Liza Lou

Liza Lou

Liza Lou was born in New York City in 1969 and she now lives and works in Los Angeles and KwaZulu-Natal, South Africa. Lou’s work has captivated audiences since her first major sculpture, Kitchen—a life-size room covered entirely with glass beads was exhibited at the New Museum of Contemporary Art in New York in 1996. Over the past twenty years, Lou has explored themes of American popular culture in room-size sculptures and environments such as Kitchen (1991-1996), American Presidents (1995-2000), Back Yard (1996-1999), Trailer (1998-2000), Security Fence (2005), Cell (2004-06) and Maximum Security (2007-08). The tension created between seductive surfaces, often challenging subject matter and the artist’s labor-intensive processes invites viewers to experience the work at both the level of visual wonder and critical analysis. Recent work includes abstract meditations on process and form in works such as Gather (one million) 2008-10, a shimmering harvest of gold, and wall mounted sculptures that explore the canvas as object, and the beauty of imperfection.



Anonymous Was a Woman Artist Award 



John D. and Catherine T. MacArthur Foundation Fellowship



Virginia Groot Foundation Award

Solo exhibitions


The Waves, Galerie Thaddaeus Ropac, Salzburg, Austria



Liza Lou: Gather (One Million), Wichita Museum of Art, Kanas, USA

Color Field and Solid Grey, Neuberger Museum of Art, Purchase, NY



Canvas, Goodman Gallery, Johannesburg, South Africa

ixube, Galerie Thaddaeus Ropac, Paris, France

Solid/Divide, White Cube, Bermondsey, London, England



Liza Lou : Color Field, Museum of Contemporary Art, San Diego, California, USA



Liza Lou, White Cube, Hoxton Square, London

Liza Lou : Let the Light In, SCAD Museum of Art, Savannah, Georgia



Let the Light In, SCAD Museum of Art, Savannah, Georgia Liza Lou, L&M Arts Los Angeles, Los Angeles [cat.]

Liza Lou, L&M Arts Los Angeles, Los Angeles [cat.]



American Idol, Galerie Thaddaeus Ropac, Paris, France

Liza Lou Drawings, Galerie Thaddaeus Ropac, Paris, France



Liza Lou, L&M Arts, New York, NY

Liza Lou, Maximum Security, Lever House, New York, NY



Liza Lou, White Cube, London



The Damned, Galerie Thaddaeus Ropac, Paris



Testimony, Deitch Projects, New York, NY

Liza Lou, Museum Kunst Palast, Düsseldorf

Leaves of Glass, Henie Oslo Kunstsenter, Oslo [exh. cat.]



Liza Lou II, Bass Museum of Art, Miami, FL

Trailer, Southeastern Contemporary Art Center, Winston-Salem, North Carolina



American Presidents 1-43, Renwick Gallery, Smithsonian Institution of American Art, Washington DC

Liza Lou, Akron Art Museum, Akron, OH



American Glamorama, Grand Central Terminal, Vanderbilt Hall, New York, NY

Kitchen, Contemporary Arts Center, Cincinnati, OH

American Presidents, Contemporary Arts Center of Virginia, Virginia Beach, VA

Kitchen, University of Wyoming Art Museum, Laramie, WY



Liza Lou, Bass Museum of Art, Miami Beach, FL
Portrait Gallery, Aspen Art Museum, Aspen, CO

Liza Lou, Kemper Museum of Contemporary Art, Kansas City, MO

Kitchen and Back Yard, Santa Monica Museum of Art, Santa Monica, CA [exh. cat.]

Back Yard, Fundacio Joan Miró, Espai 13,Barcelona

Portrait Gallery, P.P.O.W., New York, NY

Most Admired Disorder, Haines Gallery, San Francisco, CA



Liza Lou, Hudson River Museum of Westchester, Yonkers, NY

Liza Lou, California Center for the Arts Museum, Escondido, CA

Liza Lou, Quint Gallery, La Jolla, CA



Kitchen, Minneapolis Institute of Arts, Minneapolis, MN

Forty-two American Presidents, Quint Gallery, La Jolla, CA

Liza Lou, Capp Street Project, San Francisco, CA

Liza Lou, Center for Creative Studies, Detroit, MI



Socks and Underwear, Franklin Furnace, New York, NY



Kitchenette, California State University Art Gallery, Fullerton, CA


Solo performances



Smith College Art Museum, Northampton Center for the Arts, Northhampton, 7 November

Carnegie-Mellon University Art Museum, Watson Performance Festival, Philip Chosky Theatre, Pittsburgh, 7 September

CCA, Wattis Institute for Contemporary Art, Watson Performance Festival, San Francisco, 8 April



Deitch Projects, New York 13, 21, 28 October

Santa Barbara Contemporary Art Forum, Center Stage Theatre, Santa Barbara, 12 July

Les Deux Cafés, Hollywood 21, 22 June

Museum Kunst Palast, Düsseldorf, Germany 21 April



Cal State Fullerton Gallery, Fullerton, CA

Group exhibitions


Material ConsiderationsJohn Berggruen Gallery, San Francisco, CA


Painting @ the Very Edge of Art, Contemporary Art Galleries, University of Connecticut, CT 

Edge of Silence, Goodman Gallery, Cape Town, South Africa

Patterns of Abstraction, John Berggruen Gallery, San Francisco, CA

ENDLESS, Keitelman Gallery, Brussels, Belgium

Other People’s Memories, Goodman Gallery, Johannesburg, South Africa 



Stories of Espai 10 and Espai 13, Fundació Joan Miró, Barcelona, Spain

Surfacing, Goodman Gallery, Cape Town, South Africa

Sleight of Hand: painting and illusion, San Jose Museum of Art, San Jose, California



30 Years, Salzburg Villa Kast and Halle, Galerie Thaddaeus Ropac, Salzburg

Disaster - The End of Days, Galerie Thaddaeus Ropac, Paris-Pantin

Turn off the Sun: Selections from la Colección Jumex, ASU Art Museum, Phoenix,

The C of O Show, Kresge Gallery, Berrie Center for Performing and Visual Arts, New Jersey

La Belle est la Bête, L’Institut Culturel Bernard Magrez, Bordeaux, France



Lightness?, Maison particulière, Brussels, Belgium

Advance/Notice, Goodman Gallery, Johannesburg, South Africa

Artist Talk, SCAD Museum of Art, Savannah, Georgia

Strange Beauty : Baroque Sensibilities in Contemporary Art, I.D.E.A Space, Colorado College, Colorado Springs, Colorado

Demo, L&M Arts, Venice, California

The Female Gaze : Women Artists Making Their World, Pennsylvania Academy of Fine Arts, USA



Memories of the Future, The Olbricht’s Collection, curated by Wolfgang

Schoppmann, La Maison Rouge, Paris

Strange Beauty: Baroque Sensibilities in Contemporary Art, I.D.E.A Space, Colorado Springs, Colorado

Invitational Exhibition of Visual Arts, Academy of Arts and Letters, New York

January White Sale, Loretta Howard Gallery, New York 



Now What?, Norton Museum of Art, West Palm Beach, Florida

The Artist's Museum, Museum of Contemporary Art, Los Angeles, CA

Make Craft, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles

Skin Fruit: Selections from the Dakis Joannou Collection, Curated by Jeff

Koons, New Museum, New York, New York

Kupferstichkabinett: Between Thought and Action, White Cube Gallery,London, England

19th Century and Modern Art, Metropolitan Museum of Art, New York

Selections from the Permanent Collection, Cleveland Museum of Art, Cleveland

Lust for Life, Dance of Death, Olbricht Collection, Kunsthalle Krems, Austria



Diana und Actaeon: Der Verbotene Blick Auf Die Nacktheit, Musuem Kunst Palast, Düsseldorf [cat.]



Bizarre Perfection, Israel Museum, Jerusalem, Israel

In the Land of Retinal Delights, Laguna Art Museum, Laguna, CA

Innovations In The Third Dimension: Sculpture Of Our Time, Bruce Museum, Greenwich, CT



The Contemporary Self-Portrait, Galerie Thaddaeus Ropac, Salzburg, Austria

The Complexity of the Simple, L&M Arts, New York

Rockers Island—Olbricht Collection, Museum Folkwang, Essen, Germany

The Death Instinct, The Haifa Museum of Art, Israel



Transitional Objects: Contemporary Still Life, Neuberger Museum of Art, Purchase College, State University of New York, NY

Collection of the Fondation Cartier pour l’art contemporain, Museum of Contemporary Art, Tokyo, Metropolitan Kiba Park, Tokyo, Japan




Translation, Works from the Dakis Joannou Collection, Palais de Tokyo, Paris

Over + Over: Passion for Process, Krannert Art Museum, University of Illinois at Urbana-Champaign; Katonah Museum of Art, Katonah; Addison Gallery of American Art, Phillips Academy in Andover



Monument to Now, Deste Foundation for Contemporary Art, Athens, [exh. cat.]

Splat, Boom, Pow: Cartoons in Contemporary Art, Contemporary Art Museum, Houston; ICA,

Boston and Wexner Center for the Arts, Ohio [exh. cat.]

Domestic Odyssey, San Jose Museum of Art, San Jose, [exh. cat.]



Undomesticated Interiors, Smith College Art Museum at the Brown Fine Arts Center, Northhampton [exh. cat.]

Perpetual Bliss, Galerie Thaddaeaus Ropac, Paris

Skulptur03, Max Gandolph-BIbliothek, Galerie Thaddaeus Ropac, Salzburg

Shine, Boijmans Museum, Rotterdam [exh. cat.]



Melodrama, Centro-Museo Vasco de Arte Contemporaneo, Basque; Palacio de los Condes de Gabia/Centro Jose Guerrero, Granada and Museo de Arte Contemporànea de Vigo, Vigo [Exh. Cat]

Bingo, Galerie Thaddaeus Ropac, Paris

Fusion Cuisine, Deste Foundation for Contemporary Art, Athens



Un Art Populaire, Fondation Cartier, Paris [exh. cat.]

Give and Take, organized by Serpentine Gallery and Victoria and Albert Museum, London [exh. cat.]

ARS 01, KIASMA Museum of Contemporary Art, Helsinki [exh. cat.]

Art Through the Eye of the Needle, Henie Onstad Kunstsenter, Oslo



Color and Fire: Defining Moments in Studio Ceramics, Los Angeles County Museum of Art, Los Angeles; Kemper Museum of Contemporary Art, Kansas City; The Tucson Museum of Art, Tucson; Memorial Art Gallery of the University of Rochester, [exh. cat.]

Sharing Exoticism, Biennale de Lyon d'art Contemporain, Lyon [exh. cat.]

Taipei Biennial, Taipei Fine Arts Museum, Taipei [exh. cat.]

Made in California: Art, Image, and Identity 1900-2000, Los Angeles County Museum of Art, Los Angeles [exh. cat.]



First Annual Post-Impeachment Show, Track 16 Gallery, Santa Monica, CA



Site Specific, The Aldrich Museum of Contemporary Art, Ridgefield



A Labor of Love, The New Museum of Contemporary Art, New York, [exh. cat.]

Art for the New Millennium, The Fabric Workshop/Museum, Philadelphia

Subversive Domesticity, Edwin A. Ulrich Museum of Art, Wichita [exh. cat.]

An Embarrassment of the Riches, Huntington Beach Art Center, Huntington, CA [cat.]



‘The fair, 42 works, ‘Abu Dhabi Art’ (Supplement) The Art Newspaper, November 2009, pp.6 and 8 ‘Crafter Words’, Design Indaba Magazine 1st quarter, 2009, pp. 50-58 Recker, Keith, ‘Grit & Glitter’, Hand/Eye Magazine, Summer 2009

Laster, Paul, ‘Liza Lou’, Time Out New York, November 6 – 12, 2008, p.76 Dubin, Steven C., Art in America (cover), November 2008 Rosenberg, Karen, ‘Liza Lou’, The New York Times, October 10, 2008 Schultz, Charles, ‘Interview with Liza Lou’, Whitehot Magazine,, October 2008

Bagley, Christopher, ‘Liza Lou’, W Magazine, September 2008 Dreyfus, Laurence, ‘Perle Rare’, L’Officiel, December 2007-Janurary 2008 Pil and Galia Kollectiv, ‘Liza Lou, London’, Art Papers, July/August 2006, p.62 Scholes, Victoria, ‘Review: Liza Lou’,, May 26, 2006 Fineman, Mia, ‘Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?’,, May 7, 2006 Elle Japan, May 2006, p.126 ‘Critics’ Choice’, Time Out London, April 5-12, 2006, p.41 ‘Exhibitions: Pick of the Week’, The Guardian: The Guide: London, April 1-7, 2006, p.35 ‘No Pain, No Gain’, i-D Magazine, April 2006, p.50

‘What’s On: United Kingdom: London’, The Art Newspaper, April 2006, p.6 ‘What Was That All About?: Liza Lou, At the White Cube’, The Guardian, March 29, 2006, p.21 Kent, Sarah, ‘The Shining’, Time Out London, March 22-29, 2006, p.40 ‘Private View: The Art Profile: Liza Lou’, Time Out London, March 22-29, 2006, p.42 ‘Critics’ Choice’, Time Out London, March 22-29, 2006, p.43 Searle, Adrian, ‘String of violence,’ The Guardian, March 21, 2006, p.18 Sumpter, Helen, ‘Caged Beauty,’ The Big Issue, March 20, 2006, p.30-31 ‘Critics’ Choice’, The Sunday Telegraph: Seven, March 19, 2006, p.42 Chapman, Peter, ‘Private View: Liza Lou’, Independent, March 18-24, 2006, p.13 ‘Leaning Tower of Liza’, Hackney Gazette, March 16, 2006, p.24 Darwent, Charles, ‘The Suffering Beneath all the Glitter’, The Independent on Sunday, March 12, 2006, p.19 ‘Art Beat’, ES Magazine, March 10, 2006, p.8 ‘Giant show at Cube’, East London Advertiser, March 9, 2006, p.23 Güner, Fisun, ‘Art Review: Liza Lou’, Metro, March 7, 2006, p.30 ‘Preview: Exhibitions’, The Guardian: Guide, March 4-10, 2006, p.36 Kley, Elisabeth, ‘Top 10 Trends: Just Bead It’, Art News, February 2006 Genocchio, Benjamin, ‘Making Something Out of Nothing’, The New York Times, October 30, 2005 Duponchelle, Valerie and de Rochebouet, Beatrice, ‘Liza Lou’, Le Figaro, October 22, 2004 Colpitt, Frances, ‘Learning From Comics’, Art in America, October 2003 Castro, Jan, ‘Cover story’, Sculpture Magazine, May 2003 MacConnell Smith, Nancy, ‘Beadazzling’, Nylon Magazine, November 2003 Heartney, Eleanor, ‘Liza Lou at Deitch Projects’, Art in America, April 2003 Sonkin, Rebecca, ‘Liza Lou Deitch Projects’, Tema Celeste, February 2003 Cooper, Andrea, ‘Bead Demon’, Elle Magazine, March 2003 Muller, Bertram, ‘Die Kuche – ein Glasperlenspiel’, Rheinische Post, 12 February 2002 Jones, Kristine M., ‘Fusion Cuisine’, Frieze, October 2002 ‘Beady Eye of Genius’, The Financial Times, 26 October 2002 ‘Winners of MacArthur Grants Announced’, The New York Times, 25 Sep 2002 Dagen, Phillippe, ‘Sous le Signe du Kitsch’, Le Monde, 16 Septembre 2002 Kino, Carol, ‘Hired Hands’, Art & Auction, February 2002 Jothady, Manisha, ‘American Glamorama’, Frame, January – March 2002 Medina, Marcy, ‘Dear Liza’, Women’s Wear Daily, July 12 2002 Groer, Annie, ‘By Beads Possessed’, Washington Post, November 23, 2001 Jones, Jonathan, ‘Let My People Show,’ The Guardian, June 26, 2001 Williams, Alena, ‘Liza Lou’, Tema Celeste, May – June 2001 Baer, Martha, ‘Her Glass House’, Nest Magazine, Fall Issue 2001 Cork, Richard, ‘At Home from Home’, The Times, January 24, 2001 ‘Changing Places’, Time Out London, January 24, 2001 Marchado, Martha, ‘Beads Here Now’, The Independent on Sunday, January 14,

2001 O’Sullivan, Michael, ‘Getting a Bead on Power’, The Washington Post, November 24, 2000 Groer, Annie, ‘By Beads Possessed’, Washington Post, November 23, 2000 Levin, Kim, ‘Border Crossings, Ljubljana, Lyon, and Neo-Exoticism in the New Europe’, The Village Voice, July 26, 2000 Nuridsany, Michel, ‘Lyon, Le Dialogue Des Mondes’, Le Figaro, June 27, 2000 Shaw-Engle, Joanna, ‘Glittery, Gritty


Looks at President’, The Washington Times Clark, Paul, ‘Kitsch Sink Drama’, Going Out, Evening Standard, January 29 ‘Make it Extravagant’ The New York Times, January 3, 2000 ‘Liza Lou’, Current Biography, vol. 61, number 1, January 2000 Dominus, Susan, ‘Questions for Liza Lou’, The New York Times Magazine, July 11, 1999 Johnson, Ken, ‘Review’ The New York Times, July 9, 1999 Trebay, Guy, ‘Finish Fetish and Liza Lou's American Glamorama’, Village Voice, July 6, 1999 Moreno, Gene, ‘Cover story’, Art Papers Magazine, July/August 1999 Heller, P.J., ‘Beady-eyed Barbie’, Chicago Tribune, Sunday, February 28, 1999 Mowbray, Scott, ‘Her Work is a Prayer’, Joe Magazine, Number 2, 1999 Rompalske, Dorothy, ‘Liza Lou’s Beaded Wonders’, Biography Magazine, January 1999 Conrads, David,


‘Beaded and Beadazzling’, Christian Science Monitor, January 4, 1999 Greenstein, M.A., ‘Art review’, Art Issues, Sept./Oct. 1998 ‘Installazione Commestibili di Giovani Artisti’ Italian Vogue, December 1998. Greenstein, M.A., ‘Art review’, Art Issues, September – October 1998 Amirrezvani, Anita, “Please Don’t Eat the Tomatoes: They’re Glass Beads’, The New York Times, June 30, 1998 Swartz, Jerry, “Liza Lou, Fundació Joan Miró’, Art News, May 1998 Casadio, Mariuccia. ‘Favolistica’, Vogue [Italia], March 1998 Molina, Angela, ‘Cómo Pasar Cuentas con el Arte’, ABC Cataluna, January 31, 1998 Toumani, Meline, ‘Liza's Lawn Party’, Art & Antiques, September 1997 Butler, Simone, ‘Drawing a Bead’, KPBS On Air Magazine, July 1997 Ollman, Leah, ‘Liza Lou's American Dream’, Art in America, June 1997 McKenna, Kristine, “Beads of Sweat”, Los Angeles Times/Calendar, Sunday, May 17, 1997 Louie, Elaine, ‘Creating a Garden, One Bead at a Time’, The New York Times, May 15, 1997 Knight, Christopher, ‘Art Review’, Los Angeles Times, May 9, 1997 Schwartz, Jeffrey, ‘Art Review’, Art News, May 1997 Raynor, Vivien ‘Portraits Done in Beads’, The New York Times, April 27, 1997 LA, ‘Cooking Crystal Barbecue with Liza Lou’, Artweek, April 1997 Fisher, Rachel, ‘Just Bead it to the Museum of Art’, Los Angeles Times, February 28, 1997 Ahokas, Asko, ‘Cover Story’, Muoto Magazine [Finland], February 1997

Lou, Liza, ‘Back page’, Utne Reader, February 1997 Molyneaux, Libby, ‘Bead the World’, L.A. Weekly, January 31, 1997 Geer, Suvan, ‘An Embarrasment of Riches’, Art Week, November 1996 Curtis, Cathy, ‘Riches' Spins Its Gold From Everyday Straw’, Los Angeles Times, October 14, 1996 Koplos, Janet, ‘Labor of Love’, Art in America, October 1996 Vaughn, Peter, ‘Medium Makes the Mundane Amazing’, Star Tribune, July 25, 1996 Gallo, Ruben, ‘A Labor of Love’, Art Nexus, April/June 1996 Pincus, Robert, ‘A Grand Obsession’, San Diego Union Tribune, April 21, 1996 Chester, Christopher, ‘Artist Uses Odd Materials’, Associated Press, March 24, 1996 ‘Searching High and Low’, Museums New York, Spring Issue 1996 Strickland, Carol, ‘A Labor of Love Focuses on Artist's Heart as Well as Hand’, Christian Science Monitor, February 12, 1996 Smith, Roberta, ‘Fine Art and Outsiders: Attacking the Barriers’, The New York Times, February 9, 1996 Hess, Elizabeth, ‘Needles and Pins’, The Village Voice, February 6, 1996 Pedersen, Victoria, ‘Gallery Go Round’, Paper Magazine, February 1996 Halle, Howard, ‘Going Into Labor’, Time Out New York, January 31 – February 7, 1996 Young, Lucie, ‘Ultimate in Kitchen Glamour’, The New York Times, January 25, 1996



Dean Johnson, Mark (ed.), Prison/Culture (City Lights Foundation, San Francisco 2009) Klanten, Robert and Lukas Feireiss (eds.), Spacecraft 2 (Gestalten, Berlin 2009)

Badelt, Sandra und Beat Wismar, Diana Und Actaeon: Der Verbotene Blick Auf Die Nakctheit, (Dusseldorf, Hatje Cantz Verlag, 2008)

Barber, Anna (ed.), Bizarre Perfection: The Israel Museum Exhibition Catalogue, (The Israel Museum, Jerusalem, 2008)

 Nochlin, Linda, Existence and Beading: The Work of Liza Lou, (New York, L&M Arts, 2008)

Pincus-Witten, Robert, Liza Lou: Why Not Beads?, (New York, L&M Arts, 2008)

 Heartney, Eleanor, Art & Today (London and New York: Phaidon Press, 2008)

Conversations on Sculpture, Edited by Glenn Harper and Twylene Moyer

(ISC Press, 2007)

Winterson, Jeanette, and Marlow, Tim, Liza Lou, (UK: White Cube, 2006)

Koenig, Walter, Most Wanted – The Olbricht Collection (Germany: Verlag der Buchhandlung Publishing, 2005)

Bérubé, Michael, The Aesthetics of Cultural Studies (Oxford: Blackwell Publishing, Ltd., 2005)

Deitch, Jeffrey, Monument to Now (Athens: Deste Foundation, 2004)

 Moscoviter, Herman, De Vleugels Van Biblioteek (Rotterdam: Biblioteek Rotterdam, 2004)

Northrup, JoAnne, Domestic Odyssey (San Jose: San Jose Museum of Art, 2004)

 Levitte Harten, Doreet, Melodrama (Vigo: Museo de Arte Contemporánea de Vigo, 2004)

Muehlig, Linda, Undomesticated Interiors (Northhampton: Smith College Museum of Art, 2004)

 De Oliveira, Nicolas; Oxley, Nicola; Petry, Michael, Installation Art in the New Millenium: The Empire of the Senses (London: Thames and Hudson, 2003)

4Sütö, Wilma, Shine (Rotterdam: Museum Boijmans Van Beuningen, 2003)

Cassel, Valerie, Splat, Boom, Pow: The Influence of Cartoons in Contemporary Art (Houston: Contemporary Arts Museum, 2003)

Wendt, Selene and Liza Lou (interview)

Leaves of Glass (Oslo: Henie Onstad Kunstsenter, 2002)

 Corrin, Lisa, Give and Take (London: Serpentine Gallery, 2001)

Jaukkuri, Maaretta, Unfolding Perspectives (Helsinki: Museum of Contemporary Art Kiasma, 2002) Martin, Jean-Hubert, Partage d’Exotismes (Lyon: 5th Biennale d’Art Contemporain de Lyon, 2001) Kelmachter, Hélène, Un Art Populaire (Paris: Fondation Cartier, 2001)


Sans, Jerome, The Sky is the Limit (Taipei: Taipei Fine Arts Museum, 2000)

 Fox, Howard N., Made in California (co-published by the Los Angeles County Museum of Art and University of California Press, Berkeley, Los Angeles and London, 2000)

 Schjeldahl, Peter and Tucker, Marcia, Liza Lou (Santa Monica: Smart Art Press, 1998)

 Self, Dana, Subversive Domesticity (Wichita: Edwin A. Ulrich Museum of Art, 1996)

Pincus, Robert. Liza Lou (Davis: John Natsoulas Press, 1996)

Tucker, Marcia, A Labor of Love (New York: The New Museum of Contemporary Art, 1996)

Public and private collections






Fondation Cartier Pour I’art Contemporain, Paris



Thomas Olbricht Collection, me Collectors Room, Berlin



Deste Foundation for Contemporary Art, Athens



Honart Museum, Tehran



François Pinault Foundation, Palazzo Grassi, Venice



La Fundación/Colección Jumex, Mexico City



Fundación Privada Sorigué, Lleida



Chrysler Museum of Art, Norfolk, VA

De Young Museum/Legion of Honor, San Francisco, CA

Hammer Museum, Los Angeles, CA

Los Angeles County Museum of Art, CA

Museum of Modern Art, New York, NY

San Jose Museum of Art, San Jose, CA

The Brant Foundation, Greenwich, CT

The Cleveland Museum of Art, Cleveland, OH

The Metropolitan Museum of Art, New York, NY

The Whitney Museum of American Art, New York, NY

Toledo Museum of Art, Toledo, OH