsche Zeitung, no. 152, June 5/6, 2003, Munich,

Germany, p.17. › Knapp, Michaela & Mariella Leydolt: “Der Format-Kunst-Guide,” in Format, no. 17, April 25, 2003, Vienna,

Austria, pp. 109–117. › Kröner, Magdalena: “Körper auf den Punkt gebracht,” in Die Tageszeitung, March 27, 2003, Berlin,

Germany, p. 16. › Peitz, Dirk: “Es lebt,” in Süddeutsche Zeitung, no. 225, September 30, 2003, Munich, Germany, p. 14. › Reininghaus, Alexandra: “Eine Skulptur für alle Fälle,” in art Das Kunstmagazin, no. 4, April 2003,

Hamburg, Germany, pp. 18–25. › Schlüter, Ralf: “Kopf in den Eimer,” in art Das Kunstmagazin, no. 6, June 2003, Hamburg, Germany, p. 135. › Vozmediano, Elena: “Wurm y la escultura efimera,” in El Cultural, September 18, 2003, Madrid, Spain, p. 29. › Weiermair, Peter: “I GAM Galleria d’arte moderna di Bologna,” in I Love Museums, no. 0, June 2003, Bo-

logna, Italy, pp. 42–43. › Wiener, Margit: “Verstörung – der Künstler Erwin Wurm inszeniert Mode,” in Der Standard, Rondo, no. 211,

April 4, 2003, Vienna, Austria, pp. 4–8, cover. › Wipond, Rob: in Adbusters (Blaine, Wash.), vol. 11, no. 1, January/Ferbuary 2003, Vancouver, Canada,

pp. (look right) 27, 32–33.

› “GAM,” in I Love Museums, Magazina Amaci, no. 0, June 3, 2003, Bergamo, Italy, pp. 42–43. › “Erwin Wurm: Instructions for Idleness,” in The Breeder, no. 8, 2003, Athens, Greece. › “Erwin Wurm,” in Time Out, no. 11, May 1-7, 2003, London, GB, p. 100. › “Erwin Wurm: European Dream,” in ociodf-la revista chiquita, May 2003, Madrid, Spain, pp. 18–19, cover. › “Erwin Wurm,” in Ethik und Unterricht, February 2003, Seelze, Germany, pp. 3, 8–9, 11–12.

› “Living Sculptures,” in kink free magazine, no. 10, July-August 2003, Capbreton, France, pp. 34–42. › in Monochrom – Photographie, Präsentation, Archivierung, Catalogue 2003, Kassel, Germany, cover.


› Bourbon, Anne de: “Déjà Culte? Erwin Wurm,” in chronicart, no. 5, summer 2002, Paris, France, p. 63. › Cannonica, Finn: “Jeder ist ein Wurm,” in Das Magazin, no.23, June 2002, Zurich, Switzerland, pp. 24–25,

cover. › Engler, Martin: “Kopffüßler im Strickpulli,” in Die Zeit, March 7, 2002, Hamburg, Germany. › Fanchette, Frederique: “Le monde détouré d’Erwin Wurm,” in Libération, no. 6547, June 3, 2002, Paris,

France, p. 41. › Guerrin, Michel: “Le burlesque au quotidian dans l’objectif d’Erwin Wurm,” in Le Monde, July 20, 2002,

Paris, France, p. 25. › Jamaldin, Sharifa: “Erwin Wurm,” in Baby MGZN, no. 6, spring 2002, Amsterdam, Netherlands, pp. 102–109. › Lequeux, Emmanuelle: “Erwin Wurm,” in Aden, no. 211, June 5-11, 2002, Paris, France, p. 26. › Nicole, Michelle: “Erotisch, plastisch, gut: Erwin Wurm und Sylvie Fleury,” in GQStyle, autumn 2002,

Munich, Germany, pp. 274–285. › Macel, Christine: “Erwin Wurm. Le quotidien sculpté,” in Beaux Arts Magazine, June 2002, Paris, France. › Macel, Christine: “Erwin Wurm: sculpture borderline,” in Beaux Arts Magazine, edition special, 2002,

Paris, France, pp. 232–234. › Maier, Stephan: “Die völlig verfettete Ein-Minuten-Limousine,” in Frame, no. 12, summer 2002,

Amsterdam, Netherlands, p. 119. › Metzger, Rainer: “Erwin Wurm: ‘Du bringst zwei Dinge zusammen und es ergibt sich etwas Neues’ – ein

Gespräch,” in Kunstforum International, no. 158, January-March 2002, Cologne, Germany, pp. 198–213.

› Olonetzky, Nadine: “Gurken zwischen den Zehen,” in Neue Zürcher Zeitung, July 7, 2002, Zurich, Switzerland, p. 67.

› Olonetzky, Nadine: “Erwin Wurm – Von prekären Zuständen im menschlichen Dasein,” in Entwürfe – Zeitschrift für Literatur, no. 31, October 2002, Zurich, Switzerland, pp. 73–88.

› Schor, Gabriele: “Gegen Langeweile in der Plastik,” in Neue Zürcher Zeitung, March 16, 2002, Zurich, Switzerland.

› Shusterman, Richard: “Self-Styling after the “End of Art,”” in Parachute, January-March 2002, Montréal, Canada, pp. 56–68, cover.

› Tragatschnig, Ulrich: “Die Skulptur im Menschen,” in Der Standard, February 4, 2002, Vienna, Austria. › Van Offel, Hugo: “Erwin Wurm > Désacralisateur,” in art actuel, no. 21, July/August 2002, Paris, France,

pp. 38–39. › Vogel, Sabine B.: “Handle stet’s so, daß eine Skulptur dabei herauskommt,” Frankfurter Allgemeine

Zeitung, March 14, 2002, Frankfurt, Germany, p. 47. › Ward, Ossian: “The fat and the curious,” in Intersection, no. 2, autumn 2002, London, GB, cover. › Wetterwald, Élisabeth: “L’art de soupcon,” in Parachute, no. 105, January-March 2002, Montréal,

Canada, pp. 64–83. › Wetterwald, Élisabeth: “Je m’appartient-il? Erwin Wurm,” in Le Journal 16, 2002, Paris, France, pp. 6–7. › Wetterwald, Élisabeth: “Erwin Wurm L’art du soupcon,” in Parachute, January-March 2002, Montréal, Ca-

nada, pp. 69–83, cover. › Wolff, Thomas: “Fokus auf Eriwn Wurm,” in Magazin Frankfurter Rundschau, 2002, Frankfurt, Germany,


› “Art in Dialogue,” in With an Open Mind, Tolerance and Diversity, Deutsche Bank AG / Alfred Herrhausen Society for International Dialogue, 2002, Frankfurt, Germany, pp. 26–27.

› “Erwin Wurm,” in Zoom, May/June 2002, New York, USA. › “Loading ...,” in Blast, no. 3, July/August 2002, Paris, France, pp. 92–99. › “One Minute Sculpture: Erwin Wurm,” in MagazineCoreen, August 2002, New York, USA, pp. 66–69.


› Kyriacou, Sotiris: “Thomas Demand / Gerwald Rockenschaub / Bernd & Hilla Becher / Erwin Wurm,” in Art Monthly, no. 243, February 2001, London, GB, pp. 29–31, cover.

› Macel, Christine: “Erwin Wurm, Galerie Krinzinger,” in art press, no. 269, 2001, Paris, France, p. 78. › Menz, Marguerite: “Erwin Wurm im Centre pour l’image contemporaine,” in Kunst-Bulletin, March 2001,

Zurich, Switzerland, p. 40. › Metzger, Rainer: “Erwin Wurm,” in European Photography, no. 69, vol. 22, issue 1, summer 2001,

Göttingen, Germany, pp. 24–33. › Metzger, Rainer: “Indoor-Sculptures, Outdoor-Sculptures, One-Minute-Sculptures,” in Camera Austria,

no. 74, 2001, Graz, Austria, p. 90. › Noé, Paola: “Erwin Wurm,” in Tema celeste, no. 84, March/April 2001, Milan, Italy, p. 102. › Noé, Paola: “idiots // 2001,” in Kult, avanguardie creative, no. 3, 2001, Milan, Italy. › Paulino-Neto, Brigitte: “Chimère,” in Vogue, March 2001, Paris, France, p. 327. › Smith, Roberta: “Erwin Wurm: Art in Review,” in The New York Times, June 15, 2001, New York, USA,

pp. 34. › Wetterwald, Élisabeth: “L’art de la chute,” in Parachute, January-March 2001, Montréal, Canada, p. 26. › Withers, Rachel: “Erwin Wurm,” in Artforum, March 2001, New York, USA, pp. 155–156.

› “10 Jahre EIKON,” in EIKON no. 36/37, 2001, Vienna, Austria, p. 101. › “Bodies of Works: Erwin Wurm,” in Details 132-139, no. 8, vol. 19, June 2001, New York, USA, p. 20. › “Erwin Wurm,” in visuell, 2001, Bonn, Germany, front page. › “Erwin Wurm,” in ZOO, no. 9, June 2001, London, GB, p. 311. › “Vegetali ignoti,” in 100 i miei miglori amici, no. 100, 2001, Turin, Italy. › nu: The Nordic Art Review, no. 1, vol. III, 2001, Stockholm, Sweden, p. 20.


› Bonnet, Frédéric: “Sculpture / prête à porter,” in Mouvement, no. 8, April/June 2000, Paris, France, pp. 50–53, cover.

› Brunel, Charlotte & Benaim Laurence: “Sur-mesure global,” in Taste. L’Observatiore International de Premiere Vision, October 2000, Lyon, France, pp. 20–21.

› Fulchéri, Fabienne: “Etes-vous une ‘One Minute Sculpture’?,” in Technikart, no. 40, March 2000, Paris, France, p. 101.

› Griese, Horst: “One Minute Sculptures – Handlung als Skulptur,” in Photonews, no. 2, February 2000, Hamburg, Germany, pp. 10–11.

› Huck, Brigitte: “We Love Erwin Wurm oder: sei Skulptur!,” in Parnass Kunstmagazin, no. 1, March/April 2000, Vienna, Austria, pp. 78–83.

› Lequeux, Emmanuelle: “Erwin Wurm, une sculpture d’Erwin Wurm,” in Aden, no. 112, March 22-28, 2000, Paris, France, p. 29.

› Maillet, Florence: “Erwin Wurm, la sculpture en une minute,” in Beaux Arts Magazine, no. 190, March 2000, Paris, France, p. 43.

› Pesch, Martin: “Minute Man,” in Frieze, no. 52, May 2000, London, GB, pp. 76–79. › Rosen, Miriam: “Risk Takes,” in Artforum International, May 2000, New York, USA, p. 72. › Searle, Adrian: “I’m Not Saying Cheese,” in The Guardian, December 19, 2000, London, GB, p. 13. › Wetterwald, Élisabeth: “Erwin Wurm,” in Parpaings, April 2000, Paris, France, p. 24, cover. › Zuckriegl, Margit: “Österreichische Fotographie der 90er Jahre,” in Kunst und Kirche, April 2000, Vienna,

Austria, p. 203. › “Ein Pullover wird lebendig,” in Kunst und Unterricht, no. 240, March 2000, p. 22.


› Baqué, Dominique: “Sur le fil du rasoir,” in Art Press, no. 245, April 1999, Paris, France, p. 92. › Christofori, Ralf: “Mit zwei Beinen in einem Eimer,” in Frankfurter Allgemeine Zeitung, February 25, 1999,

Frankfurt, Germany, p. 51. › Falk, Florian: “Raum und Zeit grenzenlos,” in Modern Times, April 1999, Vienna, Austria, p. 52. › Hegyi, Lóránd: “Zur Ausstellung von Erwin Wurm und Tamás Soós,” in Budapester Belvedere – Zeitschrift

für zeitgenössische Kunst, no. 2, 1989, Mannheim, Germany, pp. 18–19. › Jeanneret, Pascale:” Erwin Wurm – CAN,” in Art Press, no. 248, July 1999, Paris, France, p. 69. › Müller, Silke: “Mode – Skulpturen für den Körper,” in art Das Kunstmagazin, no. 4, April 1999, Hamburg,

Germany, p. 54. › Nesweda, Peter: “Erwin Wurm, One Minute Sculpture,” in Kunstforum International, no. 145, May/June

1999, Ruppichteroth, Germany, p. 398. › Nicol, Michelle: “CUMULUS aus Europa, Der Originalbegriff ist obsolet geworden – Wurm versus

Foreste,” in Parkett, no. 55, 1999, Zurich, Switzerland, pp. 181–185. › Nicol, Michelle: “Can the ...,” in Self Service, no. 11, autumn 1999, Paris, France, pp. 132–139. › Scarabelli, Luca: “Erwin Wurm, Una Scultura al Minuto,” in Vegetali Ignoti, spring/summer/autumn/winter

1999, no. 8/9, September/October 1999, Hamburg, Germany, p. 521.

› “Erwin Wurm, Der Mann im Karton: Skulpturale Kunstereignisse, die nur eine Minute dauern,” in Frankfurter Allgemeine Zeitung, February 28, 1999, Frankfurt, Germany.

› “Printemps de Cahor,” in Photonews, 1999, Hamburg, Germany.


› Badrutt-Schoch, Ursula: “Humor und Verletzlichkeit,” in St. Gallener Tagblatt, September 25, 1998, St. Gallen, Switzerland.

› Drühl, Sven: “Die oberflächlichen Hüllen des Selbst, Verstrickungen,” in Kunstforum International, no. 14, July/September 1998, Ruppichteroth, Germany, pp. 173–183.

› Killam, Brad: “Erwin Wurm – Extended Reviews – Wisconsin,” in New Art Examiner, September 1998, Chicago, USA, p. 56.

› Lobmeyr, Rudolf: “Erwin Wurm, Neubestimmung des Skulpturenbegriffs,” in Parnass Kunstmagazin, March/April 1998, Vienna, Austria, p. 136.

› Millesi, Hanno: “Erwin Wurm – Variationen zweier Minutenskulpturen,” in Eikon, no. 25, 1998, Vienna, Austria, pp. 18–25, cover.

› Moisdon-Trembley, Stéphanie: “A bit of fur on a jacket or a skirt adds a little rock and roll,” in Self Service, no. 9, autumn 1998, Paris/New York, USA.

› Teerlink, Hilde: “C’est la vie,” in Imago 98, Encuentros de fotografia y video, 1998, Universidad de Salamanca, Spain, pp. 22–27.

› “Weird Pics, Hotshots,” in Time Out, June 10-17, 1998, London, GB, p. 5.


› Busto, Andrea: “Erwin Wurm – Galleria The BOX,” in Tema Celeste, May/June 1997, Turin, Italy. › Griese, Horst: “Erwin Wurm – One Minute Sculptures,” in Punkt. Kunst im Nordwesten, December 1997,

Bremen, Germany, p. 25. › Marzluf, Arnulf: “Man sieht die Kunst nicht, die man sieht,” in Weser Kurier, no. 274, November 22, 1997,

Bremen, Germany, p. 23. › Picasso, Sydney: “Visions d’Artistes,” in Vogue, March 1997, Paris, France, p. 217. › Polly, Ullrich: “Touch This. Tactility in Recent Contemporary Art,” in New Art Examiner, December/January

1996/97, Chicago, USA, pp. 10–15. › Rothauer, Doris: “Der Körper als Material,” in Ballet aktuell Tanz international, no. 5, May 1997, Berlin,

Germany, pp. 40–43.

› “Der Pauli als Skulptur, Bremen: Erwin Wurm, Höhepunkte des Monats,” in art Das Kunstmagazin, no. 12, December 1997, Hamburg, Germany.

› “Das neue Gesicht,” in Kunstverein Konstanz, 1997, Konstanz, Germany, p. 62–63. › “Stuhlbein im Auge – Saugut: Ein 43jähriger Wurm schaut auf die Welt und bereichert die Kunstgeschichte

mit intelligentem Quatsch,” in TAZ Bremen.zott, November 26, 1997, Bremen, Germany, p.23. › Epilog, Zeitschrift für künstliche und künstlerische Intelligenz, no. 4, December 1997, Zurich, Switzerland.


› Happe, Annemarie: “Erwin Wurm,” in Noema, no. 40, winter 1995/96, Salzburg, Austria, p. 81. › Jones, Ronald: “Does Not Play Well With Others, Ronald Jones on ‘Shopping’ in SoHo,” in Frieze,

November/December 1996, London, GB, pp. 38–40. › Nesweda, Peter: “Erwin Wurm at Wilma Lock, St. Gallen,” in Artforum International, October 1996, New

York, USA, p. 125. › Smith, Roberta: “Culture and Commerce Live Side by Side in SoHo – Shopping,” in The New York Times,

September 13, 1996, New York, USA. › Vogel, Sabine B.: “Erwin Wurm in der Galerie Wilma Lock, St. Gallen,” in Kunst-Bulletin, no. 1/2,

Jaunary/February 1996, Zurich, Switzerland, p. 40 › Wäspe, Roland: “Der Flipperspieler. Zu Erwin Wurms Skulpturbegriff / Playing Pinnball. Erwin Wurm’s

Concept of Sculpture,” in Parkett, no. 46, 1996, Zurich, Switzerland, pp. 6–16.

› “Erwin Wurm, Sculptures Ephémères,” in East-West Avenue Magazine International, no. 5, July/August 1996, Paris, France, pp. 34–39.

› “Vegetali Ignoti,” in Quaderno d’Arte Contemporanea, spring/summer 1996, Rom, Italy, p. 5.


› Braun, Alexander: “St. Gallen / Freiburg im Breisgau – Erwin Wurm,” in Kunst-Bulletin, April 1995, Zurich, Switzerland, pp. 40–41.

› Braun, Alexander: “Erwin Wurm 22° C Raumtemperatur,” in Kunstforum International, no. 131, August/October 1995, Ruppichteroth, Germany, pp. 292–303.

› Puvogel, Renate & Sabine Vogel: “... wie gemalt,” in Artis, October/November 1995, Bremen, Germany, pp. 34–39.

› Reininghaus, Alexandra: “Kühle, Kraft und Klarheit. Neun aus der neuen Wiener Szene,” in art Das Kunstmagazin, no. 11, November 1995, Hamburg, Germany, pp. 22, 26.

› Runólfsson Halldór, Björn: “7 Austrian Artists,” in SIKSI, April 1995, Helsinki, Finland, pp. 56–57. › Spiegl, Andreas: “Erwin Wurm – 22 Grad im 20er Haus,” in Neue bildende Kunst, no. 1, February/March

1995, Vienna, Austria, pp. 34–35. › Stepken, Angelika: “Der Stand der Dinge in Köln. Interview mit Udo Kittelmann,” in Neue bildende Kunst,

no. 1, February/March 1995, Vienna, Austria, pp. 78–79. › Vogel, Sabine B.: “Erwin Wurm – 22° C,” in Artis, April/May 1995, Bremen, Germany, p. 61.

› “Erwin Wurm, II Fantastico in arte,” in Tema Celeste, no. 55, 1995, Milan, Italy, p. 94.


› Bandion, Wolfgang J.: “Praterarchitektur,” in Academia, February 1994, Bozen, Italy, pp. 44–45. › Hofleitner, Johanna: “Fragile Variablen – Erwin Wurm,” in Parnass Kunstmagazin, no. 4,

November/December 1994, Vienna, Austria, pp. 106–107. › Sans, Jérôme: “Erwin Wurm, Galerie Sylvana Lorenz, Paris,” in Artforum, October 1994, Berlin, Germany,

p. 111.


› Braun, Alexander: “Erwin Wurm – Kunstverein Hamburg, Villa Arson, Nizza,” in Artis, July 1993, Bremen, Germany, pp. 54–55.

› Braun, Alexander: “Erwin Wurm. Konfektionsgröße 50 zu 54,” in Artis, December/January 1993/94, Bremen, Germany, pp. 44–48.

› Clot, Manel: “Erwin Wurm – Villa Arson,” in Lapiz, no. 93, May 1993, Madrid, Spain, pp. 80–81. › Müller, Silke: “Wie Fabio zur Textilskulptur wird. Der Kunstverein Hamburg präsentiert Arbeiten des

Wiener Bildhauers Erwin Wurm,” in Die Welt, March 30, 1993, Hamburg, Germany, p. 72. › Preuss, Evelyn: “Kurzlebige Kunst mit Staub und Pullovern,” in Hamburger Abendblatt, March 25, 1993,

Hamburg, Germany, p. 6. › Raab, Jürgen: “Kunst und Humor,” in Kunstforum International, no. 121, 1993, Ruppichteroth, Germany,

p. 175. › Sans, Jérôme: “Erwin Wurm. L’esthétique de l’absence,” in Galeries Magazine, April/May 1993, London,

GB, pp. 60–61. › Stunkat, Erik: “Platzhalter der Phantasie. Arbeiten von Erwin Wurm im Hamburger Kunstverein,” in

Hamburger Rundschau, March 25, 1993, Hamburg, Germany, p. 12.


› Ardenne, Paul: “Erwin Wurm, Galerie Arnaud Lefebvre,” in Artpress, no. 170, June 1992, Berlin, Germany, p. 102.

› Gercke, Hans: “Hülle, Haut und Haus,” in Kunst und Kirche, no. 4, 1992, Berlin, Germany, pp. 277–282. › Melrod, George: “Erwin Wurm at Stux,” in Art in America, January 1992, New York, USA, p. 117.


› Cyphers, Peggy: “Review,” in Art Magazine, December 1991, Vienna, Austria, p. 78. › Moser, Ulrike: “Anwesende Abwesenheit,” in Parnass Kunstmagazin, April 1991, Vienna, Austria,

pp. 107–108. › Nesweda, Peter: “Erwin Wurm,” in Noema, April/May 1991, Salzburg, Austria, pp. 86–87. › Pagel, David: “Erwin Wurm, “ in Art Magazine, January 1991, Vienna, Austria, p. 89. › Zinggl, Wolfgang: “Die Form der Spur des Abwesenden. Ein Gespräch mit Erwin Wurm,” in Kunstpresse,

April 1991, Cologne, Germany, pp. 15–17. › Zinggl, Wolfgang: “Verwerfen oder Verwirklichen,” in Falter, no. 21, 1991, Vienna, Austria.

› “Erwin Wurm, Stux,” in ARTnews, no. 9, vol. 90, November 1991, New York, USA, pp. 136–137.


› “Erwin Wurm, neunzehnhundertneunzig,” in Artist, no. 5, October-December 1990, Bremen, Germany, pp. 12–13.


› Hegyi, Lorand: “Rollen und Situationen. Zur Ausstellung von Erwin Wurm und Tamás Soós,” in Budapester Belvedere. Zeitschrift für zeitgenössische Kunst, February 1989, Budapest, Hungary, pp. 18–19.

› Protzmann, Ferdinand: “Austria – Soul Search. In the Wake of Neoexpressionism,” in ARTnews, no. 7, vol. 88, September 1989, New York, USA, pp. 148–150.

› Puvogel, Renate: “Spazi ’88,” in Kunstforum International, no. 99, March/April 1989, Ruppichteroth, Germany, pp. 289–291.

› Schellerer, Désirée: “akkord und dissonanz,” in Visa Magazin, no. 5, September/October 1989, Vienna, Austria, pp. 66–67.


› Baum, Peter: “Die Virulenz der österreichischen Kunstszene,” in Kunst und Kirche, no. 1, March 1988, Berlin, Germany, pp. 4–7.

› Horst, Christoph: “Wurmstiche im Blech,” in Profil, no. 18, May 2, 1988, Vienna, Austria, pp. 110–111. › Moser, Ulrike: “Die Form und das Wort,” in Parnass Kunstmagazin, no. 2, March/April 1988, Vienna,

Austria, pp. 20–21. › Schurian, Andrea: “Ende des linearen Denkens. Eine Gesprächsrunde mit Anzinger, Kowanz, Terzic und

Wurm,” in Parnass Kunstmagazin, Sonderheft, no. 5, 1988, Vienna, Austria, pp. 16–23. › “Erwin Wurm, Sechs Seiten und ein Titel,” in Parnass Kunstmagazin, no. 5, September/October 1988,

Vienna, Austria, pp. 29–33.


› Brock, Bazon, Markus Brüderlin & Helmut Draxler: “Positionen 1980-87: Erwin Wurm,” in Kunstforum International, no. 89, May/June 1987, Ruppichteroth, Germany, pp. 123–127.

› Brüderlin, Markus: “Die Junge Österreichische Kunst Der Achtziger Jahre,” in Kunst-Bulletin, no. 2, Jänner 1987, Zurich, Switzerland, pp. 2–7.

› Brüderlin, Markus: “Neue Wege des Plastischen in Österreich,” in Kunstforum International, no. 89, May/June 1987, Rupppichteroth, Germany, pp. 241, 303–317.

› Cohn, Thomas: “Biennale Sao Paolo – a report,” in Flash Art International, no. 138, January/February 1987, p. 113.

› Knoche, Rainer: “Bildende Kunst: Maler und Kunststreicher,” in Trend, no. 11, November 1987, Vienna, Austria, pp. 132–133.

› Stanislawski, Krzystof: “Aspekty rzezby,” in Sztuka, 12. Jg, no. 5, 1987, Warsaw, Poland, p. 25. › Waechter-Böhm, Liesbeth: “Wien – eine Metropole?,” in Kunstforum International, no. 89, May/June

1987, Ruppichteroth, Germany, pp. 254–262. › Wulffen, Thomas: “Erwin Wurm, Zellermayer, Berlin,” in Noema, no. 14, 1987, Salzburg, Austria, p. 67.

› “Erwin Wurm, RIVA, Halle Sud,” in Magazine d’art contemporian, no. 15, June 1987, Paris, France, p. 29.


› Brüderlin, Markus: “Die Rolle der Skulptur 1960-1985,” in Parnass Kunstmagazin, no. 1, March/April 1986, Vienna, Austria, pp. 20–25.

› Brüderlin, Markus: “Neue österreichische Skulptur,” in Falter, no. 5, 1986, Vienna, Austria. › Draxler, Helmut: “Aug um Aug,” in Kunstforum International, no. 85, September/October 1986,

Ruppichteroth, Germany, pp. 241–243.

› Gawlik, Goschka: “Riva – wir werden dich vermissen! Ein Atelierbesuch,” in Bestände, Texte und Bilder für Kulturabhängige, no. 10, autumn/winter 1986, Vienna, Austria, pp. 12–19.

› Gijsberts, Pieter-Jan & Houkes Rein: “De onangepaste kunst – De gedaanteverwisselingen van het verlies,” in Museumsjournal, no.2, 1986, Amsterdam, Netherlands, pp. 112–119.

› Händler, Ruth: “Die Künstler sorgten für ein Wunder,” in art Das Kunstmagazin, no. 2, February 1986, Hamburg, Germany, pp. 36–57.

› “Motiv für Multi-Talente: Neue Plastik,” in art Das Kunstmagazin, no. 2, February 1986, Hamburg, Germany


› Brüderlin, Markus: “Erwin Wurm – Skulptur und die Rhetorik der Wahrnehmung,” in Artefaktum, no. 11, November 1985, Stuttgart, Germany, pp. 19–23.

› Faber, Monika: “Otto-Mauer-Preis an Erwin Wurm,” in Kunst und Kirche, no. 1, March 1985, Berlin, Germany, pp. 57–58.

› Gawlik, Goschka: “Ein Navigator auf dem Regenbogen,” in Vernissage, no. 9, November 1985, Vienna, Austria, pp. 10–11.

› Haase, Amine: “Nachahmung des Unnachahmbaren – expressionistische und neoexpressionistische Skulptur,” in Artefaktum, no. 7, February/March 1985, Stuttgart, Germany, pp. 2–8.

› Köcher, Helga: “Brief aus Wien. Denken ist Hinrichtung – Tun ist Herrichtung,” in Kunstforum International, no. 77/78, January/February 1985, Ruppichteroth, Germany, pp. 292–297.

› “Erwin Wurm bei Zellermayer,” in Wolkenkratzer Art Journal, no. 8, June/August 1985, Frankfurt am Main, Germany, p. 32.


› Bosetti, Petra: “Heftiges von Einst und Jetzt,” in art Das Kunstmagazin, no. 7, July 1984, Hamburg, Germany, pp. 106–108.

› Brock, Bazon: “Schlagzeug und Farborgel,” in Kunstforum International, no. 73/74, June/August 1984, Ruppichteroth, Germany, pp. 43–63.

› Draxler, Helmut: “Erwin Wurm – Plastik und Zeitlichkeit,” in Kunstforum International, no. 71/72, April/May 1984, Ruppichteroth, Germany, pp. 356–358.

› Skreiner, Wilfried: “La nouvelle sculpture Autrichienne,” in Art Press, no. 3, 1984, Berlin, Germany, pp. 51–53.


› Draxler, Helmut: “Trigon in Graz,” in Kunstforum International, no. 67, November 1983, Ruppichteroth, Germany, pp. 171–176.

› Frohne, Ulla: “3-D Malerei,” in Kunstforum International, no. 60, April 1983, Ruppichteroth, Germany, pp. 153–160.

› Kerber, Bernhard: “Skulptur und Farbe,” in Kunstforum International, no. 60, April 1983, Ruppichteroth, Germany, p. 25.

› “Heitere Kommentare aus Holz,” in art Das Kunstmagazin, no. 8, August 1983, Hamburg, Germany, pp. 104–105. “Bildanthologie,” in Kunstforum, no. 62, June 1983, Vienna, Austria, pp. 138–139.




Kunsthallen Brandts, Odense, Denmark, 2011 Texts by Lars Grambye and Anna Krogh English 96 pages, 24 x 31 cm, hardcover

ISBN 9788777661488



Private Wurm

Essl Museum, Austria, 2010 96 pages, 30 x 24 cm, hardcover

Oh No

Austria Kultur Int., Bogota, Colombia, 2010 Texts by Dr. Michael Spindelegger, Prof. Dr. Heinz Krumpel, Gloria Zea and Dr. Sàrolta Schredl 56 pages, 24 x 28,5 cm, softcover ISBN 978-3-9502557-0-6



Narrow House

Verlag für Moderne Kunst Nürnberg, Cologne, Germany, 2009 Texts by Ingrid Adamer, Christian Denker, Robert Fabach, Wolfgang Hermann German/English 60 pages, 30 x 21 cm, softcover ISBN 978-3-86984-245-5


DuMont Verlag, Cologne, Germany, 2009 Texts by Stephan Berg, Helmut Friedel, Gertrud Koch, Friederike Mayröcker, Jérôme Sans, Franz Schuh, Kirsten Claudia Voigt; German/English 336 pages, 32 x 24 cm, hardcover ISBN 978-3-8321-9241-9 (G) ISBN 978-3-8321-9259-4 (E)

44 Vorschläge - Eine soziale Skulptur

Verlag Onkel & Onkel, Berlin, Germany, 2009 48 pages, 22 x 17 cm, softcover ISBN 978-3-940029-54-62008

Kunstwerkstatt Erwin Wurm

Prestel Verlag, Munich, Germany 2008 Text by Helmut Friedel; German 78 pages, 26 x 22.5 cm, hardcover ISBN 978-3-7913-3923-8 (Bookstore) ISBN 978-3-7913-3924-5 (Collector’s Edition)



Von Konfektionsgröße 50 zu 54 in acht Tagen

Edizioni Periferia, Luzerne/Poschiavo, Switzerland, 2007 Text by Erwin Wurm; German 336 pages, 12.8 x 12 cm, hardcover Edition of 365, numbered and signed by Erwin Wurm ISBN 978-3-907474-22-8

Spit in someone’s soup

Riksutställingar Swedish Travelling Exhibitions, Sweden, 2007 Text by Helena Selder, Ulrika Sten; English 42 pages, 21.5 x 15.5 cm, softcover ISBN 91-7257-076-0

Erwin Wurm, Catalogs, artist‘s books and monographs. 1990-2007

Edizioni Periferia, Lucerne/Poschiavo, Switzerland, 2007 English 28 pages, 15 x 10.5 cm, softcover ISBN 978-3-907474-45-7



The artist who swallowed the world

Hatje Cantz Verlag, Ostfildern, Germany, 2006; MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria, 2006; Ludwig Forum für Internationale Kunst, Aachen, Germany, 2006; Deichtorhallen Hamburg, Hamburg, Germany, 2007; Musée d’Art Contemporain de Lyon, France, 2007; Kunstmuseum St. Gallen, Switzerland, 2008

Text by Robert Pfaller; English 304 pages, 28.5 x 22.5 cm, hardcover ISBN 978-3-7757-1866-0

The ridiculous life of a serious man, the serious life of a ridiculous man

Verlag der Buchhandlung König, Cologne, Germany; Kunstraum Innsbruck, Austria, 2006 64 pages, 14,2 x 9,5 cm, hardcover Edition of 1000, numbered ISBN 978-3-86560-120-9



The Idiot

Sala de Exposiciones Canal de Isabel II, Madrid, Spain, 2006 Texts by Edelbert Köb, Elisabeth von Samsonow; English/Spanish 112 pages, 26 x 21 cm, softcover ISBN 84-451-2829-9

Erwin Wurm

MACRO Museo d’Arte Contemporancea, Roma Electa, Milan, Italy, 2005 Texts and interviews with Erwin Wurm by Barbara Coretti, Dobilia Denegri, Danilo Eccher, Claudia Gioia, Virginia Tieri; English/Italian 60 pages, 32 x 24 cm, softcover ISBN 88-370-4306-6

Adorno was wrong with his ideas about art

Museum der Moderne Salzburg Mönchsberg, Salzburg, Austria, 2006 Text by Margit Zuckriegl; German 20 pages, 21 x 14.7 cm, softcover



I love my time, I don’t like my time

Hatje Cantz Verlag, Ostfildern, Germany, 2004; Yerba Buena Center for the Arts, San Francisco, USA, 2004; Contemporary Art Center, Cincinnati, USA, 2005; Rose Museum at Brandes University, Waltham, Massachusetts, USA; 2006; Frye Art Museum, Seattle, USA, 2006 Texts by Geraldine Barlow, Rene de Guzmann, Ralph Rugoff; English

384 pages, 24.7 x 17.2 cm, hardcover ISBN 3-7757-1547-9

Glue your brain

Edizioni Periferia, Lucerne/Poschiavo, Switzerland, 2004; Galleria Gianluca Collica, Catania, Italy, 2004 Interview with Erwin Wurm by Antonella Soldaini; English/German/Italian 80 pages, 25.2 x 20.5 cm, hardcover Edition of 600, 100 copies numbered and signed by Erwin Wurm, special edition of 20 copies with an original drawing

ISBN 978-3-907474-09-9



Cast – Abguss (eine Skulptur)

VerlagderBuchhandlungWaltherKon̈ ig,Cologne,Germany;GalerieAurelScheibler,Cologne,Germany,2003 Text from English/German dictionary; English/German pages, 18.5 x 12.1 cm, softcover Edition of 180, numbered and signed by Erwin Wurm, special edition of 20 copies

ISBN 3-88375-771-3



Noloveistos, Sculptures with embarrassment

Kiasma, Finnish National Gallery, Helsinki, Finland, 2002 Texts by Hans Ulrich Obrist, Jérôme Sans; English/Finnish 48 pages, 24 x 16.8 cm, softcover ISBN 951-53-2442-4 / ISSN 0789-0338

Fat Survival. Handlungsformen der Skulptur

Hatje Cantz Verlag, Ostfildern, Germany, 2002; Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria, 2002; Centre National de la photographie, Paris, France, 2002; Gallerie d’Arte Moderna, Bologna, Italy, 2002; ZKM, Center for Art and Media, Karlsruhe, German, 2003 Texts by Maia Damianovic, Paulo Herkenhoff, Christine Macel, Michael Newman, Jérôme Sans, Peter Weibel; English

280 pages, 29 x 24 cm, softcover ISBN 3-7757-1181-3

Videomundkak, Videoarbeiten 1989-2002

Hungarian Academy of Fine Arts, Budapest, Hungary, 2002 Texts by Dóra Hegyi, Tamá Körösényi; English/Hungarian 12 pages, 14.8 x 21 cm, softcover ISBN 963-7165-18-5



We watch Karin, she watches something else

Onestar Press, Paris, France, 2001 English 196 pages, 22.5 x 14 cm, softcover Edition of 250, 50 copies with a photo by Erwin Wurm



Erwin Wurm

The Photographers Gallery, London, UK; Centre pour l’Image Contemporaine Saint Gervais, Geneva, Switzerland, 2000 Texts by Kate Bush, Michael Newman; English 56 pages, 30.3 x 21.5 cm, hardcover

ISBN 0-907879-59-4

Künstler-Kritisches Lexikon der Gegenwartskunst

WB Verlag, Munich, Germany, 2000 Text by Ulrike Lehmann; German 16 pages, 29 x 20.5 cm ISBN 0934-1730



One Minute Sculptures

Hatje Cantz Verlag, Ostfildern, Germany, 1999; Kunsthaus Bregenz, Bregenz, Austria, 1999; Fonds Régional d’Art Contemporain de Bourgogne, Dijon, France, 1999; CAN, Centre d’art Neuchâtel, Switzerland, 1999 Text by Jérome Sans; English/French/German

296 pages, 31 x 21 cm, softcover ISBN 3-89322-977-9



One Minute Sculptures

Hatje Cantz Verlag, Ostfildern, Germany; INOVA, Institut of Visual Arts, University of Wisconsin, Mildwaukee, USA, 1998 Text by Jérôme Sans, Peter Doroshenko, English/German 112 pages, 20 x 15.5 cm, softcover

ISBN 3-89322-422-X



Erwin Wurm

Galerie Krinzinger, Vienna, Austria; Galerie Tanja Rumpff, Haarlem, Netherlands, 1996 Interview with Erwin Wurm by Hans Ulrich Obrist; German 56 pages, 23.9 x 17 cm, softcover



Erwin Wurm

Ritter Verlag, Klagenfurt, Austria, 1994; Museum moderner Kunst Stiftung Ludwig, Vienna, Austria; Kunstmuseum St. Gallen, Switzerland; Kunstverein Freiburg, Germany Texts by Stephan Berg, Rainer Fuchs, Lóránd Hegyi, Jérôme Sans, Andreas Spiegl, Laura Trippi, Roland Wäspe; English/German

152 pages, 28 x 22 cm, softcover ISBN 3-85415-151-9


Hatje Cantz Verlag, Ostfildern, Germany, 1994; Kölnischer Kunstverein, Cologne, Germany Texts by Udo Kittelmann, Andreas Spiegl; English/German 56 pages, 20 x 15.6 cm, softcover ISBN 3-89322-281-2



Erwin Wurm

Kunstverein Hamburg, Hamburg, Germany; Villa Arson, Nice, France, 1993 Text by Peter P. Lawson; French/German 32 pages, 20.6 x 14.8 cm, softcover



Wiener Zimmer

Wiener Secession, Vienna, Austria, 1991 Texts by Manuel Clot, Gary Dufour, Edelbert Köb, Otmar Rychlik, Barbara Steiner; German 80 pages, 25 x 23.8 cm, softcover ISBN 3-900803-37-4


Neue Galerie am Landesmuseum Joanneum, Graz, Austria, 1991; Text by Wildfried Skreiner; German 6 pages, 21.1 x 20 cm

Erwin Wurm

Trans-Avant-Garde Gallery, San Francisco, USA, 1991 Text by Jack Hanley; English 8 pages, 21.8 x 13.8 cm, softcover

Erwin Wurm

Walter Buchebner-Gesellschaft, Mürzzuschlag, Austria, 1991 20 pages, 24 x 17 cm, softcover



Erwin Wurm

Neue Galerie am Landesmuseum Joanneum, Graz, Austria, 1990; Aperto 90, Venice Biennale, Italy, 1990; Kärntner Landesgalerie, Klagenfurt, Austria, 1990 28 pages, 25.7 x 21 cm, softcover

Public and private collections


Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD



Kunsthaus Bregenz, Bregenz

Neue Galerie Graz - Universalmuseum Joanneum, Graz

Essl Museum, Klosterneuburg

Museum Liaunig, Neuhaus

Museum der Moderne - MdM Rupertinum, Salzburg

Österreichischer Skulpturenpark, Unterpremstätten

Albertina, Vienna

Bank Austria Kunstforum, Vienna

Österreichische Galerie Belvedere, Vienna

Generali Foundation, Vienna

Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna

Sammlung Ploner, Vienna

Volpinum Kunstsammlung, Vienna



FRAC - Franche-Comté, Besançon

FRAC - Bourgogne, Dijon

FRAC - Limousin, Limoges

FRAC - Provence-Alpes-Côte d’Azur, Marseille

FRAC - Languedoc-Roussilon, Montpellier

FRAC - Ile-de-France Le Plateau, Paris

Centre Pompidou - Musée National d´Art Moderne, Paris



Neues Museum Weserburg Bremen, Bremen

Sammlung Alison & Peter W. Klein, Eberdingen-Nussdorf



Galleria d´Arte Moderna di Bologna - GAM, Bologna

Nomas Foundation, Rome



NMAO National Museum of Art Osaka, Osaka



Ellipse Foundation, Alcoitão



Kunstmuseum St.Gallen, St. Gallen



The West Collection, Oaks, PA