Jules de Balincourt

Jules de Balincourt

Jules de Balincourt was born in 1972 in Paris and moved to the United States with his family in the early 1980s. He lives and works in Brooklyn (NY). De Balincourt’s painting can be interpreted on several different levels. The image is always an encounter and an invitation to escape, going from pure utopia to dystopia. De Balincourt moves through space, zooming in on details that attract his attention, as what he himself calls “a tourist of globalisation who consumes culture visually and intellectually and conveys or disseminates his personal visions by means of images.” As our gaze moves around these interior images that are like archives of the artist’s visions, it is up to us to constitute an imaginary world based on these selected fragments. We go from abstract elements to figurative details, experiencing a great sense of energy and intense feelings, but where one painting offers harmony, another may slide into chaos.
Jules de Balincourt is interested in the twofold, physical and metaphysical properties of the images that surround us. They are taken from political, social or religious contexts and endowed with a new coherence by the artist, who makes the most of their paradoxes. In some of the canvases, the real is dissolved by pixellisation, evoking another way in which everyday images are appropriated in the digital age.

Solo exhibitions


We Come Together at Night, Galerie Thaddaeus Ropac, Salzburg, Austria



Stumbling Pioneers, Gallery Victoria Miro, London, UK



As Far West As We Could Go, Kasseler KunstVerein, Friedericianum, Kassel, Germany



Focus: Jules de Balincourt, Modern Art Museum of Fort Worth, Fort Worth, Texas, USA

Blue Hours, Galerie Thaddaeus Ropac, Paris, France

Misfit Island, Rochechouart Museum of Contemporary Art, Rochechouart, France



Musée des Beaux Arts de Montréal, Montréal, Canada

Itinerant Ones, Victoria Miro, London, UK



Parallel Universe, Maramotti Collection, Reggio Emilia, Italy

Ecstatic Contact, Salon 94, New York, NY, USA

An Honest Statement, Espace Louis Vuitton, Hong Kong, China



Worlds Together, Worlds Apart - Galerie Thaddaeus Ropac, Paris, France



Premonitions, Deitch Projects, New York, NY, USA

Jules de Balincourt, Mori Museum of Art, Tokyo, Japan



Malpais, Galerie Thaddaeus Ropac, Paris, France

Jules de Balincourt, Vanderbilt University Fine Arts Gallery, Nashville, Tennessee, USA



Unknowing Man's Nature, Zach Feuer Gallery, New York, NY, USA

allweweresayingwasgivepeaceachance, Mario Diacono at Ars Libri, Boston, Massachusetts, USA



Jules de Balincourt, Arndt and Partner, Berlin, Germany



This is Our Town, Zach Feuer Gallery (LFL), New York, NY, USA



Armory Show / LFL Gallery, New York, NY, USA



Land of Many Uses, LFL Gallery, New York, NY, USA

Jules de Balincourt, Allston Skirt Gallery, Boston, Massachusetts, USA



Jules de Balincourt, Space 743, San Francisco, California, USA

Jules de Balincourt, Perch Contemporary, Santa Barbara, California, USA



Jules de Balincourt, Soapbox Gallery, Venice, California, USA


Group exhibitions


Jules de Balincourt, Stephan Balkenhol, Alex Katz, Monica de Cardenas, Zuos, Switzerland

Space Age, Galerie Thaddaeus Ropac, Pantin, France

20 + 2 years, Arndt Berlin, Berlin, Germany

Metropolis : Paintings of the Contemporary Urban Landscape, Edward Tyler Nahem Fine Art, New York, NY, USA



Eurasia: A View on Painting, Galerie Thaddaeus Ropac, Pantin, France

Another Place, Hunter College Alumni Show, New York, NY, USA



LAT. 41° 7' N., LONG. 72° 19' W, Martos Gallery, New York, NY, USA

Something About a Tree, Flag Art Foundation, New York, NY, USA

La Belle Peinture 2, Institut Français de Slovaquie, Bratislava, Slovaquie

Cinematic Visions : Painting at the Edge of Reality, Victoria Miro, London, UK

L'ange de l'histoire, Palais des Beaux-Arts, Paris, France

Disaster / The End of Days - Galerie Thaddaeus Ropac, Pantin, France

Brooklyn Artists Ball, Brooklyn Museum, Brooklyn, NY, USA

Chicken or Beef?, The Hole, New York, NY, USA



Painting as Radical Form, Collezione Maramotti, Reggio Emilia, Italy

Pothole, Salon 94 Bowery, New York, NY, USA


Visions, Monica De Cardenas, Milan, Italy.                

The 2011 Bridgehampton Biennial, Martos Gallery, Bridgehampton, NY, USA

New York Minute, Garage Center for Contemporary Culture, Moscow, Russia

We Regret To Inform You There is Currently No Space Or Place For Abstract Painting, Martos Gallery, New York, NY, USA

Facemaker, Royal/T, Los Angeles, California, USA



Not Quite Open for Business, The Hole, New York, NY, USA

Looking Back / The Fifth White Columns Annual, White Columns, New York, NY, USA

The Cannibal's Muse, Patricia Low Contemporary, Geneva, Switzerland

The Secret Lives of Trees, Monica de Cardenas, Milan, Italy



10th Havana Biennial, Museo Nacional de Bellas Artes, Havana, Cuba

Return to Function - Madison Museum of Contemporary Art, Madison, Wisconsin, USA

Transitions.  Painting at the (other) End of Art, Collezione Maramotti, Reggio Emilia, Italy

New York Minute, MACRO Museum of Contemporary Art, Rome, Italy



21: Contemporary Art at the Brooklyn Museum, Brooklyn Museum of Art, Brooklyn, NY, USA

Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York, NY, USA

Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985-2007, White Columns, NY, USA

Eastern Standard, MASS MoCA, North Adams, Massachusetts, USA



Eastern Standard, MASS MoCA, North Adams, Massachussets, USA

Past, Present, Future Perfect: Selections from the Ovitz Family Collection,  H+R Block Artspace, Kansas City, Missouri, USA

Artists of Invention: A Century of CCA, Oakland Museum, Oakland, California, USA

Art in America: 300 Years of Innovation, Guggenheim Bilbao, Spain

USA TODAY, The Hermitage, St. Petersburg, Russia

When We Build Let Us Think That We Build Forever, Baltic Centre for Contemporary Art, Gateshead, UK

Phantasmania, Kemper Art Museum, Kansas City, MissouriUSA

Poets on Painters, Ulrich Museum, Wichita, Kansas, USA

Art in America: 300 Years of Innovation, Shanghai Museum, Shanghai, China. Organized by the Solomon R. Guggenheim Museum

Five Painters, Gallery Loyal, Stockholm, Sweden

Prague Biennial 3, Prague, Czech Republic




New York Contemporary: Art Times Squared, Hangart -7, Salzburg, Austria

Our Town, HUT Hudson Untitled Foundation, Hudson, NY, USA

Reverance, Hudson Valley Center for Contemporary Art, Peekskill, NY, USA

Collection 2005/06, Galerie Rodolphe Janssen, Brussels, Belgium

Metro Pictures, The Moore Space, Miami, Florida, USA

Don't Abandon the Ship, Allston Skirt Gallery, Boston, Massachusetts, USA

USA TODAY, Royal Academy of Arts, London, UK

The Wrong Gallery, at The Whitney Biennial, Whitney Museum of American Art, New York, NY, USA

Humor Me, H&R Block Artspace at the Kansas City Art Institute, Kansas City, Missouri, USA

Notre histoire...,  Palais de Tokyo, Paris, France



Greater New York, PS1/MOMA, Queens, NY, USA



Trunk of Humors, Deitch Projects, New York, NY, USA

4 und 4, Muller DeChiara, Berlin, Germany

The Dreamland Artist Club, Creative Time / Coney Island, New York, NY, USA

True Stories, Johnson City Comm. College Art Gallery, Overland Park, Kansas, USA

Collection (or How I Spent a Year), PS1/MOMA, New York, NY, USA

Rowdy Remix, ATM Gallery, New York, NY, USA

American Stars 'n Bars, Chapman University Guggenheim Gallery, Orange, California, USA



Summer Jam, Peres Projects, Los Angeles, California, USA

College Art Association MFA Selection Exhibition, New York, NY, USA

Today's Man, John Connelly Presents, New York, NY, USA

My people were fair and had cum in their hair (but now they're content to spray stars from your boughs), Team Gallery, New York, NY, USA



Brooklyn Front, Other Routes (Mixed Greens), Brooklyn, NY, USA

Art Hut, Nutty, San Francisco, California, USA



Southern Exposure, 15th Annual Hospitality House, San Francisco, California, USA






Alfred University, School of Art and Design, Alfred, NY, USA

New York Studio School, New York, NY, USA

Bronx Museum AIM Program, Bronx, NY, USA

AICAD, New York Studio Residency Program, Brooklyn, NY, USA

Concordia University, Montreal, Canada



Purchase College, SUNY, School of Art + Design, Purchase, NY, USA

The University of Iowa, School of Art and Art History, Iowa City, Iowa, USA

Rhode Island School of Design, Providence, Rhode Island, USA

University of Pennsylvania, Philadelphia, Pennsylvania, USA

Brooklyn College, Brooklyn, NY, USA



Columbia University, New York, NY, USA



Brigham Young University, Provo, Utah, USA



Michigan State University, East Lansing, Michigan, USA



Pratt Institute, Brooklyn, NY, USA



Virginia Commonwealth University, Richmond, Virginia, USA

Vanderbilt University, Nashville, Tennessee, USA

University of Tennessee, Knoxville, Tennessee, USA



Kansas City Art Institute, Kansas City, Missouri, USA

Yale University, New Haven, Connecticut, USA

University of Chicago, Chicago, Illinois, USA



California College of Art, San Francisco, California, USA

School of Visual Arts, New York, NY, USA



New York University, New York, NY, USA





Vidal, Pauline. “Jules de Balincourt, l’utopiste désenchanté,” Le Journal des Arts, No 412, April 25, 2014.
Jover, Manuel. “Jules de Balincourt, ou New York à Paris,” Connaissance des Arts, Issue May 2014.
Ramade, Bénédicte. “Jules de Balincourt: Parcours sans faute,” L’œil, Issue May 2014.
Magrini, Véronique. “Oh! Happy days!”, Parcours des Arts, April/June 2014, Cannes, France.
Galli, Marta. “The Last Utopia,” Muse Magazine, Issue #37, 2014.



Wullschlager, Jackie. “Jules de Balincourt, Victoria Miro, London – Review,” Financial Times, November 24, 2013.
Searle, Adrian. “Jules de Balincourt: the Hitchcock of the painting world,” The Guardian, November 19, 2013.
Bommel, Sylvie. “Des Toiles et des Milllions,” Le Parisien Magazine, May 31, 2013, pg. 7, 12-13.
Brisick, Jamie. “Between Strokes,” The Surfer’s Journal, Volume 22, Number 3, June-July 2013, pg. 40-47.
Pancotto, Pier Paolo. “Jules de Balincourt: Collezione Maramotti,” Art Forum, Vol. 51, No. 7, March 2013, pg. 292-293.
Cover of Flash Art (Jules de Balincourt, Power Flower, 2010.), Italian Edition, February 2013.
“Jules de Balincourt: New York Primitivism,” Elephant Magazine, Issue #13, Winter 2012-2013, pg. 120-131, back cover.
“Spotlight Artist: Jules de Balincourt,” Harvard Business Review, January-February 2013, pg. 3, 6-7,16-17, 57, 61, 66-67.
Saltz, Jerry. “Touch of a Master,” New York Magazine, January 7, 2013, pg. 79.
Kerr, Merrily. “Jules de Balincourt, ‘Ecstatic Contact,’” TimeOut New York, Issue 890, January 4, 2013, pg 44.



“The Lookout: A Weekly Guide to Shows You Won’t Want to Miss,” Art in America (online), November 29, 2012.
Russell, Andrew. “Read All Over: At Sikkema Jenkins, Mark Bradford’s Medium Is the Message; at Salon 94 Bowery, Jules de Balincourt Is Out at Sea,” The New York Observer (online), October 30, 2012.
D’Acquisto, Germano. “Jules de Balincourt,” Marie Claire, October 2012, pg. 200-205.
Brisick, Jamie, “Free Association: The Paintings of Jules de Balincourt,” Malibu Magazine, September 2012, vol. 10, issue 5, pg. 88-95.
Cashdan, Marcia, “Friends Indeed: New Shows at Salon 94 Bowery and The Hole,” New York Times Magazine Online, June 13, 2012.
Cotter, Holland, “The Latest Vibe Moved to Brooklyn: Bushwick Open Studios,” New York Times, June 7, 2012.



Cover of FlashArt, July-September, 2011

De Maulmin, Valerie, “Le Cas Balincourt,” Connaissance des Arts, July/August 2011.

“Et le gagnant estÉJules de Balincourt,” L’Oeil #635, May 2011.

Halimi, Serge, “Ne rougissez pas de vouloir la lune,” LE MONDE diplomatique, July 2011.

“Jules de Balincourt,” FigaroScope, June 15, 2011.

“Jules de Balincourt,” L’Express, June 1, 2011.

“Jules de Balincourt: The story behind an artwork, in the artist’s own words,” Modern Painters, Summer 2011.

“Le recordman,” L’Express Styles, June 22, 2011.

Unger, Melissa, “De Balincourt: La Conquete de Nouveaux Far West,” artnet.com, June 2011.

Wallin, Yasha, “Painting the World: Q+A With Jules de Balincourt,” Art in America Online, June 20, 2011.



Viveros-Faune, Christian, “Go Figure: Jules de Balincourt’s ‘Premonitions’,” The Village Voice

April 13 2010.

Wolf, Rachel, “Strong Language: Jules de Balincourt’s Dynamic Visual Lexicon is as Ecclectic as it

is Daring,” Modern Painters April 2010.

Wolff, Rachel, “Jules de Balincourt,” Art and Auction February 2010.



Egan, Maura, “Jules de Balincourt,” Elle Décor June 2009: 42.

Lee, Carol, “The New Irascibles,” Paper October 2009: 44-45, 60-61.

“New York Artists Dictionary/Part I,” Flash Art January-February 2009: 75.

Pieroni, Paul, “Young Americans,” ArtWorld December 2008/January 2009: 48-51.

Urbina, Ian, “Havana Biennial, in Which Chelsea Takes a Field Trip to Cuba,” The New York Times

April 1 2009.

Wolff, Zoe, “Spike Jonze and Jules de Balincourt – This Is The Shirt They Wear,” TAR Spring 2009 Issue no. 2: 210-219.



Allsop, Laura, “Evil Under The Sun: Jules De Balincourt,” Artreview June 2008.

Allsop, Laura and Jessika Green, “Consumed,” Art Review April 2008.

“Artists’ Choice: Top 100 Galleries.” Flash Art January / February 2008.

Dagen, Philippe, “Jules de Balincourt et ses collisions d’images picturales pour une utopie urbaine,” Le Monde June 26, 2008.

DeBalincourt, Jules, “Focus: Painting,” Flash Art November-December 2008: 48.

“Elle à Paris agenda,” Elle June 9 2008.

Falconer, Morgan, “Jules de Balincourt,” Art World December 2007/January 2008: 78-81.

Falconer, Morgan, “Zach Feuer,” Art World April / May 2008.

Lentini, Lara Kristin, “Jules de Balincourt,” Art Papers January / February 2008.

“Les nouveaux élus des ventes publiques,” La Vie financière, Le Monde, July 2008.           

Mayer, Arno J. “Les présidents changent, l’empire américain demeure” Le Monde diplomatique,

September 2008: 14-15.                              

Pieroni, Paul. “Young Americans” ArtWorld December 2008/January 2009: 48-51.

“Special Project/ Progetto speciale; Jules De Balincourt.” Tema Celeste January/February 2008: 58–

63, 2007.    



Bedford, Christopher, “Critic’s Picks: Jules de Balincourt,” Artforum.com September 22, 2007.   

DeBalincourt, Jules, “About Last Night,” V Magazine Spring Preview #45 2007: 56.

Dupuis, Isabelle, “Jules de Balincourt,” Flash Art November/December 2007: 108.

Falconer, Morgan, “Jules de Balincourt,” Art World December 2007/January 2008: 78-81.

“Jules de Balincourt,” The New Yorker September 24, 2007: 62.

McQuaid, Cate, “From Intimacy to Abstraction,” The Boston Globe 25 January 2007.

“Medium cool,” Time Out New York September 6-12, 2007.

Pollack, Barbara, “Jules de Balincourt,” Art News November 2007: 224.

“Power 100: 94. Zach Feuer,” Artreview November 2007.

Pricenthal, Nancy, “Jules de Balincourt at Zach Feuer,” Art in America December 2007: 151-152. Rosenberg, Karen, “Unknowing Man’s Nature,” The New York Times September 14 2007: E41. Ryzik, Melena, “And Attitude Too,” NYTimes.com UrbanEye Newsletter September 6, 2007.

Spade, Andy, “Across the Multiverse,” CITY September 2007: 60-63.

Viveros-Faune, Christian, “Youth is a Prize (Price?) in Chelsea,” The Village Voice September 25 2007.

Wehr, Anne, “Jules de Balincourt,” Time Out New York September 20-26, 2007: 83.



Asthoff, Jens, "Jules de Balincourt,” artforum.com, February 27, 2006.

De Ruyter, Thibaut, "The Realistic Naivety of Jules de Balincourt," art press No. 320, February

2006: 30-33.

Ellis, Patricia, “Catching up with Charles (Saatchi),” Flash Art October 2006.

Finkel, Jori, “Tales from the Crit,” The New York Times April 30, 2006.

Hottinger-Behmer, Stephan, “Art Basel,” V Man Fall 2006: 88.

Meixner, Christiane, "Jules de Balincourt," Die Welt 25 February 2006: 22.

“Power 100: 70. Zach Feuer,” Artreview November 2006.

Reynolds, Nigel, “Saatchi is ready for another sensation at the RA,” The Telegraph April 5, 2006.

Ruthe, Ingeborg, "Gewissheit ist absurd," Berliner Zeitung No. 29, February 3, 2006: 25.

Sischy, Ingrid, “The New New York School,” Vanity Fair December 2006.

Völzke, Daniel, "Der fremde Strand," Der Tagesspiegel No. 19 094, 4 February 2006.



Berwick, Carly, "Where the scenes are,” New York Magazine March 7, 2005: 38-39.

Boucher, Brian, “Jules de Balincourt at Zach Feuer,” Art In America May 2005: 165.

Eleey, Peter, "Greater New York," Frieze May 2005.

Featured Artwork, Harper's November 2005.

Featured Artwork, Metropolis M no. 3, 2005: 55.

Fitch, Andy, "30 Artists in 30 word," N+1 Magazine online July 2005.

Halle, Howard, “Jules de Balincourt ‘This Is Our Town’,” Time Out New York March 31– April 6,

2005: 63.

Heartney, Eleanor, "Return to the Real?" Art in America June/July 2005: 84-89.

Howe, Jeff, “Paint by Numbers,” Wired April 2005: 88.

“Jules de Balincourt,” K48 no. 5, K48 is an animal, 2005.

“Jules de Balincourt,” The New Yorker March 28, 2005.

Kimmelman, Michael, “This Is Your Brain On Pause,” The New York Times April 3, 2005.

Kunitz, Daniel, “Meet the New Folk,” ArtReview April 2005: 44-45.

Lipton, Shana Ting,’A Postcard from Jules de Balincourt,” Blackbook Spring/Summer 2005: 34.

Miller, Francine Koslow, "When Politics Become Form," Tema Celeste July/August 2005: 38-43. Miller, Ken. “King of Art: Jules de Balincourt.” Tokion November / December 2005.

Mullins, Charlotte, “False Sense of Security,” Financial Times August 13, 2005.

Powhida, William, “Jules de Balincourt,” The Brooklyn Rail April 2005: 25.

Ratner, Megan, “Jules de Balincourt,” Frieze May 2005.

Rosenberg, Karen, “Artists on the Verge of a Breakthrough,” NY Magazine March 7, 2005: 34.

Sayej, Nadja, “Jules de Balincourt." The New York Art World April 2005.

Schwendener, Martha, “Jules de Balincourt,” Artforum.com March 18, 2005.

Wilson, Michael, “Scene and Heard: Beer for Peers,” artforum.com March 16, 2005.



“I Nuovissimi Di New York,” Flash Art June/August 2004: 86.

Levin, Kim, “Shortlist: The Dreamland Artist Club,” The Village Voice June 9-15, 2004: 48.

“Listings,” Time Out New York January 22-29, 2004: 58, 60.

Mar, Alex, “Art Appreciation: Artist Pension Trust,” Artforum November 2004: 85-86.

“P.S. 1 Contemporary Art Center,” The New Yorker March 8, 2004: 16.

Stillman, Nick, “Rowdy Remix / ATM Gallery,” artforum.com June 17, 2004.

Zieher, Scott. “Merry-go-rounds, but no rollercoasters.” Art Review Spring 2004: 37-38, 2003.    

Johnson, Ken, “Jules de Balincourt, LFL Gallery,” The New York Times May 30, 2003.

Johnson, Ken, “My People Were Fair,” The New York Times October 31, 2003.

Levin, Kim, “Short List: Jules de Balincourt, Land of Many Uses,” The Village Voice May 28, 2003.

Pollack, Barbara, “The New Visionaires,” Art News December 2003: 92-97.

Saltz, Jerry, “Babylon Rising,” The Village Voice Sptember 10, 2003: 97.

Saltz, Jerry, “Burn, Baby, Burn,” The Village Voice June 3, 2003.

Schambelan, Elizabeth, “Jules de Balincourt, LFL Gallery,” artforum.com May 27, 2003.

Smith, Roberta, “The Art and Artists of the Year,” The New York Times December 28, 2003: AR37.



Gilbert, Rick, “Jules de Balincourt at Soapbox,” Artweek February 2000: 1, 20.






As Far West As We Could Go (exhibition catalogue), Kasseler KunstVerein, Friedericianum, Kassel, Germany, 2014.



Eurasia. A View on Painting (exhibition catalogue). Paris: Galerie Thaddaeus Ropac, 2014



Jules de Balincourt, Rizzoli/Skira, New York, NY, 2013.
Hawk & Handsaw: The Journal of Creative Sustainability, Volume 6, Unity College, Maine, 2013: 24-27, 46.
Bellavita, Alessandra and Séverine Waelchli. Disaster / The End of Days. Galerie Thaddaeus Ropac, Paris/Salzburg, March 2013: 36-37.



Jules de Balincourt: Parallel Universe. Collezione Maramotti, Silvana Editoriale, Milan, September 2012.
Diacono, Mario. Archetypes and Historicity: Paintings and Other Radical Forms 1995-2007, Collezione Maramotti/Silvana Editoriale, 2012: 289-291, ill. 90, 91.



Johnson, Ken. Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art

New York: Prestel USA, June 2011.



McSweeney’s 36, San Francisco: McSweeny’s 2010: book cover and interior box art.

art actuel, “Jules De Balincourt,” July-August, 2010: 48.



Diacono, Mario, “Transitions. Painting at the (other) End of Art,” Collezione Maramotti, 2009.

Halliwell. Martin and Catherine Morley, American Thought and Culture in the Twenty First Century, Edinburgh University Press, 2009.

Harmon, Katharine, The map as art : contemporary artists explore cartography Princeton Architectual Press, 2009: book cover and p. 59.

New York Minute: Sixty Artists on the New York Scene. New York: O.H.W.O.W., 2009.

Nickas, Bob, Painting Abstraction: New Elements in Abstract Painting, London: Phaidon, 2009

Selby, Aimee, Art and Text, Black Dog Publishing, 2009: 91, 143.

Simon, Jane (et al.), Return to Function, Madison: Madison Museum of Contemporary Art 2009: 12.



Art: Over 2,500 Works from Cave to Contemporary, DK Publishing, 2008.

Bourriaud, Nicolas, Jules de Balincourt: Malpais, Paris: Galerie Thaddaeus Ropac, 2008.

Danto, Arthur and Matthew Higgs, Ivan Karp, Artists of Invention, California College of the Arts, 2008.

King, Ross, Art: The Definitive Visual Guide, DK Publishing, 2008: 395, 594.

Nickas, Bob, Theft is vision, Zurich: JRP/Ringier, 2008.

Signs of the Apocalypse/Rapture, Chicago: Front Forty Press, 2008.

Pasternak, Anne and Lucy Lippard, Creative Time: The Book, Princeton: Princeton Architectural, Press, 2008.



Art in America: 300 Years of Innovation, Shanghai: Shanghai Museum, 2007.

Fanta smania. Kansas City, MO: Kemper Museum of Contemporary Art, 2007.

Hsu, Helen, Art in America Now, Shanghai: Museum of Contemporary Art, 2007: 89.

Poets on Painters, Wichita, KS: Ulrich Museum of Art, 2007.

Prague Biennial 3, Prague: Prague Biennial, 2007.



Mullins, Charlotte, Painting People: Figure Painting Today, London: Thames and Hudson, 2006.

New York Contemporary: Art Times Squared. Salzburg: Hangar 7, 2006.

Notre Histoire, Paris: Palais de Tokyo, 2006.

USA Today: New American Art from the Saatchi Gallery, London: Royal Academy of Art, 2006.



de Balincourt, Jules, Personal Survival Doom Buggy: Users Manual and Equipment Guide, New York: Zach Feuer Gallery, 2005.  

Biesenbach, Klaus, Greater New York 2005, New York: P.S.1 Contemporary Art Center/MoMA,

2005: 74-75.

Deitch, Jeffrey and Kathy Grayson, Live Through This: New York 2005, New York: Deitch

Projects, 2005.

Lilja, Martin, Kristian Bengtsson, and Amy Giunta, Loyal and His Band, Stockholm: Loyal AB, 2005.

Nickas, Bob, Jules de Balincourt, New York: Volume Gallery, 2005.



Nickas, Bob, Collection (Or How I Spent a Year), Zurich: JRP/Ringier, 2004.

Public and private collections

Musée départemental d'art contemporain de Rochechouart, Rochechouart, France

Montreal Museum of Fine Arts, Montreal, Canada

Collezione Maramotti, Reggio Emilia, Italy

Brooklyn Museum, Brooklyn, New York, USA

Los Angeles County Museum of Art, Los Angeles, California, USA

MaRT, Museo di arte moderna e contemporanea di Trento e Rovereto, Roverteo, Italy

Museum of Contemporary Art, Los Angeles, California, USA

Oppenheimer - JCCC Collection for the Nerman Museum of Contemporary Art, Overland Park, Kansas, USA